The Poetics of Temperature

The author of fox woman get out! offers a climatic approach to reading and writing verse.
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The author of fox woman get out! offers a climatic approach to reading and writing verse.
Don’t let 2023 pass you by without trying your luck at a writing contest! Prizes with a December 15 deadline include a weeklong residency at Millay Arts in Austerlitz, New York, and $1,000 (including $500 for a reading in New York City) for a poetry chapbook; $1,500 and publication for a short story; and $1,000 and publication for a poetry collection. Read on to learn more, and best of luck to you!
Center for Book Arts
Poetry Chapbook Contest
A prize of $500 and letterpress publication by the Center for Book Arts is given annually for a poetry chapbook. The winner will also receive 10 copies of their chapbook, an additional $500 to give a reading with the contest judge at the Center for Book Arts in New York City in fall 2024, and a free weeklong residency at Millay Arts in Austerlitz, New York, for their Wintertide Rustic Retreat. Manuscripts written in another language are accepted when accompanied by an English translation. Entry fee: $30.
Gival Press
Poetry Award
A prize of $1,000 and publication by Gival Press will be given biennially for a book of poetry. Beverly Burch will judge. Entry fee: $20.
Longleaf Press
Book Contest
A prize of $1,000, publication by Longleaf Press, and 25 author copies is given annually for a poetry collection. The winner will also be invited to give a virtual reading in early 2024. Roger Weingarten will judge. Entry fee: $27.
Story
Story Foundation Prize
A prize of $1,500 and publication in Story is given annually for a short story. Entry fee: $25.
Willow Books
Literature Awards
Three prizes of $1,000 each and publication by Willow Books are given annually for a book of poetry, fiction, and creative nonfiction by BIPOC writers. Entry fee: $25.
Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.
In this PEN America event from their 2022 World Voices Festival, authors Jean Guerrero, Omar El Akkad, Ousman Umar, and Yuri Herrera come together for a conversation about border and migrant narratives, the current global crises of displacement, and how literature tells the stories of those often ignored or hidden.
How well do we know ourselves? Studies done by psychologists over the past several decades have demonstrated that people often process information about the world around them through cognitive biases. The way in which an event is remembered can then lead to biased thinking and decision-making. Positive memory biases cause one to remember events more favorably than they actually were and view their overall past with a rosy outlook, while negative memory biases often occur when recalling an emotional event. Write a poem that approaches one memory from two different cognitive biases, playing with the ways in which an event or situation might be remembered differently depending on how it was experienced. Does this multivalent approach allow you to expand your initial perceptions of what happened?
Palestinian poet and scholar Mosab Abu Toha reads his poems and discusses his life as a writer in Gaza for this 2021 virtual event moderated by Refqa Abu-Remaileh and hosted by the Literatures of Annihilation, Exile, and Resistance research collective and lecture series. The author of the award-winning book Things You May Find Hidden in My Ear (City Lights Books, 2022) was detained by Israeli Defense Forces while trying to leave Gaza after his home was bombed, and was later released.
The American dipper is said to be North America’s only truly aquatic songbird: a small, undistinctive brownish gray bird that chirps a pretty melody nearby river rapids and dives up to twenty feet into the water, even walking underwater along the riverbed to catch tiny fish, larvae, and small insects to eat. Flying fish also straddle multiple elements, launching themselves out of water and gliding through the air to escape predators. Unexpected animal behavior can act as a reminder of our own flexibilities or potential to exceed expectations that might otherwise keep us constrained. This week write a poem about a time when you have been propelled into unexpected territory, like a fish out of water or a bird under water. Is it possible that you might feel in your element while out of your element?
“Praise your capacity for birth / fluid currents and trenchant darkness.” In this short film directed by Justyn Ah Chong, poet Craig Santos Perez reads “Praise Song for Oceania,” which appears in his collection Habitat Threshold (Omnidawn, 2020). Perez’s latest collection, from unincorporated territory [lukao] (Omnidawn, 2023), the fourth in an ongoing series about his homeland of the Pacific Island of Guåhan (Guam), won the National Book Award in poetry.
Begin the last month of 2023 by showing a little faith in your poetry: Submit to the inaugural Watchword Prize from Georgetown Law’s Center on Privacy & Technology by December 1. The author of the winning poem will receive $2,000, publication on the center’s website, and an invitation to read at the Color of Surveillance conference.
Using the online submission form, submit up to three poems for consideration on the broad theme of surveillance. There is no entry fee, and poet Carolyn Forché will judge. Visit the website for complete guidelines.
As technology enables governments and corporations to more easily and frequently monitor individuals, the Center on Privacy & Technology advocates for legal polices to protect privacy rights. The center launched the Watchword Prize to engage poets in thinking about what it means to be surveilled and the consequences for a society that keeps such close tabs on its people. “Artists and poets have a deeply-rooted tradition of participation in movements for social change, and we want to help foster and inspire the production of new works of art that evoke and critique experiences and practices of surveillance,” says a statement on the center’s website explaining the impetus for the prize.
“Humor is humanizing and it helps us remain in a space of authenticity and lightness.” In this video for PBS NewsHour’s “Brief But Spectacular” series, Megan Fernandes offers her take on humor and humiliation in poetry and reads a poem from her collection I Do Everything I’m Told (Tin House, 2023). For more from Fernandes, read her installment of our Craft Capsule series.
Action films provide excitement through fight scenes, car chases, explosions, and other high-octane thrills, but emotional conflict is what keeps audiences engaged. Whether it’s the death of a puppy or the bond between a cyborg and a child, emotions fuel the action. In the classic 1997 blockbuster Con Air, Nicolas Cage plays a good-hearted ex-convict waiting for the moment he can reunite with his wife and young daughter when his transport plane descends into chaos as a planned prison break unfurls aboard. Throughout the turbulent turmoil, the protagonist goes to great lengths (at times to a comedic level) to protect and hold onto sentimental objects: a handwritten letter from his daughter and a plush stuffed bunny for her birthday. Consider how action and sentimentality can work together and experiment with inserting an opposing emotion or sensation into a poem you’ve written in the past. How might the contrast emphasize or highlight a previously submerged aspect of the poem?