Attic Finds

11.5.25

A human skull, eleven boxes full of used corks, a reel of an old cycling race, an eighteenth-century textbook—these are some of the real items discovered in attics from an article published in the Guardian. What’s hidden in your home? Write a short story that revolves around a character who has just moved into a new place, or is exploring a previously unexamined part of their home, and makes a startling discovery in an attic, basement, shed, or crawl space. Does your character attempt to formulate a story around the findings or locate the original owners of the home? Is there a creative, monetary, or emotional value to be found in the object?

Limits and Freedom

11.4.25

“When does the box of a story—a painting, a sonnet, a name—limit, and when does it free? Can it do both? What do I tell, and what do I obscure?” asks Anne Marie Rooney in a brief description of her poem “Abstraction,” published in the Academy of American Poets’ Poem-a-Day series. This week, consider the parameters of a poem—the space on the page and the length of the line, the language, the type of poetic form—and write a poem whose subject matter interrogates the limitations of your chosen form. How can you play with freedom within the confines of this “box of a story?” 

Joy Harjo: Girl Warrior

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In this episode of Poured Over: The Barnes & Noble Podcast hosted by Miwa Messer, Joy Harjo reflects on becoming a poet and artist in the turbulence of the seventies in America and talks about the process of writing her memoir Girl Warrior: On Coming of Age (Norton, 2025). Harjo’s book is featured in Page One in the November/December issue of Poets & Writers Magazine.

New Frame

10.30.25

Take a pivotal moment from your own life and reimagine it through the lens of a specific genre or style. You might frame it as a ghost story, a myth, a detective case, or even a surreal fairy tale. Pay attention to how the conventions of that genre shape the reader’s perception of your experience and the ways that tension, suspense, and exaggeration can illuminate truth in unexpected ways. Consider what the shift in perspective reveals about how you remember this moment, the trajectory of your emotions, and the narrative you tell yourself about what occurred.

Jaquira Díaz: This Is the Only Kingdom

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In this Books Are Magic event, Jaquira Díaz reads from her debut novel, This Is the Only Kingdom (Algonquin Books, 2025), and discusses what inspired her to write a queer coming-of-age story in a conversation with Lupita Aquino and Angie Cruz. Díaz’s novel is featured in Page One in the November/December issue of Poets & Writers Magazine.

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Brandon Kilbourne: Natural History

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In this event hosted by the Society for Integrative and Comparative Biology, poet and biologist Brandon Kilbourne talks about the relationship between scientific inquiry and poetics which manifests in his debut poetry collection, Natural History (Graywolf Press, 2025), and reads a selection of poems. Kilbourne’s collection is featured in Page One in the November/December issue of Poets & Writers Magazine.

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More Than a Label

10.29.25

Character names in stories do more than identify—they can resonate, offer foreshadowing, and sometimes mislead. The name Hester traces its origins to the ancient Greek language, where it acquired the meaning of “star,” and in Hawthorne’s novel The Scarlet Letter, Hester Prynne shines bright with strength and resilience amid public shaming and condemnation. The cold-hearted Ebenezer Scrooge of Dicken’s A Christmas Carol became so well-known that his name is synonymous for someone who is a miser and uncharitable. Remus Lupin of the Harry Potter series takes his name from the Latin word “lupus” meaning “wolf,” a nod to his werewolf heritage. Write a story in which you name a character with intention. Let the name echo inner conflict, irony, or destiny.

Esther Ifesinachi Okonkwo: The Tiny Things Are Heavier

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In this Politics and Prose event, Esther Ifesinachi Okonkwo reads from her debut novel, The Tiny Things Are Heavier (Bloomsbury, 2025), and talks about how writing a coming-of-age story helped her understand her own experiences in migrating to the United States from Nigeria in a conversation with Gbenga Adesina.

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