Genre: Fiction

Fictional Lonely Planet

1.27.16

In The Dictionary of Imaginary Places (Houghton Mifflin Harcourt, 2000), Alberto Manguel and Gianni Guadalupi catalog the fictional places of world literature. From Italo Calvino’s invisible cities to Umberto Eco’s abbey in The Name of the Rose, Crusoe’s island to the vast worlds of Middle Earth and Narnia, the volume explores how so many worlds of the imagination have come to influence our own. For an exercise, write your own guide for a fictional locale of your creation or one that you’ve recently encountered in reading. Consider what most characterizes this space: Is it the unique architecture of a structure, a brutal climate in harsh terrain, or the unique customs of an isolated people? 

Amber Sparks

Caption: 

"'Old people,' whispers Anna to her brother, 'are actually half robot. Only a robot could walk that slow.'" Amber Sparks​ reads ​"Cocoon​"​ from her first story collection, May We Shed These Human Bodies (Curbside Splendor, 2012). Her second story collection, The Unfinished World: And Other Stories (Liveright, 2016), explores star-crossed lovers, taxidermists, time travelers, and space janitors.

Genre: 

Building Bridges Between Young Writers in San Francisco

Margo Perin is the author of the novel The Opposite of Hollywood (Whoa Nelly Press, 2015) and editor of Only the Dead Can Kill: Stories From Jail (Community Works/West, 2006) and How I Learned to Cook: And Other Writings on Complex Mother-Daughter Relationships (Tarcher/Penguin, 2004). She has taught writing to incarcerated populations, people challenged by life-threatening illnesses, migrants, refugees, elders, and at-risk youth and adults, and has been featured in the San Francisco Chronicle MagazineO Magazine, and on NPR's "Talk of the Nation." She blogs about a recent P&W-supported writing workshop she conceived and facilitated for San Francisco youth under the auspices of California Poets in the Schools.

Margo PerinIn September and October 2015, I embarked on a series of workshops that linked formerly incarcerated and at-risk youth at the Success Center San Francisco with high school students across the street at the Ruth Asawa School of the Arts (SOTA). I called the project Building Bridges.

The intent of the series was to provide the opportunity for formerly incarcerated and at-risk youth to write about their often invisible life experiences as they develop their creative writing and critical thinking skills, to shed light on their perspectives, and to provide the rare opportunity to foster literary community between young writers of different socioeconomic and cultural backgrounds. The workshops would not only help build bridges between young writers, but also between Success Center and SOTA staff, and family and community members.

Success Center and SOTA youth each explored and wrote personal narratives through poetry, prose, and spoken word, and read and responded to each others’ personal narratives. In addition, both groups responded to the feedback, creating an ongoing dialogue of understanding.

The workshops culminated with a reading by Success Center youth that was attended by staff, who expressed a deep appreciation and greater understanding of the life stories and literary talents of their students. To further connect the Success Center and SOTA, I facilitated a visit to SOTA by the Success Center Client Service Specialist, who gave a presentation to students and staff on the demographics and struggles that Success Center youth commonly face. It is my hope that the relationship between these institutions will continue and help to reinforce the bridge of understanding and the literary community initiated by the generous funding of Poets & Writers.

This project was extremely enlightening in terms of highlighting the vast difference in economics, education, literacy, feelings of self-worth, social support and validation, and services for youth in the same city and, in this case, for youth attending schools directly across the street from each other. While many of the students at SOTA can expect to continue into higher education and compete for jobs in fields of their choice as they continue to develop as writers, students at the Success Center struggle every day just to attend class to get their GED and improve their literacy.

I am deeply grateful to the sponsoring organization California Poets in the Schools for their generous, honest, and steadfast dedication to their mission as they provide opportunities for youth to find and express their literary voices, and to Poets & Writers for providing the funding to work with the Success Center writers, which would not have been possible otherwise. I am hoping to share what I learned through this project with the reading public, and with other writers and educators to help further "building bridges" between diverse populations.

Photo: Margo Perin.  Photo credit: Marci Klane.

Major support for Readings & Workshops in California is provided by the James Irvine Foundation and the Hearst Foundations. Additional support comes from the Friends of Poets & Writers. 

Sunil Yapa

Caption: 

"I set out in this book to write beyond my experience. As Colum McCann says...'Write towards what you want to know.'" Sunil Yapa recounts wisdom he learned from his mentors, and describes the inspiration for his debut novel, Your Heart Is a Muscle the Size of a Fist (Little, Brown, 2016), which is featured in Page One in the January/February issue of Poets & Writers Magazine.

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Be Mine

1.20.16

“A love story can never be about full possession.... Love stories depend on disappointment, on unequal births and feuding families, on matrimonial boredom and at least one cold heart,” writes Jeffrey Eugenides in his introduction to the anthology My Mistress’s Sparrow Is Dead: Great Love Stories, From Chekhov to Munro (Harper, 2008). “Love stories, nearly without exception, give love a bad name.” Write a short story that gives love a “bad name,” first plotting the blossoming and struggle of a relationship in your story arc, and then its ultimate dissolution. What’s the primary obstacle for your characters? Are your lovers hindered by geographic distance, opposing political viewpoints, or financial woes? Does the tale involve online dating and mistaken identity? Or is it finally the characters’ own emotional histories that provide the biggest conflict? Perhaps at love’s peak your characters will catch a hopeful glimpse of “full possession.”

