Page One: Where New and Noteworthy Books Begin
This installment of Page One features excerpts from Parallel Play by Stephen Burt and The Thin Place by Kathryn Davis.
Jump to navigation Skip to content
This installment of Page One features excerpts from Parallel Play by Stephen Burt and The Thin Place by Kathryn Davis.
For those who don’t mind Hollywood versions of great literature, a new series of novels packaged with the DVD recordings of the films they inspired allows for a side-by-side comparison.
Joining the ranks of literary contests that have failed to yield a winner, Winnow Press is the latest sponsor to announce that the manuscripts received for their First Book Award were not up to par; they are, however, offering something of a consolation prize.
The University of Georgia Press recently revoked the 2004 Flannery O’Connor Award for Short Fiction given to Brad Vice of Starkville, Mississippi, for his short story collection, The Bear Bryant Funeral Train, which was published in September 2005, after learning that one of the stories contained uncredited material from Carl Carmer’s Stars Fell on Alabama, a book of nonfiction published by Farrar & Rinehart in 1934 and later reprinted by the University of Alabama Press.
In the second half of the twentieth century, a number of poets’ theater programs, including the Poets’ Theatre, which was established in Cambridge, Massachusetts, in 1950, and staged plays by John Ashbery, James Merrill, Frank O’Hara, and Richard Wilbur, provided venues for work written by poets for the stage. Now, a new generation of poets’ theater programs are raising their curtains for plays by poets.
Can political fiction matter? Stephen Elliott, the editor of Politically Inspired, an anthology published by MacAdam/Cage in 2003, and its follow-up, Stumbling and Raging: More Politically Inspired Fiction, published by MacAdam/Cage this month, casts his vote in the “definitely yes” column.
Whether it’s a thousand-page novel, a single-paragraph story, or a footnoted essay, the elusive author always offers a complicated—and sometimes maddening—reading experience. But is there more to David Foster Wallace than words on a page?
The eighteen poets featured here represent only a fraction of the debut books published in 2005, yet they are emblematic of the diverse community of poets who have recently forged their own paths to publication.
In August, Amazon.com launched a program that offers customers short stories and essays in a digital format for forty-nine cents each.
Fueled by allegations of unfairness, Bin Ramke announces his retirement after twenty-two years as editor of the Contemporary Poetry Series.