Format: In Print and Online

In 1998, Dan Bowers, an engineering consultant in Red Lion, Pennsylvania, was on a mission. His son-in-law, Chief Master Sergeant Frederick Honeywell, was serving at an Air Force base in Kuwait that had no recreational facilities and no library—and indeed, no books. When Honeywell's wife, Chris, told her father about the problem, Bowers sent some of his own books, as well as donations from others, overseas. It was the first deployment of what eventually became Operation Paperback. Six years later, the nonprofit organization has sent nearly 150,000 books to American troops in more than 30 locations, including Afghani-stan, Iraq, Bosnia, and Kosovo. 

At some point during her two-year stint atop an ancient 200-foot redwood tree in Humboldt County, California—an effort to to save the old-growth forest—environmental activist and writer Julia Butterfly Hill was approached by HarperSanFrancisco for the rights to publish her memoir, Legacy of Luna. Hill accepted the offer, with one stipulation: Her book had to be printed on 100 percent postconsumer recycled paper manufactured without the use of chlorine bleach.

Writers who hang out in academia to help pay the rent are likely to find that their job description comes to include inviting other writers to visit their campus and then hosting them through their visit, introducing them to their lecture audience, and sitting in on the informal sessions with students that typically complete the visitor’s tour of duty. Such visitations are, I believe, a generally worthwhile feature of any college writing program: beneficial to the visitor, obviously, who gets paid or otherwise rewarded and may possibly gain a few additional readers; potentially enlightening for the visitor’s audience (even those whose curiosity may be more sociological, anthropological, or even clinical than literary); and at least marginally beneficial for the host as well, as I shall attempt to illustrate.

British poet and novelist Thomas Hardy, author of Tess of the D’Urbervilles and The Return of the Native, among other literary classics, wanted his personal papers burned after his death. In 1928, a bonfire was dutifully lit but not everything was consigned to the flames. Hardy’s second wife, Florence, saved at least 12 notebooks filled with information and sources on which the author based his later works of fiction. Thomas Hardy’s ‘Facts’ Notebook, edited by William Greenslade and released this month by Ashgate Publishing, is only the most recent to appear.