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In this video, Pulitzer Prize–winning poet and translator Robert Hass reads “Okefenokee: A Story,” “Pertinent Divagations Toward an Ode to Inuit Carvers,” and other poems from his book Summer Snow (Ecco, 2020) at the 2019 Sewanee Writers’ Conference in Tennessee. The book, Hass’s seventh poetry collection, is featured in Page One in the January/February issue of Poets & Writers Magazine.
Cameron Awkward-Rich considers the possibilities and pitfalls of “after” poetry—poetry inspired by or borrowing from another writer’s work.
“Today, today I said I would write my own healing.” In this 2015 video, Camonghne Felix reads her poem “Presence” at the Strivers Row’s Poetic Soul live performance series. Felix is the author of Build Yourself a Boat (Haymarket Books, 2019) and is featured in “Poetic Lenses: Our Fifteenth Annual Look at Debut Poetry” in the January/February issue of Poets & Writers Magazine.
“Soundless, it crosses a line, quiets into a seed / & then whatever makes a seed. almost like gone / but not gone. the air kept its shape.” At the 2019 Lambda Literary Retreat, Danez Smith reads “undetectable” and “say it with your whole black mouth” from their third poetry collection, Homie (Graywolf Press, 2020), which is featured in Page One in the January/February issue of Poets & Writers Magazine.
The New Orleans press publishes four or five poetry titles a year in an eclectic range of styles.
An author tells a fantastical story by writing it a word at a time in the snow.
Ten debut poets published in 2019, including Camonghne Felix and Jake Skeets, share their advice, inspiration, and path to publication.
After more than forty years of publishing innovative poetry, Ahsahta Press will shutter in June 2020.
The Poison Pen Reading Series holds events in a bar called the Poison Girl Cocktail Lounge. The series has been going for twelve years, just a little longer than Houston VIP Slam (which I featured last week), but functions in a very different way. The series brings three writers together who read on the outside patio of the lounge. Audience members get to relax in a space under the stars and listen to literary works from writers from Houston and beyond.
The readings are usually hosted by Scott Repass, one of the owners of the lounge, and start at 8:00 PM on every third Thursday of the month. The featured readers vary for each event, but most times, audience members will get the opportunity to hear from at least one writer from the University of Houston Creative Writing Program, a writer from the Houston literary community, and a visiting writer from outside of Houston. Writers share work from all genres including poetry, fiction, and nonfiction.
I have been to many Poison Pen readings and have had the pleasure of being a featured reader, the last time was this past July when I was honored to share the stage with poet Natasha Carrizosa and fiction writer Robert Liddell. The readings are always jam-packed, standing room only in most cases, so if you plan to attend, get there early for a drink and to find a good seat for the reading. It’s worth it.
The Poison Pen Reading Series at Poison Girl in Houston. Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.“Often discussions of persona poetry focus on its potential for cultivating empathy, inhabiting another’s perspective, but I have always felt that, inevitably, one circles back upon oneself,” writes Jennifer S. Cheng in Literary Hub about her second collection, Moon: Letters, Maps, Poems (Tarpaulin Sky Press, 2018). “Persona poetry is often compared to wearing a mask, but to me it is like speaking into a shell.” In her book, Cheng writes a series of persona poems in the voice of Chang’E, the woman who floats up to the moon in Chinese folktales. Think of a mythical figure or other fictionalized character who resonates with you, and write a short series of poems that explores this person’s inner self. Allow your own voice to intermingle and draw you toward imagining where your identities might overlap.
