Recommended Reading

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A new weekly journal of fiction from the folks who brought you Electric Literature, Recommended Reading will publish one story, chosen by a diffferent author or editor, every week. "In this age of distraction, we'll uncover writing that's worth slowing down and spending some time with," editors Benjamin Samuel and Halimah Marcus say about their latest project. "And in doing so, we'll help give great writers, literary magazines, and independent presses the recognition (and readership) they deserve."

Michelle Tea’s Queer Space with Homemade Cookies

Poet and writer Michelle Tea has been both a P&W–supported writer and presenter of literary events. Her many books include a poetry collection, novels, and memoirs. Tea's novel, Valencia, won the 2000 Lambda Literary Award for Best Lesbian Fiction. Tea founded the literary nonprofit RADAR Productions and co-founded the spoken word tour Sister Spit. We asked her a few questions about her experience as a writer and reading series curator.

What are your reading dos?
Be relaxed! Audiences are as interested in YOU as they are in your piece. Ad-libbing through the work (if the work allows for it) is generally charming; some of my favorite readers will break off the page and address the audience in a spontaneous, natural way.

What are your reading don’ts?
Don't take it so seriously. You are not delivering a testimony to Congress. Don't speak in POETRY VOICE. You know what I mean. There are writers whose work I enjoy on the page, but I can't listen to them read it because that inflection makes me leave my body.

How do you prepare for a reading?
I don't, unless you count neurotically changing my mind about what I'm reading and wearing "preparation." I call it mental illness. Not everything works best aloud. I try to not feel the audience too much because it’s easy to mistake silence for boredom, and then I get nervous and start acting desperate. I try to read as if everything I'm delivering is AMAZING.

What’s the strangest interaction you’ve had with an audience member?
Sometimes a person thinks that just because you are comfortable reading something sexual in the very specific and controlled environment of a reading, it means you are down for discussing sex with random strangers. And I actually enjoy that no more than the average person, which is to say, not much.

What’s your crowd-pleaser, and why does it work?
They all seem to revolve around shock. In Rose of No Man's Land, it's when a character throws her dirty tampon at a boy who is harassing her. In Valencia, it’s an unusual sex scene. In Rent Girl, it’s a very funny fake orgasm contest between two prostitutes—which allows me to caw like a bird whilst performing, so I like it, too.

What makes the RADAR Reading Series unique?
My reading series has been running for almost nine years. I mix up my readers—unpublished, published, well-known, emerging, and I bring in graphic novelists, video artists, and photographers. It's free. There’s a Q&A  segment, and I hand out homemade cookies to whoever asks questions. (There are always questions!)

It's queer like a queer bar—anyone can go in, but you know it’s a space that has prioritized queer people. As a queer person I spend tons of time in straight spaces where queers are welcome, but the spaces are straight, even though often they aren't designated as such because straight people aren't accustomed to thinking about space like queers are. RADAR uses that model—yes, of course everyone is welcome, but the space, the event, is queer.

What do you consider to be the value of literary programs for your community?
My immediate community is a queer community that still suffers from a lack of representation in all media, especially literary, even in San Francisco. The value of having a place you can go to see elements of your experience and community reflected back at you in a thoughtful, honest, artistic manner is HUGE. I was just passing through San Francisco when I came here in 1993, but the reason I stayed is that the work I do—writing, curating events, and promoting other writers—is so supported here. And it's supported in part by Poets & Writers, so thank you!

Photo: Michelle Tea. Credit: Food For Thought Books.
Major support for Readings/Workshops in California is provided by The James Irvine Foundation. Additional support comes from the Friends of Poets & Writers.

The Woven Essay

5.16.12

Choose a topic that interests you—it could be an animal, a scientific process, or a historical event, for example—and research it. Next, think of an unrelated experience from your life—a particularly memorable moment from childhood, perhaps, or when a loved one passed away—and write an essay on the two subjects. Alternate between short paragraphs of factual reportage on the topic and brief, more lyrical vignettes about the remembered experience, with the end goal of finding a way to relate the two. 

2 Fresh 2 Furious

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This short film, starring comedian and author Mike Birbiglia and "Fresh Air" host Terry Gross, was part of last week's live "This American Life" show that was seen in movie theaters across the country. Birbiglia's 2010 book, Sleepwalk With Me and Other Painfully True Stories, was made into a movie that will be released by IFC Films this fall.

Are You My Mother?

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The trailer for Are You My Mother? offers a glimpse into Alison Bechdel's fascinating "metabook," published this month by Houghton Mifflin Harcourt, in which she investigates her mother's life in search of clues about the mother-daughter gulf. For a closer look, check out this issue's installment of The Written Image.

Go Wild

In Cheryl Strayed's new memoir, Wild (Knopf, 2012), the author recounts her months-long hike along the Pacific Crest Trail, a journey that she took entirely alone after life as she'd known it had fallen apart. "It was a world I'd never been to and yet had known was there all along," she says, "one I'd staggered to in sorrow and confusion and fear and hope. A world I thought would both make me into the woman I knew I could become and turn me back into the girl I'd once been." Write about a time when you got a little wild—when you embarked upon something new and challenging, maybe something frightening, or maybe even a little dangerous. Write about the wilderness itself, but also about what brought you there, and who you had become by the time you walked back out of the woods.

The Childhood Closet

Think back to the closet of your youth, and write an essay about what was inside. Let the contents of the closet become a metaphor for who you were as a child, who you might have wished to be, and who you have become.

Joyce Maynard

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"Having been much criticized for lots of things I've talked about actually is a very liberating thing," says Joyce Maynard in this clip from Open Road Media. Maynard is the author of eleven books of fiction and nonfiction, including her bestselling memoir, At Home in the World, in which she revealed her relationship with J. D. Salinger when he was fifty-three and she was eighteen.

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