Genre: Poetry

Upcoming Contest Deadlines

Don’t let your writing life become a version of Groundhog Day, the 1993 film in which a disgruntled weatherman—played by Bill Murray—must relive, seemingly ad infinitum, the eponymous holiday. Change things up by submitting your work to a new contest! Nine awards have a deadline of February 15 or February 16, offering prizes that include $3,000 and publication for collections of poetry, fiction, and essays; $1,000 for a poetry collection translated from any language into English; and five prizes of $1,000 to $1,500 for a single poem “composed in the traditional modes of meter, rhyme, and received forms.” Good luck, writers!

Academy of American Poets
Ambroggio Prize

A prize of $1,000 and publication by University of Arizona Press is given annually for a poetry collection originally written in Spanish by a living writer and translated into English. Norma Elia Cantú will judge. Deadline: February 15. Entry fee: None.

Academy of American Poets
Harold Morton Landon Translation Award

A prize of $1,000 is given annually for a poetry collection translated from any language into English and published in the United States during the previous year. Valzhyna Mort will judge. Deadline: February 15. Entry fee: None.

Arrowsmith Press
Derek Walcott Prize for Poetry

 A prize of $2,000 is given annually for a poetry collection published in English during the previous year by a writer who is not a citizen of the United States. English translations of works originally written in another language are accepted. Deadline: February 15. Entry fee: $20.

Center for African American Poetry and Poetics/Autumn House Press
Book Prize

A prize of $3,000 and publication by Autumn House Press is given annually for a first or second poetry collection (or a work that intersects with poetry, including hybrid text, speculative prose, and translation) by a writer of African descent. Aracelis Girmay will judge. Deadline: February 15. Entry fee: None.

Finishing Line Press
Open Chapbook Competition
A prize of $1,500 and publication by Finishing Line Press is given annually for a poetry chapbook. Manuscripts written in a language other than English are accepted when accompanied by an English translation. Deadline: February 15. Entry fee: $20.

Furious Flower Poetry Center
Furious Flower Poetry Prize

A prize of $1,500 and publication in Obsidian, the literary journal of Illinois State University, is given annually for a group of poems that explore Black themes. The winner also receives a $500 honorarium to give a reading at James Madison University. Poets who have published no more than one poetry collection are eligible. Roger Reeves will judge. Deadline: February 15. Entry fee: $15.

Omnidawn Publishing
First/Second Poetry Book Contest

A prize of $3,000, publication by Omnidawn Publishing, and 20 author copies is given annually for a first or second poetry collection. Desirée Alvarez will judge. Deadline: February 16. Entry fee: $35.

Sarabande Books
Morton, McCarthy, and Sarabande Prizes

Two prizes of $3,000 each and publication by Sarabande Books are given annually for collections of poetry and fiction; in 2024, a new prize of $3,000 and publication will also be given for a collection of essays. For the Kathryn A. Morton Prize in Poetry, Hanif Abdurraqib will judge. For the Mary McCarthy Prize in Short Fiction, Lauren Groff will judge. For the Sarabande Prize in the Essay, Alexander Chee will judge. Deadline: February 15. Entry fee: $29.

West Chester University
Poetry Awards

Five prizes of $1,000 to $1,500 will be given annually for a single poem “composed in the traditional modes of meter, rhyme, and received forms” (Iris N. Spencer Poetry Award); a single poem written in haiku form (Myong Cha Son Haiku Award); a single poem written in sonnet form (Sonnet Award); a single poem written in villanelle form (Villanelle Award); and a single poem written in Spanish and accompanied by the English translation or translated into Spanish and accompanied by the English original (Rhina P. Espaillat Award). Second-place prizes of $500 will also be awarded for the Iris N. Spencer Poetry Award and the Myong Cha Son Haiku Award. Only undergraduate students who are enrolled in a United States college or university are eligible. Ernest Hilbert will judge. Deadline: February 16. Entry fee: None.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, creative nonfiction, and translation.

A Conversation With N. Scott Momaday

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“Words are the intricate bonds of language. Words make a family, a tribe, and a civilization. Language is the context of our experience.” Poet, novelist, and Native American scholar N. Scott Momaday speaks about the power of storytelling and his extensive writing career in a conversation with Dean Nelson from his home in New Mexico for the 2023 Writer’s Symposium by the Sea at Point Loma Nazarene University. Momaday died at the age of eighty-nine on January 24, 2024.

