literary agents

The publisher of her eponymous imprint at Penguin Random House, Amy Einhorn discusses her early days as an assistant at FSG, the importance of titles, and how she pushes her authors to make their books the best they can be.

PJ Mark, whose clients include Samantha Hunt, Wayne Koestenbaum, Dinaw Mengestu, Maggie Nelson, Ed Park, and Josh Weil, talks about what writers can do to improve their chances of success, why fiction is harder to sell than nonfiction, and the importance of trusting your heart.

Four veteran agents talk about the business of books, the secret to a good pitch, and what authors should do in the lead-up to publication.

The agent of authors such as Diana Nyad and Herman Wouk answers questions about self-publishing, age restrictions, and working with an agent remotely.

Literary agent Matt McGowan, who represents Eula Biss, John D’Agata, Brian Evenson, and many others, answers writers’ most commonly asked questions.

Does your book need to be finished before you seek representation? Do agents really read synopses? Agent Jenni Ferrari-Adler, whose clients include Lauren Shockey and Emma Straub, answers these questions and more.

Should you pay to have a manuscript edited beforehand? Are there benefits to querying via snail mail versus e-mail? Danielle Svetcov of Levine Greenberg Rostan answers readers’ questions about what (and what not) to do when trying to find an agent.

Chris Parris-Lamb of the Gernert Company offers advice on submitting query letters and manuscripts, and when to embrace or eschew self-promotion.