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Last month, hundreds of thousands of red Skittles were found on a highway road in Wisconsin, having spilled from a truck transporting the candy for integration into cattle feed. Write a short story that starts with a similarly striking image of something highly unusual found on a road. As the story progresses, continue escalating the mystery and oddity of the situation. Does the story end with a satisfactory resolution, or does it leave the reader with lingering questions?
The Bop is a form of poetic argument consisting of three stanzas, each followed by a repeated line or refrain. The first stanza is six lines and presents a problem; the second stanza is eight lines and further expands upon the problem; and the third stanza is six lines and either resolves or documents the failure of resolving the problem. Read a Bop poem by Afaa Michael Weaver, who created the form during a Cave Canem writing retreat, and then try writing your own.
Brenda Collins was raised, educated, and currently lives in Atlanta, Georgia. She holds the position of Community Relations Chair at the Shambhala Meditation Center of Atlanta.
“Art enables us to find ourselves and lose ourselves at the same time.”
―Thomas Merton, No Man Is an Island (Harcourt, Brace, 1955)
At the Shambhala Meditation Center of Atlanta, we create activities to support the primary focus of the Community Relations Committee—to bridge communities together for the purpose of creating a culture of kindness. We host events that foster cultural understanding through the arts and conversations about race relations, environmental issues, economic disparity, gender issues, the criminal justice system, sexual orientation, education, and more.
We decided there was no better way to celebrate Martin Luther King Jr.’s birthday than through the arts. We were granted the opportunity with the support of Poets & Writers to honor this day, January 15, with poets, musicians, and performers from all walks of life. Featured poets and performers included Srimati Shahina Lakhani, Nnenne Onyicha-Clayton, Debra Hiers, Waqas Khwaja, BMichelle Tilman, A’nji Sarumi, Jennifer Denning, and the Atlanta Interplay Performers. The Interplay Performers used improvisational tools to express themselves in the moment. The poets read their own works, as well as the work of others revealing their own voices of wisdom.
This event included an open mic and a reflective conversation segment, which directly connected to the conversations the Shambhala Meditation Center hosts about issues that are important to the people of our city and our world. These topics include income disparity, a sustainable relationship with our environment, and improving our many broken systems (i.e. criminal justice, healthcare, education).
From Pakistan to Islam, from Europe to America, all forms of expression were heard and human emotions were experienced leaving us with hope and a sense of renewal. People were so inspired, they did not want to leave. They wanted to continue expressing themselves through poetry and other forms of art. The most memorable moment, for me, was when we all formed a circle for a unity prayer and improvisation session led by BMichelle Tilman.
I thank Poets & Writers for their support in making this project a success, bringing hope and inspiration to all of humanity.
Photo: Brenda Collins. Photo credit: Florence Lemon.
Support for Readings & Workshops events in Atlanta, Georgia is provided by an endowment established with generous contributions from the Poets & Writers Board of Directors and others. Additional support comes from the Friends of Poets & Writers.
The deadline approaches for the Gwendolyn Brooks Centennial Poetry Prize, sponsored by the Furious Flower Poetry Center at James Madison University and given for a group of poems. The winner will receive $2,000, and the runner-up will receive $1,000. Both winners will be invited to read at James Madison University in Harrisonburg, Virginia, in April, and will be provided with accommodations and a $500 honorarium.
Poets who have not published more than one poetry collection are eligible. Using the online submission system, submit three to five poems totaling no more than six pages by February 16 with a $20 entry fee. The winner will be notified in early March, and must attend the award ceremony on April 17 at James Madison University, where the award will be presented by Nora Brooks Blakely, Gwendolyn Brooks’s daughter.
Poet Patricia Smith will judge. She is the author of seven poetry collections, including the forthcoming Incendiary Art, which will be published by TriQuarterly Books in February.
The prize honors the centennial of poet Gwendolyn Brooks’s birth. Formally established in 2005 by Joanne V. Gabbin, the Furious Flower Poetry Center is the nation’s oldest academic center devoted to African American poetry, and works to cultivate, honor, and promote the voices of African American poets. The center hosts visiting poets; runs workshops, an annual poetry camp, panels, conferences, and seminars; and creates text and videos and other content on African American poetry.
Claremont Graduate University has announced the winners for the Kingsley Tufts Poetry Award and the Kate Tufts Discovery Award. One of the richest prizes for poetry in the United States, the $100,000 Kingsley Tufts Poetry Award is given annually to a midcareer poet for a book published in the previous year. The $10,000 Kate Tufts Award is given for a debut poetry collection.
Vievee Francis, a poet “known for her explorations of racial identity, modernist poetics, and feminist legacies,” received the 2017 Kingsley Tufts Award for her collection Forest Primeval (Northwestern). The book employs an “anti-pastoral” approach to examine the violence and transcendence of nature and survival.
