Jump to navigation Skip to content
In this installment of ENCLAVE, a virtual reading series curated by Rae Armantrout and Jeanne Heuving, poet Peter Gizzi reads from his collections Archeophonics (Wesleyan University Press, 2016) and Now It’s Dark (Wesleyan University Press, 2020), which is featured in Page One in the January/February issue of Poets & Writers Magazine.
“It matters what you call a thing,” reads Solmaz Sharif from her poem “Look” in this 2017 reading and conversation with Evie Shockley for the Radcliffe Institute for Advanced Study at Harvard University. For more Sharif, read “Shadows of Words: Our Twelfth Annual Look at Debut Poets” from the January/February 2017 issue of Poets & Writers Magazine.
“What I love about water is that it spends its whole time falling,” begins Alice Oswald as she introduces her poem “A Short Story of Falling” from her 2017 Griffin Poetry Prize–winning collection, Falling Awake (Jonathan Cape, 2016). “It’s always, apparently, trying to find the lowest place possible and when it finds the lowest place possible, it lies there wide awake.”
“The tepid / American I sank with my old shoes over the jaws of the Atlantic / could never understand the hard clamor of my laugh…” Safiya Sinclair reads from her debut collection, Cannibal (University of Nebraska Press, 2016), and speaks about poetry as the “language of an impolite body” in this episode of LIT hosted by Yahdon Israel.
“We’d cut school like knives through butter, the three / Of us — Peter, Stephen and I — to play / Just about all the music we knew…” In this video, award–winning poet Rowan Ricardo Phillips reads “Boys” from his second collection of poems, Heaven (Farrar, Straus and Giroux, 2015), which was shortlisted for the Griffin Poetry Prize in 2016.
In this Open Studio With Jared Bowen interview, playwright Kirsten Greenidge; Kerri Greenidge, historian and author of Black Radical: The Life and Times of William Monroe Trotter (Liveright, 2019); and Kaitlyn Greenidge, author of We Love You, Charlie Freeman (Algonquin Books, 2016) talk about growing up together as sisters and how their work often overlaps.
“Even a baby is / a paper cut theater, / a necklace of incisions strung together / into a country.” In this Poetry.LA video, Kenji C. Liu reads poems from his collections Map of an Onion (Inlandia Institute, 2016) and Monsters I Have Been (Alice James Books, 2019) at the Writers for Migrant Justice reading in Los Angeles.
“Our swarm, it move like a flock of birds. All these beautiful black people in motion. Moving and shifting with a kind of intelligence.” Rion Amilcar Scott reads from his debut story collection, Insurrections (University Press of Kentucky, 2016), and speaks with Cinder Barnes and Karl Smith at Montgomery College in Maryland. Scott’s second story collection, The World Doesn’t Require You (Liveright, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.
“When the water in my heart falls, I hold on to a memory…” Monica Sok reads her poem “I Am Rachana” from her chapbook, Year Zero (Poetry Society of America, 2016), at the Asian American Writers’ Workshop in 2016. Sok is one of the finalists for the 2019 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowships.
The Good Liar (HarperCollins, 2016), the debut novel by Nicholas Searle about a wealthy widow who crosses paths with a seasoned con artist, has been adapted into a feature film. Directed by Bill Condon, the film stars Ian McKellen, Helen Mirren, and Russell Tovey.
