Anna Gosh answers readers’ questions—from why poetry agents are seemingly nonexistent to whether or not it is possible to be “too young to write.”
Susan Golomb, whose clients include Jonathan Franzen, Rachel Kushner, and William T. Vollmann, talks about the ebb and flow of submission season, the art of the preemptive offer, and the gems she finds in her slush pile.
Four young literary agents meet for an evening of food, drink, and conversation about how they find new authors, what they need to see in a query letter, and the common mistakes writers should avoid.
When is the best time in your career to look for representation, and when should you call off an author-agent relationship? Terra Chalberg, whose clients include Lori Ostlund and Glenn Taylor, tackles these questions and more.
Four young literary agents meet for an evening of food, wine, and conversation about the writing they’re looking for, how they’re finding it, what they love, what they hate, and ten things writers should never ever do.
Four agents discuss how the economy is affecting their jobs, where they’re finding new writers, and what totally freaks them out about MFA students.
The agent of authors such as María Amparo Escandón and Joy Nicholson offers advice on query letters, editing, and what not to do when submitting a manuscript.
A vice president and executive editor at Knopf, Jordan Pavlin discusses her terror of launch meetings, the particular genius of Sonny Mehta, and her job as a writer’s ideal reader.
Literary agent David Gernert discusses the bookstore as a key to our culture, what it's like to work with John Grisham, and how big changes in the industry are affecting authors' incomes.
The publisher of her eponymous imprint at Penguin Random House, Amy Einhorn discusses her early days as an assistant at FSG, the importance of titles, and how she pushes her authors to make their books the best they can be.