Genre: Poetry

Chapbook Prize

Tusculum Review
Entry Fee: 
$20
Deadline: 
June 15, 2025
A prize of $1,500 and publication in Tusculum Review is given annually for a collection of poems, a short story, or an essay in alternating years. The winner’s work is also published as a limited-edition stand-alone chapbook with original art. This year’s prize will be awarded in fiction. Jaime Cortez will judge. Submit a manuscript of 2,000 to 7,000 words with a $20 entry fee, which includes a subscription to Tusculum Review, by June 15. Visit the website for complete guidelines.

Anthology Poetry Competition

Anthology Magazine
Entry Fee: 
$16
Deadline: 
June 30, 2025
A prize of €1,000 (approximately $1,089) and publication in Anthology Magazine is given annually for a single poem. Rachael Hegarty will judge. Using only the online submission system, submit a poem of no more than 40 lines with a €15 (approximately $16) entry fee by the early bird deadline of June 30. Visit the website for complete guidelines.

Griffin Poetry Prize

Griffin Trust for Excellence in Poetry
Entry Fee: 
$0
Deadline: 
June 20, 2025
A prize of $130,000 Canadian (approximately $90,479) is given annually for a poetry collection written in or translated into English by a living poet or translator from anywhere in the world and published during the previous year. Finalists receive $10,000 Canadian (approximately $6,960) each for their participation in the shortlisted authors event to be held in Toronto in June. Should the prize-winning book be a translation, 60 percent of the prize is awarded to the translator and 40 percent to the poet. Publishers may submit four copies of a book of at least 48 pages in length published between January 1 and June 30 by June 20. The deadline to submit books published during the second half of the year is December 19. There is no entry fee. Visit the website for the required entry form and complete guidelines.

Chapbook Prize

Two Sylvias Press
Entry Fee: 
$18
Deadline: 
May 31, 2025
A prize of $1,000, publication by Two Sylvias Press, and 20 author copies will be given annually for a poetry chapbook. Ellen Bass will judge. Using only the online submission system, submit a manuscript of 17 to 24 pages with an $18 entry fee by May 31. Visit the website for complete guidelines.

Signs of Spring

The Time Is Now
4.15.25

What signals to you that spring has finally arrived? While there are signs of transformation throughout the year, the signs of spring often feel particularly special following on the heels of winter as many look forward to the tiniest indications of vernal revitalization. Buzzing bees, daffodils and tulips, pollen that makes you sneeze, the end of clanging heater pipes, wearing shorts, outdoor picnics, and opening windows—there are many associations with the freshness of the season. This week write a series of short poems that focus on the small, perhaps idiosyncratic changes that signify to you, personally, that a new season is upon us.

Zell Visiting Writers Series: Jane Wong

Caption: 

In this event hosted by the Helen Zell Writers’ Program at the University of Michigan, Jane Wong reads “To Love a Mosquito,” a chapter from her memoir, Meet Me Tonight in Atlantic City (Tin House, 2023), and pieces of her mother’s diary, followed by a discussion about her approaches to poetry versus creative nonfiction.

Genre: 
Poetry
Creative Nonfiction
Cross-Genre
Tags: 
Jane Wong
Helen Zell Writers' Program
University of Michigan
Meet Me Tonight in Atlantic City
Tin House
reading
discussion
2025

Dear Poet 2025: Meg Day

Caption: 

“I knew I was a god / when you could not / agree on my name // & still, none you spoke / could force me to listen / closer.” In this video, Meg Day reads “Portrait of My Gender as [Inaudible]” as part of Dear Poet, the Academy of American Poets’ educational project for National Poetry Month.

Genre: 
Poetry
Tags: 
Meg Day
Dear Poet
Academy of American Poets
reading
Deaf
ASL
National Poetry Month
2025

Boardwalks in Winter

The Time Is Now
4.8.25

In Sean Baker’s film Anora, which won best picture at this year’s Academy Awards, the title character spends the majority of her time zigzagging around New York City with various characters and in one particularly indelible shot, she strides past the iconic Cyclone roller coaster at a deserted Coney Island boardwalk on a gray winter afternoon. This week write a poem that revolves around an iconic location with a depiction that is unconventional or atypical in juxtaposition. You might consider how this locale is usually thought of in the popular imagination, how it was designed to function, or how it looks in different seasons. Play around with diction and rhythm to amp up a sense of tension and upend conventional expectations of your subject.

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