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The New York Times features famous Afghan poet Matiullah Turab; the Paris Review examines the surreal work and creative soul of Leonora Carrington; Forbes details four ways self-published authors can avoid the 30% Amazon tax; and other news.
Publishers Weekly reports twenty-three million e-book consumers are eligible for refunds; the New Yorker looks at the life and work of Choire Sicha; Open Culture gathered writing advice from Richard Ford, Jonathan Franzen, and Anne Enright; and other news.
Joshua Rothman considers a new interpretation of Shakespeare’s Hamlet; Michele Filgate recounts how she accidentally set Stephen King’s Insomnia aflame; Jennie Yabroff parses the distinction between autobiography and memoir; and other news.
“There is only one class in the community that thinks more about money than the rich, and that is the poor.” This observation by Oscar Wilde reminds us that no one is unaffected by money. Money heats our stoves, stitches our wounds, and clothes our children. Yet, people can perceive money—like art and religion—very differently. Think of a moment in your family history when money created tension. Focus on how individuals spoke, listened, and acted. Write objectively.
Bookstore sales fell 9.5 percent in June; Wattpad recently announced a crowd-sourced funding service for its authors; Carol Muske-Dukes recounts John Cheever’s 1977 visit with inmates at Sing Sing; and other news.
Juxtaposition creates tension, contrast, and intrigue. Think of two objects that don’t belong together next to each other: a cat skeleton and a shrimp cocktail, an antique coffee grinder and a wet scuba mask, a spare car tire on a floating iceberg. Once you choose your items, write the story that brought them together.
