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“I write to ask questions and to inquire, not declare.” In this Virtual Craft Chat hosted by the Writer’s Center, poet Sarah Ghazal Ali reads from her debut collection, Theophanies (Alice James Books, 2024), and discusses her use of the ghazal form, the architecture of her book, and the inspirations she drew from the Qur’an in a conversation with Poet Lore editor Emily Holland.
Drawing on a wealth of botanical vocabulary, Canadian poet Sylvia Legris explores themes of nature in her new book, The Principle of Rapid Peering, forthcoming in April from New Directions. In the book, the title of which is derived from early-twentieth-century ornithologist Joseph Grinnell’s study on the behavior of birds around food, Legris categorizes birds as either “those who wait passively for food to approach them” or rapid-peering active-seekers “whose target[s] of desire [are] stationary.” She writes: “The rapid-peerer’s eyes turn / as the head changes position. // The eyes focus the beak, / the instrument of capture. // ... The head follows the feet, / quick moves, to, fro. // Feet with an intelligence of texture, / bark, branch, gravel, soil.” Browse through nature guides or encyclopedias in search of unique animal attributes, specifically looking for evocative terminology with potentially expansive interpretations. Then write a poem that both touches on the term’s original meaning and imagines a new interpretation connecting to a personal experience or memory.
The author of Midwhistle explores the power of the epic poem.
Thanks to the extra fraction of a calendar day it takes Earth to orbit the sun each year, you have this leap year’s compensation day to apply to awards with deadlines on February 28 and February 29! Use that temps perdu to submit to contests offering prizes including $22,000 and publication for a nonfiction manuscript-in-progress that “emphasizes innovation in form and content”; $3,000, publication, and 20 author copies for a first or second poetry collection; and two prizes of $2,000 for a poetry e-book and a fiction e-book that depict “cultural, historical, and sociopolitical aspects of the Black Diaspora.” Best of luck!
Association of Writers & Writing Programs
Award Series
Three prizes of $5,500 each and publication by a participating press are given annually for a poetry collection, a short story collection, and a novel. A prize of $2,500 and publication by a participating press is also given annually for an essay collection or a memoir. Deadline: February 28. Entry fee: $30 ($20 for AWP members).
Austin Community College
Balcones Prizes
Two prizes of $1,500 each are given annually for a poetry collection and a book of fiction published during the previous year. English translations of works originally written in another language are accepted. Deadline: February 28. Entry fee: $25 for poetry and $30 for fiction.
Black Caucus of the American Library Association
Self-Publishing Literary Awards
Two prizes of $2,500 each are given annually for a poetry e-book and a fiction e-book self-published during the previous year by an African American writer. The awards honor books that depict “cultural, historical, and sociopolitical aspects of the Black Diaspora.” Deadline: February 28. Entry fee: None.
Graywolf Press
Nonfiction Prize
A prize of $22,000 (comprised of a $20,000 advance and a $2,000 research stipend) and publication by Graywolf Press will be given biennially for a nonfiction manuscript-in-progress that “emphasizes innovation in form and content” by a writer who is not yet established in the genre of nonfiction. The editors will judge. Deadline: February 28. Entry fee: None.
Little Tokyo Historical Society
Imagine Little Tokyo Short Story Contest
Two prizes of $500 each and publication in Rafu Shimpo and on the Discover Nikkei and Little Tokyo Historical Society websites are given annually for short stories that take place in the Little Tokyo district of Los Angeles and “capture the cultural spirit” of the neighborhood. One prize is given for a story written in English; the other is given for a story written in Japanese. Deadline: February 29. Entry fee: None.
Omnidawn Publishing
First/Second Poetry Book Contest
A prize of $3,000, publication by Omnidawn Publishing, and 20 author copies is given annually for a first or second poetry collection. Desirée Alvarez will judge. Deadline: February 29. Entry fee: $35.
Red Hen Press
Women’s Prose Prize
A prize of $1,000 and publication by Red Hen Press is given annually for a book of fiction or nonfiction by a writer who identifies as a woman. Laila Halaby will judge. Deadline: February 28. Entry fee: $25.
Tupelo Press
Snowbound Chapbook Award
A prize of $1,000, publication by Tupelo Press, and 25 author copies is given annually for a poetry chapbook. All entries are considered for publication. Deadline: February 28. Entry fee: $25.
Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.
“Tonight I pray to the god / of small children and broken toys,” reads January Gill O’Neil from her poem “Prayer” in this installment of the P.O.P. series, shot and edited by Rachel Eliza Griffiths in partnership with the Academy of American Poets. O’Neil’s fourth collection, Glitter Road (CavanKerry Press, 2024), is featured in Page One in the March/April issue of Poets & Writers Magazine.
The 49th annual Southampton Writers Conference was held from July 10 to July 14 at the Stony Brook Southampton campus in Southampton, New York, located on the Atlantic coast 90 miles east of New York City. The conference featured workshops in poetry, fiction, and creative nonfiction, as well as readings and an agent panel. The faculty included poets Billy Collins and Diana Khoi Nguyen, fiction writer Julia Phillips, fiction and nonfiction writers Matthew Klam and Frederic Tuten, and memoirist Nadia Owusu.
Southampton Writers Conference, Stony Brook Southampton, Chancellors Hall, 239 Montauk Highway, Southampton, NY 11968. (631) 632-5007. Christian McLean, Conference Director.
The 34th annual Sewanee Writers’ Conference was held from July 16 to July 28 on the campus of the University of the South in Sewanee, Tennessee. The conference featured workshops, special topics classes, lectures, one-on-one meetings with faculty, and readings for poets, fiction writers, and nonfiction writers. The faculty included poets Marianne Chan, Eduardo C.
Sewanee Writers’ Conference, University of the South, 735 University Avenue, Sewanee, TN 37383.
The Ou Gallery’s Ou-telier program offers one- to four-week residencies starting on the 1st and 16th of every month year-round to poets, fiction writers, creative nonfiction writers, and translators on Gabriola Island in British Columbia, Canada. Residents are provided with a private studio and one-bedroom, one-bathroom cabin, which can be shared with an artist collaborator or family member.
Ou-telier Residency, The Ou Gallery, 3091 Agira Road, Duncan, BC V9L 3Y3, Canada. Barclay Rose, Cofounder.
In this video for the Disability Poetics series, Cyrée Jarelle Johnson speaks about the intersection between disability and enslavement, and reads his poem “Eating the Other,” which appears in his second poetry collection, Watchnight (Nightboat Books, 2024). Watchnight is featured in Page One in the March/April issue of Poets & Writers Magazine.
Two prizes of $2,000 each and publication in Nimrod International Journal are given annually for a poem or a group of poems and a work of fiction.