Fully Booked Chats: Ocean Vuong

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“I think I expect to suffer here, and my goal then is to suffer well or suffer skillfully.” In this conversation with Dawn Lanuza for the Fully Booked Chats series, Ocean Vuong discusses the differences between writing poems and novels, the question of whether literature can heal, and the story behind his name Ocean.

Language as Home

1.30.24

“Like a snail with a shell of sticks //  — she loads them on her back — //   Like a camel with a hump of sticks //  — on her back, on her back — // Like a horse with a knight of sticks and a stick for a sword,” writes Valzhyna Mort in her poem “In the Woods of Language, She Collects Beautiful Sticks” published in the Academy of American Poets’ Poem-a-Day series. In her description of this poem, Mort explains how an inability to write another poem she was working on made her “feel homeless in language and in poetry” and that writing this poem became “a bit of homemaking” for her. Write a poem that reflects your own process when your mind wanders away from writing and you must find a way back into the home of language. Does it involve the vocabulary of domesticity, construction, or helpful creatures?

Performing the Future: Debut Poets Virtual Reading

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Poets & Writers Magazine features editor India Lena González hosts this virtual event celebrating the ten debut poets featured in “Performing the Future: Our Nineteenth Annual Look at Debut Poets” from our January/February 2024 issue. The event includes readings by the poets as well as a conversation about their debut books, their influences and inspirations, and their individual paths to publication.

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Deadline Nears for Lando Grants

Writers of poetry, fiction, and creative nonfiction whose work explores diaspora should consider submitting to the Lando Grants from the de Groot Foundation by February 5. Three grants of $7,000 each will go to authors writing about “the issues and challenges of immigration, migration, and/or the refugee experience.” Three additional awards, called Lando Writer of Note Grants, of $1,500 each will also be awarded.

Using only the online submission system, submit a writing sample of five pages (graphic novelists may include up to 10 pages of prose and graphics), a brief bio, and a personal statement with a $22 entry fee. All writers currently engaged in a writing project are eligible. Visit the website for the required entry form and complete guidelines.

The Lando grants are named for Barry Lando, an investigative journalist and former producer of 60 Minutes, who is collaborating with the de Groot Foundation to offer the awards. In a statement, Lando says the prize draws attention to “one of the gravest problems facing the world today—the enormous rise in refugees and migrants fleeing catastrophic conditions in their homelands, desperate to start new lives in the globe’s more stable, prosperous nations. My goal is to encourage emerging authors to examine—via fiction or nonfiction, any aspect of this on-going challenge, from its varied causes to its impact in the ‘developed’ world. I am particularly interested in discovering potential authors and researchers with fresh ideas for solutions.”

Emily Luan and Brandon Shimoda

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In this 2023 virtual event hosted by City Lights Bookstore, Emily Luan, author of 回 / Return (Nightboat Books, 2023), and Brandon Shimoda, author of Hydra Medusa (Nightboat Books, 2023), read from their poetry collections and discuss themes of memory, mourning, and migration in their writing.

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Seasonal Sounds

1.23.24

Do you recall cold, quiet nights with the muffled silence of snow and the whisper of the wind, or the banging clang of heating pipes and the constant drumming of a heavy rainstorm rumbling in the winter? Depending on one’s locale, the sounds of the season can present a range of tones, from the euphonic to the cacophonic, from peaceful and calming to abrasive and exasperating. Write a poem that captures the sonic spectrum of your surroundings at this time of year, perhaps experimenting with punctuation, various line lengths and spacing, and onomatopoeia to reflect all the textures of your auditory experience.

Franny Choi in Conversation With Danez Smith

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“The reason I’m so terrified of what’s happening around me is because I’m so in love with the world.” In this 2023 Lost City Books virtual event, Franny Choi reads from their latest poetry collection, The World Keeps Ending, and the World Goes On (Ecco, 2023), and discusses the futurist politics of poetry, the present need for Black and Asian solidarity, and the battle between hope and despair in a conversation with Danez Smith.

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