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In five books written within the past eleven years, incuding The Last of Her Kind, Sigrid Nunez has obscured and sometimes just ignored traditional distinctions of genre by blending elements of fiction and autobiography.
The eighteen poets featured here represent only a fraction of the debut books published in 2005, yet they are emblematic of the diverse community of poets who have recently forged their own paths to publication.
Two years after publishing a brutal, unflinching account of his drug addiction, James Frey is showing signs of becoming a kinder, gentler writer in his second memoir, My Friend Leonard.
What if genetic cloning had become the defining science of the 20th century? The main characters of Kazuo Ishiguro's new novel contend with such a world—and its moral consequences.
Elizabeth Gaffney, Adrienne Miller, and Adrienne Brodeur—three high-profile magazine editors who recently added "debut novelist" to their resumés.
After a 10-year hiatus from publishing, Norman Dubie has returned with an award-winning volume of collected and new poetry, a 400-page sci-fi poem, and his latest, Ordinary Mornings of a Coliseum.
Reviewers are accused of having agendas and of cronyism, are called show-offs and career-killers. It's a lot of heat to take for some free books, a few bucks, and a byline.
In her Pulitzer Prize–winning first book, The Interpreter of Maladies, Jhumpa Lahiri explores the struggle of first- and second-generation Indian Americans bridging the gap between the country they call home and the heritage that defines them. Her much-anticipated first novel, The Namesake, explores a similar theme.
Book review editors—those powerful yet inundated tastemakers who choose from the more than 130,000 new books published each year the mere shelfful that are reviewed—get used to (and bored with) having nasty motives ascribed to them. This second installment of a three-part series on book reviews examines the subject at hand from the perspective of the assigning editors, who would like to set the record straight.
Helon Habila read novels as a boy to shelter himself from the brutal reality of his country’s political instability. Now, the author of Waiting for an Angel believes his generation of Nigerian novelists should help change that reality.
