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Scholars may soon have full access to the T. S. Eliot's personal papers and correspondence; Greg Olear examines his writing success at forty; rumors of a possible merger or sale of the Wylie Agency are afloat; and other news.
Mike Shatzkin has two pieces of advice for publishers; Alex Balk discusses abandoning his post-modern novel, Slumdog Millionaire screenwriter Simon Beaufoy has written an adaptation of Billy Lynn’s novel, Long Halftime Walk; and other news.
An editor reveals how the best agents—Molly Friedrich, Jud Laghi, Chris Parris-Lamb, Scott Moyers, and Jennifer Joel among them—work behind the scenes to help their clients’ books get the attention they deserve.
Georges Borchardt has been an agent for more than fifty years. He’s seen authors, editors, and other agents come and go, but two things have never changed: his belief that good writing is a gift and his ability to get it published.
At the end of Folio Literary Management's second month in operation, Scott Hoffman, who represents writers of fiction and nonfiction and receives between two hundred and five hundred queries a week, spoke about the role of agents in today's publishing marketplace.
Agent Nat Sobel, one of the most forward-thinking and outspoken agents in the business, voices his opinions on what authors should do for themselves, the dangers of MFA programs, and what he finds in literary magazines.
With more than forty years of experience in the business, agent Lynn Nesbit discusses how she signed some of her biggest clients, how a writer can get an agent’s attention, and what’s wrong with the publishing industry.