National Book Critics Circle Finalists Announced

The National Book Critics Circle (NBCC) announced the finalists for its 2015 awards yesterday. Poets Terrance Hayes and Ada Limón, fiction writers Lauren Groff and Anthony Marra, and nonfiction writers Ta-Nehisi Coates and Maggie Nelson are among the thirty finalists. The annual awards are given in poetry, fiction, nonfiction, criticism, autobiography, and biography.

The poetry finalists are Ross Gay for Catalogue of Unabashed Gratitude (University of Pittsburgh Press), Terrance Hayes for How to Be Drawn (Penguin), Ada Limón for Bright Dead Things (Milkweed Editions), Sinéad Morrissey for Parallax: And Selected Poems (Farrar, Straus and Giroux), and the late Frank Stanford for What About This: Collected Poems of Frank Stanford (Copper Canyon Press).

The fiction finalists are Paul Beatty for The Sellout (Farrar, Straus and Giroux), Lauren Groff for Fates and Furies (Riverhead), Valeria Luiselli for The Story of My Teeth (Coffee House Press), Anthony Marra for The Tsar of Love and Techno (Hogarth), and Ottessa Moshfegh for Eileen (Penguin Press).

The autobiography finalists are Elizabeth Alexander for The Light of the World (Grand Central Publishing), Vivian Gornick for The Odd Woman and the City (Farrar, Straus and Giroux), George Hodgman for Bettyville (Viking), Margo Jefferson for Negroland (Pantheon), and Helen Macdonald for H Is for Hawk (Grove Press).

Other finalists include Ta-Nehisi Coates for Between the World and Me (Spiegel & Grau) and Maggie Nelson for The Argonauts (Graywolf Press) for the criticism prize. Farrar, Straus and Giroux led the field with five of its titles nominated for awards. Small presses with titles up for awards include Graywolf Press, Copper Canyon Press, Coffee House Press, and Milkweed Editions.

The NBCC also announced that Kirstin Valdez Quade is the recipient of the John Leonard Prize for her debut story collection, Night at the Fiestas (Norton). Carlos Lozada, an associate editor and nonfiction book critic at the Washington Post, won the Nona Balakian Citation for Excellence in Reviewing, and writer Wendell Berry will receive the Ivan Sandrof Lifetime Achievement Award.

First given in 1975, the National Book Critics Circle awards are nominated and selected by the NBCC board of directors, which is made up of twenty-four critics and editors. The 2014 winners included Claudia Rankine in poetry for Citizen: An American Lyric (Graywolf Press), Marilynne Robinson in fiction for Lila (Farrar, Straus and Giroux), and Roz Chast in autobiography for Can’t We Talk About Something More Pleasant? (Bloomsbury). This year’s winners will be announced on March 17 at the New School in New York City.

Clockwise from top left: Hayes (MacArthur Foundation), Limón (Sarah Shatz), Groff (Megan Brown), Nelson (Harry Dodge), Coates (Liz Lynch), Marra

Minnesota Northwoods Writers Conference

The 2023 Minnesota Northwoods Writers Conference was held from June 20 to June 25 in Minnesota’s Northwoods at Bemidji State University. The conference featured workshops, craft talks, panels, an evening reading series, and manuscript consultations for poets, fiction writers, and creative nonfiction writers. The faculty included poets and essayists Ross Gay, Keetje Kuipers, Aimee Nezhukumatathil, and Lia Purpura, and fiction and nonfiction writers Will Weaver and Diane Wilson. The 2023 Visiting Writers were poets Heid E. Erdrich and Sun Yung Shin.

Type: 
CONFERENCE
Ignore Event Date Field?: 
yes
Event Date: 
June 17, 2025
Rolling Admissions: 
ignore
Application Deadline: 
June 17, 2025
Financial Aid?: 
no
Financial Aid Application Deadline: 
June 17, 2025
Free Admission: 
no
Contact Information: 

Minnesota Northwoods Writers Conference, Bemidji State University, 1500 Birchmont Drive NE #4, Bemidji, MN 56601. (218) 755-2068. Mathew Hawthorne, Conference Coordinator.

Mathew Hawthorne
Conference Coordinator
Contact City: 
Bemidji
Contact State: 
MN
Contact Zip / Postal Code: 
56601
Country: 
US

Tessa Hadley

Caption: 

"As a writer, I love the irresponsibility of the short story.... There's something beautifully free and single gesture about writing a short story." Tessa Hadley, author of the new novel, The Past (Harper, 2016), and whose work appears in The Penguin Book of the British Short Story (Penguin, 2015), talks about her experience writing both short stories and novels.

Genre: 

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