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On BRIC TV’s 112BK, Jessica Stockton Bagnulo, co-owner of Greenlight Bookstore in Brooklyn, presents her summer reading recommendations including Ocean Vuong’s On Earth We’re Briefly Gorgeous (Penguin Press, 2019), Namwali Serpell’s The Old Drift Hogarth, 2019), Esi Edugyan’s Washington Black (Knopf, 2018), and Hugh Ryan’s When Brooklyn Was Queer (St. Martin’s Press, 2019).
In this PBS NewsHour video, NPR’s Maureen Corrigan and the Washington Post’s Carlos Lozada highlight their favorite books for summer reading, which include Ocean Vuong’s On Earth We’re Briefly Gorgeous (Penguin Press, 2019), Jill Ciment’s The Body in Question (Pantheon, 2019), and José Olivarez’s Citizen Illegal (Haymarket Books, 2018).
“It was an attempt to see if language can really be a bridge, as it is often aspired to be, and ultimately that it could fail.” In this video, Ocean Vuong speaks about the letter he wrote to his illiterate mother that inspired his debut novel, On Earth We’re Briefly Gorgeous (Penguin Press, 2019). A profile of Vuong by Rigoberto González appears in the July/August issue of Poets & Writers Magazine.
“I have to wait a long time / for the softer voice of his own / to come through.” In this 2012 reading, the late Mary Oliver reads a selection of poems from her book A Thousand Mornings (Penguin Press, 2012) at the 92nd Street Y.
“There is nothing one man will not do to another.” Carolyn Forché reads “The Visitor” and “The Colonel” from her second poetry collection, The Country Between Us (Copper Canyon Press, 1981), which bore witness to her travels in El Salvador in the late 1970s. Forché’s debut memoir, What You Have Heard Is True: A Memoir of Witness and Resistance (Penguin Press, 2019), documents that same period of time and is featured in Page One in the March/April issue of Poets & Writers Magazine.
“Everybody feels ashamed when they write. It’s a shameful practice.” In this 2018 interview with Louisiana Channel, Zadie Smith, author most recently of Swing Time (Penguin Press, 2016), discusses the positive aspects of shame and how it can be productive for the writing process.
“What isn’t twisted and dark? Look around! Twisted and dark means new and interesting.” Ottessa Moshfegh speaks with Vintage Books about dark comedy in writing, the difference between art and entertainment, and why she writes about the female body. Moshfegh is the author of My Year of Rest and Relaxation (Penguin Press, 2018), which is featured in Page One in the July/August issue of Poets & Writers Magazine.
“The main advice I would have is to be really easy on yourself, to shut off as much as you can the voice that’s saying maybe you’re wasting your time, and maybe everything that you do is stupid.” Elif Batuman, a finalist for the 2018 Pulitzer Prize for her debut novel, The Idiot (Penguin Press, 2017), talks to Granta about the literary model of Charles M. Schulz’s Snoopy and the blurred boundary between fiction and nonfiction.
“It was like the story of your relations with others...was constantly being recorded and updated, and you could check it at any time.” Elif Batuman reads from her debut novel, The Idiot (Penguin Press, 2017), a semifinalist for the 2018 Women’s Prize for Fiction, at Politics and Prose Bookstore in Washington, D.C.
“I don’t have any heroes in fiction but I have been influenced by fictional heroes many, many times.” In this video, Karl Ove Knausgaard responds to the Proust Questionnaire for the Centre de Cultura Contemporània de Barcelona’s Kosmopolis Continuous Programme series. His most recent novel, Winter (Penguin Press, 2018), translated from the Norwegian by Ingvild Burkey, is featured in Page One in the January/February 2018 issue of Poets & Writers Magazine.
