Genre: Poetry

ALTA First Translation Prize

American Literary Translators Association
Entry Fee: 
$0
Deadline: 
March 16, 2026
A prize of $3,000 is given annually for a debut poetry collection, book of fiction, or book of creative nonfiction translated from any language into English and published in the previous year. The translator will receive $2,000, and the editor will receive $1,000. Translators who have not previously published a book in translation are eligible. Publishers or translators may submit a book published in 2025 by March 16. There is no entry fee. Visit the website for the required entry form and complete guidelines.

Literary Prizes

New Ohio Review
Entry Fee: 
$22
Deadline: 
April 15, 2026
Three prizes of $1,500 each and publication in New Ohio Review are given annually for a poem or group of poems, a short story, and an essay. Submit a poem or group of poems of up to six pages or a story or essay of up to 20 pages with a $22 entry fee, which includes a subscription to New Ohio Review, by April 15. All entries are considered for publication. Visit the website for complete guidelines.

Agnes Lynch Starrett Poetry Prize

University of Pittsburgh Press
Entry Fee: 
$25
Deadline: 
April 30, 2026
A prize of $5,000 and publication by University of Pittsburgh Press is given annually for a debut poetry collection. Using only the online submission system, submit a manuscript of 48 to 100 pages and a curriculum vitae with a $25 entry fee by April 30. Visit the website for complete guidelines.

Poet to Poet: X. J. Kennedy

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In this 1997 interview for the Poet to Poet series, X. J. Kennedy reads his poems, including “Nude Descending a Staircase” and “Nothing in Heaven Functions as It Ought,” and talks about his start as a writer with host Robert Dunn. Kennedy, who was awarded the 2015 Jackson Poetry Prize, died at the age of ninety-six on February 1, 2026.

Genre: 

Time to Rhyme

X. J. Kennedy, winner of the 2015 Jackson Poetry Prize who died at the age of ninety-six on February 1, was known for verses which often incorporated rhyming couplets and light humor. The title poem from his debut 1961 collection, Nude Descending a Staircase, is based on Marcel Duchamp’s painting of the same name and is made up of three short stanzas, beginning with: “Toe upon toe, a snowing flesh, / a gold of lemon, root and rind, / she sifts in sunlight down the stairs / with nothing on. Nor on her mind.” Taking inspiration from this style, select a few works by a favorite artist—whether paintings, sculptures, films, or music—and compose a series of short poems that make use of end rhymes, and perhaps traditional forms of an ode, ballad, elegy, or sonnet. How might deploying a surprising twist of humor inject the poems with a sense of playful energy?

Rachel Eliza Griffiths: The Flower Bearers

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In this video, Rachel Eliza Griffiths talks about grief, poetry, vulnerability, and writing her first memoir, The Flower Bearers (Random House, 2026), for an episode of Poured Over: The Barnes & Noble Podcast with host Miwa Messer. For more on Griffiths, read “Marvelous and Dangerous: A Q&A With Rachel Eliza Griffiths” by Renée H. Shea.

New Ways of Seeing: Debut Poets Virtual Reading

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Watch Poets & Writers Magazine features editor India Lena González host this two-part event celebrating the ten debut poets featured in “New Ways of Seeing: Our Twenty-First Annual Look at Debut Poets” from our January/February 2026 issue. The virtual event includes readings from the poets, as well as conversations about their debut books, their influences and inspirations, and their individual paths to publication.

Genre: 

Object of My Affection

1.27.26

In “Object Loss,” which appears in her Pulitzer Prize–winning poetry collection, Stag’s Leap (Knopf, 2012), Sharon Olds touches upon the emotions brought up from objects that were formerly tied to a romantic partner—a clock, a chair, a table. These physical items exemplify the metaphysicality of human connection. “As I add to the stash which will go to him,” writes Olds, “I feel as if I’m falling away / from family—as of each ponderous / object had been keeping me afloat. No, they were / the scenery of the play now closing, / lengthy run it had.” Jot down a list of objects that you’ve held on to from people you’ve loved in the past. Compose a poem that incorporates several of those items, taking care to describe their physical attributes. What sentiments did they evoke while in the act of parting, and after?

Andrés Cerpa: The Palace

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In this Books Are Magic event, Andrés Cerpa reads from his third collection, The Palace (Alice James Books, 2025), and talks about the importance of myth in poetry in a conversation with Iain Haley Pollock. Cerpa’s collection is featured in Page One in the January/February 2026 issue of Poets & Writers Magazine.

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