The Kingsley Tufts finalists were Tyehimba Jess’s Olio (Wave), Ada Limón’s Bright Dead Things (Milkweed), Jamaal May’s The Big Book of Exit Strategies (Alice James Books), and Patrick Rosal’s Brooklyn Antediluvian (Persea).
Philip B. Williams received the Kate Tufts Discovery Award for his collection, Thief in the Interior (Alice James), a book that presents a “perilous journey through a violent landscape in which race separates many from the American dream.” Williams is also featured in Poets & Writers Magazine’s twelfth annual roundup of debut poets.
The Kate Tufts finalists were Derrick Austin’s Trouble the Water (BOA), Rickey Laurentiis’s Boy With Thorn (University of Pittsburgh), Jordan Rice’s Constellarium (Orison), and Ocean Vuong’s Night Sky With Exit Wounds (Copper Canyon).
The judges for both prizes were Don Share, Elena Karina Byrne, Terrance Hayes, Meghan O’Rourke, and Brian Kim Stefans. Poetry magazine editor Don Share, this year’s judge committee chair, said Francis’s Forest Primeval is “an intense work, dark…Dantean…dreamlike in its visions…. Francis is reclaiming modernist and feminist legacies of poetry, and it takes great courage to do that.”
In addition to Forest Primeval, which also won the Hurston/Wright Legacy Award for Poetry, Francis is the author of two previous poetry collections, Blue-Tail Fly (Wayne State University Press, 2006) and Horse in the Dark (Northwestern University Press, 2012). She is the recipient of a Rona Jaffe Foundation Writers’ Award and a Kresge Artist Fellowship. She is currently an associate professor of English at Dartmouth College and an associate editor for Callaloo.
This year marks the twenty-fifth anniversary of the Tufts Poetry Awards, which honor the memory of poet Kingsley Tufts. Previous winners of the Kingsley Tufts Award include Ross Gay, D. A. Powell, and Linda Gregerson. Past recipients of the Kate Tufts Award include Danez Smith, Yona Harvey, and Lucia Perillo. Francis and Williams will be honored at an awards ceremony in Los Angeles on April 20.
A travel website recently compiled a world map showcasing the slogans of different countries, most of which were created by tourism boards to promote tourism. Take a look at the wide variety of national slogans, or find the slogan or motto of a U.S. city or state you’re familiar with, and write an essay inspired by the phrase. Explore the ways in which the slogan touches upon the projected image or desired impression of your locale, and how it might resonate or conflict with your own memories.
Craft a piece of flash fiction based on the art of the rant: What exercises you? That is, what gets you in high dudgeon? Who pisses you off? Be specific: not just “I hate that guy,” but a riff on the last three times he cut you off in mid-sentence, the poisonous glow of his smile, and the unfortunate fact that he’s your brother-in-law. Now invert the previous exercise: How would he rant against you? Provide plenty of ripe details along with an incident or two.
This week’s fiction prompt comes from David Galef, author of Brevity: A Flash Fiction Handbook (Columbia University Press, 2016).
Many of the food-related traditions associated with the Chinese New Year—including eating fish, sweet rice dumplings, and certain vegetables—have their origins in Mandarin-language homophonic puns. Jot down a list of food-related homonyms, such as homophonic pairings like “lettuce” and “let us” or “beets” and “beats,” or homographic words with multiple meanings like “cake” or “milk.” Create a festive poem using some of the words or phrases you come up with that celebrate the start of a new year.
The deadline approaches for the sixth annual Zócalo Public Square Poetry Prize, given for a poem that evokes a connection to place. The winner will receive $500 and publication on the Zócalo Public Square website.
Submit up to three poems of any length via e-mail to poetry@zocalopublicsquare.org by Friday, February 3. There is no entry fee. The editors will judge. “Place may be interpreted by the poet as a place of historical, cultural, political, or personal importance,” write the editors. “It may be a literal, imaginary, or metaphorical landscape.” Visit the website for complete guidelines.
The winner will be announced in March. In 2016, 443 poets entered the prize. Interviews with recent winners and their winning poems can be read on the Zócalo website. Recent winners include Matt Phillips for his poem “Crossing Coronado Bridge” about the bridge that connects San Diego to Coronado Island; Gillian Wegener for her poem about a small town, “The Old Mill Café;” and Amy Glynn for her poem “Shoreline.”
Established in 2003, Zócalo Public Square publishes news, essays, and creative writing. The journal is based in Los Angeles.
Last month, “bundespraesidentenstichwahlwiederholungsverschiebung” was voted Austria’s word of the year, which roughly translated means “postponement of the repeat runoff of the presidential election.” Likewise, words tied to politics such as “xenophobia,” Dictionary.com’s word of the year; Oxford Dictionaries’ term for 2016, “post-truth;” and Merriam-Webster’s plea for users to stop looking up the word “fascism” to prevent it from becoming its word of the year (“surreal” was the eventual winner) reflected what was on everyone’s minds last year. What was your word of the year for 2016? Write a short essay where you explore your interactions with that word and its meaning. Look up the word’s etymology for a deeper exploration.
