The Anthologist: A Compendium of Uncommon Collections
A look at three new anthologies, including Leaning Toward Light: Poems for Gardens & the Hands That Tend Them and Never Whistle at Night: An Indigenous Dark Fiction Anthology.
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Genre: Poetry
For What Binds Us
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In this 2009 reading filmed at the Dodge Poetry Festival, Jane Hirshfield reads her poem “For What Binds Us,” which is included in her latest collection, The Asking: New and Selected Poems, forthcoming in September from Knopf. A profile of Hirshfield by Danusha Laméris is featured in the September/October issue of Poets & Writers Magazine.
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Raymond Luczak Reads “Otters”
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“in a documentary / they dove in / into the burble / of river, braiding / around each other....” Raymond Luczak reads and performs his poem “Otters,” which appears in his forthcoming collection, Animals Out-There W-i-l-d: A Bestiary in English and ASL Gloss (Unbound Edition Press, 2024), in this Academy of American Poets video. The poem is translated into American Sign Language (ASL) gloss, which uses English words and ASL idioms in the ASL sign order.
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Let’s Meet Our Contestants
“For $200: When inheritance begins // What is: in the womb / What is: decades before I announced my father dead / to me,” writes Taylor Byas in the poem “Jeopardy! (The Category Is Birthright),” which appears in her debut collection, I Done Clicked My Heels Three Times (Soft Skull Press, 2023). In this emotional poem, which follows the familiar format of the classic trivia game show referenced in the title, each stanza is framed with a dollar amount and clue in the form of an answer, followed by a list of potential responses in the form of questions. Try writing a poem that turns the format of your favorite game show into a poetic form. Whether you experiment with Wheel of Fortune, Pyramid, or Lingo, what limits of language can you reach when pushing your use of form?
Ten Questions for Robyn Schiff
“Read more than you write.” —Robyn Schiff, author of Information Desk: An Epic
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Sundog Poetry Retreat at Fielder Farm
The Sundog Poetry Retreat at Fielder Farm was held from November 3 to November 5 at the 230-acre Fielder Farm in Huntington, Vermont. The retreat featured workshops, craft talks, and readings for poets. The faculty included poets Alison Prine and Neil Shepard. The cost of registration was $350, which includes all meals. The cost of two-night lodging was $350 for a private queen bedroom and $100 for a dorm-room twin bed. The registration deadline was October 20. Visit the website for complete guidelines.
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CONFERENCE
Ignore Event Date Field?:
yes
Event Date:
May 30, 2025
Rolling Admissions:
ignore
Application Deadline:
May 30, 2025
Financial Aid?:
no
Financial Aid Application Deadline:
May 30, 2025
Free Admission:
no
Contact Information:
Sundog Poetry Retreat at Fielder Farm, Sundog Poetry, P.O. Box 641, Williston, VT 05495. (802) 585-8502. Drew Frazier, Managing Director.
Drew Frazier
Managing Director
Contact City:
Huntington
Contact State:
VT
Country:
US
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Rethinking Erasure: A Q&A With Nicole Sealey
The poet discusses erasure as process and metaphor, how she spent six years turning a report on police racism into poetry, and the inspiration of wild animals.
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Deadline Approaches for Gulf Coast Prize in Translation
The Gulf Coast Prize in Translation, whose submission cycle closes in just under three weeks, recognizes a prose excerpt translated into English from another language. Why not gather the required materials and share your rendering of someone else’s words for a chance to win a prize of $1,000 and publication?
Submit up to 10 pages of a story or essay in translation, a copy of the original text, a brief biography of the author, a synopsis of the work being translated, and proof that permission to translate the work has been granted with a $26 submission fee, which includes a subscription to Gulf Coast, or a $13 entry fee, which includes a half-year subscription, by August 31. Visit the website for complete guidelines.
Started in 1982 by Donald Barthelme and Phillip Lopate as a 64-page student-run publication, Gulf Coast today counts on a readership of over 3,000 as the nationally distributed journal housed within the University of Houston’s English Department. The press’s annual translation prize alternates genres each year, awarding a group of poems and a prose excerpt. Anam Zafar won the 2021 prize for her translation of Najat Albed Alsamad’s story “My Friend’s Basement” and has said of Alsamad’s work that it “exposes conflict as an individual experience in which entire countries simply cannot be viewed through a single, zoomed-out lens.” One of four of Gulf Coast’s contests, the translation prize represents the journal’s enduring commitment “to providing a balanced combination of literary approaches and voices.”
CAConrad Reads Jack Spicer’s “For Mac”
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“A dead starfish on a beach / He has five branches / Representing the five senses / Representing the jokes we did not tell each other.” CAConrad reads Jack Spicer’s poem “For Mac” in this short film directed by Matthew Thompson and produced by the Adrian Brinkerhoff Poetry Foundation, in collaboration with the 92nd Street Y, for their Read By poetry film series.
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Animal Self
In Natasha Trethewey’s “Flounder,” which appears in her debut collection, Domestic Work (Graywolf Press, 2000), the speaker of the poem recalls a scene from her memories as a young girl fishing with her aunt. The aunt explains how to spot a flounder, “A flounder, she said, and you can tell / ’cause one of its sides is black. // The other side is white, she said.” The poem ends with a strong image that subtly casts an emotional parallel with the speaker seeing a connection between her mixed-race identity and the flounder: “I stood there watching that fish flip-flop, / switch sides with every jump,” writes Trethewey. Inspired by Trethewey’s precise use of an extended metaphor, write a poem in which you cast a parallel between an animal in the wild and yourself. What characteristics will you draw out?
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