“It’s a book about a rap group, but, more particularly, a book that is examining how fandom seeps into our lives.” In this PBS NewHour video, Hanif Abdurraqib speaks with Amna Nawaz about his memoir, Go Ahead in the Rain: Notes to A Tribe Called Quest (University of Texas Press, 2019), and the ways in which music intertwines with identity and the poignant moments in our lives.

“The only counsel that is acceptable is to work! To work very hard until you discover the kind of writer that you want to be.” Nobel Prize–winning Peruvian writer Mario Vargas Llosa dispenses advice to young and emerging writers in this Louisiana Channel interview with Christian Lund at the Louisiana Museum of Modern Art in Denmark.

“Some prisons taste like / salt, copper, sludge / when you bite and crunch down / to the marrow...” In this video, Cortney Lamar Charleston reads Jevon Jackson’s poem “All of Us, In Prison” at St. Mark’s Church in-the-Bowery for a 2019 Brooklyn Book Festival event. Jackson’s poem won PEN America’s First Prize in Poetry in the 2019 Prison Writing Contest.

Dublin Murders is a BBC television adaptation of the first two novels in Tana French’s Dublin Murder Squad mystery series, In the Woods (Viking, 2007) and The Likeness (Viking, 2008), which follows two detectives investigating homicides in contemporary Dublin. Adapted by Sarah Phelps, the eight-episode crime show stars Moe Dunford, Sarah Greene, Killian Scott, and Tom Vaughan-Lawlor.

“I huff a tint, then flex / To hustle some hard trusts up. / I have to come with u once more.” In this 2017 Austin Public Library video, Logan Fry reads his poem “Apparatus” for National Poetry Month. Fry’s debut collection, Harpo Before the Opus, was published in October by Omnidawn.

In the Tall Grass is a film adaptation of a novella of the same name written by Stephen King and his son Joe Hill, first published in Esquire magazine in 2012. The horror film, which follows a brother and sister as they venture into a field of grass in Kansas and find themselves trapped, is directed by Vincenzo Natali and stars Laysla De Oliveira, Harrison Gilbertson, Avery Whitted, and Patrick Wilson.

“I love To the Lighthouse, but they never get to the lighthouse.” In this episode of Cocktails With Bright Antenna, Benjamin Percy talks about the differences between literary fiction and genre fiction, how some writers are gardeners and some are architects, and reveals the origins of his phobias. Percy’s latest book, Suicide Woods (Graywolf Press, 2019), is featured in Page One in the November/December issue of Poets & Writers Magazine.

“Bodies weren’t meant to last / but the reverb dance eternal.” Accompanied by the music of Rhythm Science Sound, poet Idris Goodwin reads “More Statues Need High Heels,” an ode to Prince, from his new collection, Can I Kick It? (Haymarket Books, 2019). The book is part of Haymarket Books’ BreakBeat Poets series, a publishing project curated by Kevin Coval and Nate Marshall that is committed to writing that “brings the aesthetic of hip-hop practice to the page.”

“What is under the earth followed them home. / The branch broke. It broke by itself. It did break, James.” In this 2014 video, Alex Dimitrov reads his poem “Together and by Ourselves” at the Radar Reading Series in San Francisco. Dimitrov and Dorothea Lasky’s Astro Poets: Your Guides to the Zodiac, an astrological guide that expands upon their popular Twitter feed, is out this week from Flatiron Books.

“The very act of reading is an empathetic act.” In this Aspen Institute video, Adrienne Brodeur talks about her writing process and reads from her debut memoir, Wild Game: My Mother, Her Lover, and Me (Houghton Mifflin Harcourt, 2019), which is featured in Page One in the November/December issue of Poets & Writers Magazine.