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U.K. Royal Mint puts Jane Austen on the £10 note; a poet travels the country in a “poetry wagon;” nominations open for the Guardian’s “Not the Booker” prize; and other news.
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U.K. Royal Mint puts Jane Austen on the £10 note; a poet travels the country in a “poetry wagon;” nominations open for the Guardian’s “Not the Booker” prize; and other news.
The essay “The Art at the End of the World” is Heidi Julavits’s account of a pilgrimage to see Robert Smithson’s land art sculpture “Spiral Jetty” in the Great Salt Lake. Write a poem inspired by a land art piece that particularly draws you in. In her essay, Julavits juxtaposes the haunting otherworldliness and existential provocations of the landscape with family dynamics and mundane details of traveling with her husband and two children. Does the immensity of this land art piece in its natural surroundings propel you to think about the relative size and scope of your own concerns, goals, and relationships?
Program assistant for Readings & Workshops (East) Ricardo Hernandez blogs about an evening at Bryant Park’s Reading Room series in New York City, co-curated by Poets & Writers.
Since 2003, the Reading Room at Bryant Park has hosted established and emerging poets at an “open air” reading series held in the heart of Manhattan. This summer, the Readings & Workshops program was offered the opportunity to co-curate an evening of this series. Against a backdrop of jugglers, double-decker buses, and the New York Public Library’s Main Branch, Oliver Baez Bendorf, Elana Bell, Cheryl Boyce-Taylor, and Duy Doan shared their work.
Opening the evening, Baez Bendorf read poems from his book, The Spectral Wilderness (Kent State University Press, 2015), many of which interrogate and obfuscate masculinity. In one, the speaker directed us to call him, “giddyup and Tarzan, riot boy/ and monk, flavor-trip and soldier and departure,” each image bucking against what Judith Butler, quoted in the poem’s epigraph, calls “the ambivalent process” of identification.
Next, Bell read one poem written from a hilltop overlooking the settlement of Neve Daniel on the West Bank, dedicated to a woman named “Amal, whose name means hope.” With a piercing eye, the speaker outlines the differences between herself, who has “never drunk rain/ collected from a well dug by [her] own hands,” and Amal, who “moves/ through her land like an animal” and “laughs with all her teeth,” resulting in a tender ode to domesticity and diversity.
Boyce-Taylor read from her latest collection, Arrival (Northwestern University Press, 2017), which tells the story of a recently immigrated Trinidadian girl, her parents, and her stillborn twin brother. In one of the most poignant moments of Boyce-Taylor’s reading, the speaker imagines a moment of kindness in the womb, before her twin’s death: “He handed me the soft bread of his lips. ‘Sell it if you ever need shelter.’ Then he was gone.”
Bringing the reading came to an end, Doan shared poems from his manuscript, We Play a Game, selected by Carl Phillips for the 2017 Yale Series of Younger Poets prize. In the poem “Love Trinkets,” Doan’s speaker presents his experiences with love in a poignant litany, detailing lovers who had spurned him; who had deceived him; and one who “was kind, so kind, in kissing/ [him] at all.”
Poets & Writers is thankful for the opportunity to collaborate with the Reading Room, and a special thanks to each of our featured readers!

Support for the Readings & Workshops Program in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the New York City Department of Cultural Affairs, with additional support from the Frances Abbey Endowment, the Cowles Charitable Trust, and the Friends of Poets & Writers.
Photo: (left to right) Duy Doan, Oliver Baez Bendorf, Elana Bell, and Cheryl Boyce-Taylor (Credit: Ricardo Hernandez).A web series reimagines Middlemarch through an LGBTQ lens; why Sherman Alexie canceled the rest of his book tour; Marginalia Books launches a series of annotated books; and other news.
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