The Long and Rolling Line
The author of Ocean of Clouds (Knopf, 2025) considers the lineage of his own loping lines and encourages poets to try them.
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The author of Ocean of Clouds (Knopf, 2025) considers the lineage of his own loping lines and encourages poets to try them.
The author of Ocean of Clouds (Knopf, 2025) considers the benefits of planning elements of a poem before its composition.
The author of no swaddle (University of Iowa Press, 2025) considers the value of both engaging with and refuting a traditional form.
“The magnitude of space around me must have opened a kind of interior spaciousness where the writing came from.” —Lisa Fishman, author of One Big Time
“You can go with intention, or you can explore where the poem leads you. Where your unconscious leads you.” —Kimiko Hahn, author of The Ghost Forest: New and Selected Poems
“I’d love to be the kind of writer who sits down at my desk at a specific and predictable time...and write, but I’ve never been that writer. —torrin a greathouse, author of DEED.
The author of Yaguareté White considers the ethics of found poetry.
The author of Midwhistle contemplates the common ground between jazz music and poetry.
The author of Midwhistle considers how a poem’s title can frame, deepen, or complicate the reader’s experience of it.
“I was stretching to become a different kind of writer, and that took time.” —Justin Torres, author of Blackouts