Writing on Grief: Robert Frost

The author of Indigo (Copper Canyon Press, 2020) reflects on the lessons Robert Frost offers us when writing about loss.
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The author of Indigo (Copper Canyon Press, 2020) reflects on the lessons Robert Frost offers us when writing about loss.
In this video, Margaret Atwood, recipient of the 2025 Griffin Poetry Prize Lifetime Recognition Award speaks with Pádraig Ó Tuama about her literary career, the power and the craft of poetry, and how verse captures both personal and universal experiences.
In this video for the Universe in Reverse event series created and hosted by Maria Popova, Emily Dickinson’s poem “Bloom” is transformed into a musical cinepoem featuring centuries-old pressed flowers from Dickinson’s surviving herbarium with music by Joan As Police Woman, art and animation by Ohara Hale, and lettering by Debbie Millman.
In a recent New York Times article, architecture critic Michael Kimmelman visits various DIY concrete ramps in front of New York City bodegas with photographer Tom Wilson, who sees the ramps as “urban geology,” creative workarounds to make the shop doors accessible for hand trucks, strollers, and wheelchairs. Kimmelman describes the bodega ramps as a Rorschach test as they bring to mind glaciers, tongues, clamshells, ziggurats, and even “ladles of pancake batter spreading on a griddle.” Compose a poem dedicated to an overlooked feature of your locale, whether something in an urban environment that parallels natural formations or something in a more rural environment that reminds you of urban structures. You might play with features of concrete poetry, photographs, or illustrations to accompany your piece.
In this World Poetry Salon series event presented by Limelight Poetry and the New York Public Library, Victoria Chang reads a selection of poems from her books, including Obit (Copper Canyon Press, 2020) and With My Back to the World (Farrar, Straus and Giroux, 2024), with musical accompaniment by yuniya edi kwon, and discusses the power of collaboration across form and genre in a conversation with Patricio Ferrari.
Sparrows have appeared in poetry throughout time—from Catullus writing about Lesbia’s pet sparrow to works by Sappho, Emily Dickinson, William Butler Yeats, Paul Laurence Dunbar, and Charles Bukowski. In Susan Howe’s Penitential Cries, forthcoming in September from New Directions, the concluding poem, “Chipping Sparrow,” with its clipped pacing and sound, as if to mimic a sparrow’s, illuminates a clear-eyed but lyrical notion of time as well as the physicality of life as experienced from the eighty-eight-year-old poet’s perspective. “Left the body // Drowsd a little / Done with soul / – // What to think / Dusting up crown // Garment mirror / Pull me close / – // Quietness and calm / Rest and rejoice // No more doubt / Astonishing!” Spend some time browsing through poems that mention this ubiquitous bird and note the range of symbolism: eros, love, humility, fragility. Then write your own sparrow poem that commemorates where you are in your life.
The author of Indigo (Copper Canyon Press, 2020) recommends writers use coding when trying to describe loss.
With Regaining Unconsciousness, her first poetry collection in twelve years, Harryette Mullen sounds an alarm for our uncertain future with a poetics both urgent and playful.
The first lines of a dozen noteworthy books, including Pick a Color by Souvankham Thammavongsa and Articulate: A Deaf Memoir of Voice by Rachel Kolb.
The new editor in chief of Ploughshares discusses her vision for expanding the journal’s digital format and its community.