Genre: Creative Nonfiction

How Houston Leads the Way: A Finale

Hey gente, happy summer! This will be my last post on this blog as the literary outreach coordinator in Houston. It’s been a pleasure sharing news and highlights over the last two years, and calling attention to all the ways that Houston is a major literary city. Things are always happening in the Bayou City and here are a few more folks and events to mention.

All the Books
I wanted to take a moment to talk about some Houstonians who have books coming out in the near future. Ayokunle Falomo’s collection AFRICANAMERICAN’T and Tamara Al-Qaisi-Coleman’s collection The Raven, the Bayou and the Willow will be published by FlowerSong Press, due out sometime in 2022. J. Estanislao Lopez’s debut collection, We Borrowed Gentleness, is forthcoming from Alice James Books in October 2022, and lastly (and as a way to welcome a new Houstonian to her new town) I’m happy to share that Ariana Brown’s debut collection, We Are Owed, will be released from Grieveland Press in July.

More Reading
Shout-out to powerhouse essayist Icess Fernandez Rojas as she interrogates and speaks truth to power about the lack of Black representation in Latinx Hollywood and offers an analysis of the new film, In the Heights, in her essay “When They Forget About Us… Again” published in Sofrito For Your Soul.

Live Events
I am excited to see all the things Houston has to offer as readings are starting to come back in front of live audiences. Last Saturday, Write About Now held their first live event since the pandemic called “Mics + Murals,” a collaborative reading with live painting and music copresented by the Station Museum of Contemporary Art.

One foot in front of the other and let’s walk together to see where the words take us.

Write About Now Mics + Murals event at the Station Museum of Contemporary Art in Houston.
 
Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

Upcoming Contest Deadlines

The final contests of the month of June feature a wealth of opportunities for poets and fiction writers to win book or chapbook publication. Other awards include a position as a writer-in-residence at Bard College and a retreat in Missé, France. All of these contests offer a prize of $1,000 or more and have a deadline of June 30. Good luck, writers!

Bard College Fiction Prize—A prize of $30,000 and a one-semester appointment as writer-in-residence at Bard College is given annually to a U.S. fiction writer under the age of 40. The recipient must give at least one public lecture and meet informally with students but is not expected to teach traditional courses. Entry fee: none.

Barrow Street Press Book Prize—A prize of $1,500 and publication by Barrow Street Press is given annually for a poetry collection. A. Van Jordan will judge. Entry fee: $25 ($28 for electronic submissions).

Bauhan Publishing May Sarton New Hampshire Poetry Prize—A prize of $1,000, publication by Bauhan Publishing, and 50 author copies is given annually for a poetry collection. Meg Kearney will judge. Entry fee: $30.

Cider Press Review Editors’ Prize Book Award—A prize of $1,000, publication by Cider Press Review, and 25 author copies is given annually for a poetry collection. The editors will judge. Entry fee: $26.

Finishing Line Press New Women’s Voices Chapbook Competition—A prize of $1,500 and publication by Finishing Line Press is given annually for a poetry chapbook by a writer who identifies as a woman and has not yet published a full-length collection. Leah Huete de Maines will judge. Entry fee: $15. 

Griffin Trust for Excellence in Poetry Griffin Poetry Prize—Two prizes of CAD $65,000 (approximately $51,078) each are given annually for poetry collections by a Canadian poet or translator and by an international poet or translator published during the previous year. Finalists receive CAD $10,000 (approximately $7,860) each for their participation in the shortlisted authors event to be held in Toronto. Ilya Kaminsky, Aleš Šteger, and Souvankham Thammavongsa will judge. Publishers make all submissions for the contest. The deadline for books published between January 1 and June 30 is June 30. The deadline for books published during the second half of the year is December 31. Entry fee: none.

Hidden River Arts William Van Wert Memorial Fiction Award—A prize of $1,000 is given annually for a short story or a novel excerpt. Entry fee: $17.

Lascaux Review Prize in Flash Fiction—A prize of $1,000 and publication in Lascaux Review online and in print is given annually for a work of flash fiction. Previously published stories are eligible. Entry fee: $15.

Los Angeles Review Literary Awards—Four prizes of $1,000 each and publication in Los Angeles Review are given annually for a poem, a short story, a short short story, and an essay. Francesca Bell will judge in poetry, Reema Rajbanshi will judge in fiction, Lara Ehrlich will judge in flash fiction, and Beth Gilstrap will judge in creative nonfiction. Entry fee: $20.

The Moth International Short Story Prize—A prize of €3,000 (approximately $3,623) is given annually for a short story. A prize of a weeklong retreat at Circle of Missé in Missé, France, with a €250 (approximately $301) travel stipend, and a prize of €1,000 (approximately $1,208) are also given. Entry fee: €15 (approximately $18). 

