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For the past thirty years, from the publication of his first novel, Mohawk, to his latest, Everybody’s Fool, a sequel to his beloved 1993 novel, Nobody’s Fool, Richard Russo, the Pulitzer Prize–winning “patron saint of small-town fiction,” has remained the same generous, optimistic, hardworking writer he’s always been, welcoming readers into his books and his heart.
Explore your parental relationships, gain unexpected access to somebody else’s data, and assess the qualities of a favorite celebrity—three prompts to ignite the creative process.
In his brilliant and devastating new novel, Imagine Me Gone, Adam Haslett navigates an enormous darkness, allowing his readers to bear witness to the persistence of love in the face of mental illness.
Information about twenty-five first-book contests for poets and fiction writers ready to submit their manuscripts.
A new project crowdsources redesigned covers for classic works of literature, with the goal of “reviving the canon for a new generation of readers.”
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Masande Ntshanga’s debut novel, The Reactive, and Emma Straub’s third novel, Modern Lovers, as the starting point for a closer look at these new and noteworthy titles.
Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features the Midwest-based Rescue Press, a publishing house that’s championing fluidity of form in literature.
Beverly Cleary turns a hundred; writer Idra Novey’s love letter to translation; PEN literary awards announced; and other news.
Hilton Als on Maggie Nelson; college poetry slam athleticism; on attending AWP as a black woman; and other news.
Moleskine notebooks offer digital sets; the literary rules of Cervantes and Shakespeare; editor Vivian Lee on nurturing writers of color; and other news.
