Pretty Owl Poetry is a feminist quarterly journal that publishes the visual arts, traditional and nontraditional forms, fiction masquerading as poetry, and work that does not snugly fit into a specific genre, all with a lyrical quality. We’re especially interested in work centered around the bodily experiences of womxn, nonbinary, and trans folx. We’re committed to publishing underrepresented and marginalized voices and encourage submission from such artists.

We’re a collection of independent writers and visual artists looking to explore the (seemingly empty) space between ourselves and the other, whether it be another person, the natural world or maybe even another plane of existence.

Small Print Magazine, a resource and showcase for writers and artists, features contemporary fiction, creative nonfiction, and poetry thoughtfully presented alongside beautiful photography and artwork from new and established artists. You’ll also find engaging interviews with authors and other industry professionals, craft book reviews, as well as articles on writing, writing tools, and more.

John Updike once said, "Creativity is merely a plus name for regular activity. Any activity becomes creative when the doer cares about doing it right, or better." At Driftwood Press, we are actively searching for artists who care about doing it right, or better. We are excited to receive your submissions and will diligently work to bring you the best in short fiction, poetry, graphic narrative, photography, art, and interviews.

The Saranac Review is committed to dissolving boundaries of all kinds, seeking to publish a diverse array of emerging and established writers from the United States, Canada and the rest of the world. The journal strives to be a textual clearing in which a space is opened for literary cross-pollination. We aim to publish diverse voices, a literal "cluster of stars," an illumination of the Iroquois roots of our namesake, the word, Saranac.