New American Press Fiction Prize—A prize of $1,500, publication by New American Press, and 25 author copies is given annually for a book of fiction. Kristen Arnett will judge. Entry fee: $25.

Nowhere Magazine Travel Writing Contest—A prize of $1,000 and publication in Nowhere Magazine is given twice yearly for a poem, a short story, or an essay that “possesses a powerful sense of people, place, and time.” Unpublished and published pieces that have not previously been chosen as a contest winner are eligible. Porter Fox will judge. Entry fee: $20.

Omnidawn Publishing Poetry Chapbook Prize—A prize of $1,000, publication by Omnidawn Publishing, and 100 author copies is given annually for a poetry chapbook. Rae Armantrout will judge. Entry fee: $18. 


Twyckenham Notes Joe Bolton Poetry Award—A prize of $1,000 and publication in Twyckenham Notes will be given annually for a poem or group of poems. The editors will judge. Entry fee: $20.

University of North Texas Press Katherine Anne Porter Prize—A prize of $1,000 and publication by University of North Texas Press is given annually for a collection of short fiction. Entry fee: $25.

University of Pittsburgh Press Drue Heinz Literature Prize—A prize of $15,000 and publication by University of Pittsburgh Press is given annually for a collection of short fiction. Writers who have published at least one previous book of fiction or a minimum of three short stories or novellas in nationally distributed magazines or literary journals are eligible. Entry fee: none.

Winning Writers North Street Book Prize—A grand prize of $5,000 and seven additional prizes of $1,000 each given annually for self-published books of poetry, fiction, genre fiction, creative nonfiction, children’s literature, graphic narrative, and art books. The winners will each also receive publication of an excerpt on the Winning Writers website; a marketing consultation with author and publishing consultant Carolyn Howard-Johnson; $300 in credit at BookBaby, a distributor for self-published authors; and free advertising in the Winning Writers e-mail newsletter. Ellen LaFleche and Jendi Reiter will judge. Entry fee: $65.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

DeSales University

MFA Program
Poetry, Fiction, Creative Nonfiction
Center Valley, PA
Application Deadline: 
Rolling Admissions

My Library

6.24.21

In an article published by the Millions, Louisa Ermelino, editor-at-large at Publishers Weekly, writes about Anthony Doerr’s highly anticipated forthcoming novel, Cloud Cuckoo Land (Scribner, 2021). Doerr says that the book is “a love letter to libraries and books” dedicated to librarians, and that through the novel, he wanted to dramatize the power of books. “Each character falls in love with this text as it moves through history, and each becomes a steward for the text,” he says. Write an essay about your relationship with a particular library and how it made an impact on you as a writer and reader.

Ashley C. Ford With Jason Reynolds

Caption: 

In this Books Are Magic event celebrating the book launch of Ashley C. Ford’s debut memoir, Somebody’s Daughter (Flatiron Books, 2021), she talks to Jason Reynolds, who tries not to drop any spoilers. The memoir is featured in Page One in the July/August issue of Poets & Writers Magazine.

Shelf Analysis: Doireann Ní Ghríofa

Caption: 

“The most important thing for me when I was writing this book was to invite the reader along with me…it was an adventure for me.” In this episode of Shelf Analysis, host Rick O’Shea interviews Doireann Ní Ghríofa about her debut memoir, A Ghost in the Throat (Biblioasis, 2021), which is featured in Page One in the July/August issue of Poets & Writers Magazine

Being Among

6.17.21

“I went to Bolivia assuming I would have connections with Indigenous Bolivians because of our shared identity as Indigenous people,” writes Ursula Pike in the preface to her memoir, An Indian Among Los Indígenas: A Native Travel Memoir, published in March by Heyday Books, recounting the years she served as a Peace Corps volunteer in Bolivia. In the memoir, Pike, a member of the Karuk Tribe, questions her role as someone who experienced colonialism firsthand and follows “in the footsteps of Western colonizers and missionaries who had also claimed they were there to help.” Pike’s travel narrative upends the canon of white authors of the genre, helping the reader to examine the overlapping tensions of colonialism across cultures. Write an essay about a trip that helped you realize your complicity in a social issue. Think about the perspective of the spectator inherent to the travel narrative as you consider the conflict in the essay.

How the Word Is Passed

Caption: 

In this video, poet and scholar Clint Smith speaks about the historic places he visited and writes about in his new book, How the Word Is Passed: A Reckoning With the History of Slavery Across America (Little, Brown, 2021). A profile of Smith by Destiny O. Birdsong is featured in the July/August issue of Poets & Writers Magazine.

Pages

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