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“Soundless, it crosses a line, quiets into a seed / & then whatever makes a seed. almost like gone / but not gone. the air kept its shape.” At the 2019 Lambda Literary Retreat, Danez Smith reads “undetectable” and “say it with your whole black mouth” from their third poetry collection, Homie (Graywolf Press, 2020), which is featured in Page One in the January/February issue of Poets & Writers Magazine.
“I would LOVE to imagine / being alive in five / years but I have these bones u know? / and just like that I’m writing / a poem / a poem / a poem / again.” In this 2018 video from the Poetry Center at San Francisco State University, Tommy Pico reads an excerpt from Feed (Tin House Books, 2019), the fourth book in the Teebs tetralogy of book-length poems.
“Elephant on an orange line, underneath a yellow circle / meaning sun. / 6 green, vertical lines, with color all from the top / meaning flowers.” In this animated short film for the TED-Ed “There’s a Poem for That” series, Aracelis Girmay reads her poem “For Estefani Lora, Third Grade, Who Made Me a Card” from her collection Teeth (Curbstone Press, 2007).
“Child, we move through graves / like eels, delicious with our heads first, our mouths / agape.” In this Ours Poetica video, Jane Wong reads her poem “After Preparing the Altar, the Ghosts Feast Feverishly” published in the November 2018 issue of Poetry magazine. Wong’s second poetry collection, How to Not Be Afraid of Everything, is forthcoming from Alice James Books in 2021.
The Earthquake Bird (Picador, 2001), the debut mystery novel by British author Susanna Jones, has been adapted into a feature film directed by Wash Westmoreland. The psychological thriller follows a young expat in 1989 Tokyo who is accused of murder when her friend goes missing and stars Riley Keough, Naoki Kobayashi, Kenichi Masuda, Kiki Sukezane, and Alicia Vikander.
“If we truly love a place and are tethered to a place, then it’s our job to get to know that place.” In this Good Morning America interview, Sarah M. Broom speaks about her debut memoir, The Yellow House (Grove Press, 2019), which is a finalist for the 2019 National Book Award in nonfiction.
“It’s really hard to inhabit the mind of another,” says Isabella Hammad, author of The Parisian (Grove Press, 2019), about the difficulties and joys of writing fiction in this Louisiana Channel interview. “You use your emotional experience, you use your literal experience, you use the experience of others you know to access imaginatively another subjectivity.”
“This novel is about violence and loss, but it’s also about finding answers.” At a Penguin Random House event with librarians, Julia Phillips speaks about her debut novel, Disappearing Earth (Knopf, 2019), which is a finalist for the 2019 National Book Award in fiction.
“The themes in the book involve missed opportunities and what it’s like to have something that you wish you’d done before, and you wonder how it would’ve changed your story.” In this video, Erin Morgenstern talks about the themes in her second novel, The Starless Sea (Doubleday, 2019), her writing process, literary genres, and what she’s currently reading.
“Instead of scanning newspaper headlines, / I spend the morning reading names / of flowers and trees in the botanical garden.” Harryette Mullen reads a selection of poems from her collection Urban Tumbleweed: Notes From a Tanka Diary (Graywolf Press, 2013) at Beyond Baroque in this Poetry.LA video.
