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“I never felt that I wrote [my poems] anyway. I would feel them coming from way off, and then they would come toward me and if I didn’t catch them, they went through me and went on. So I just figured they were part of the universe and not me.” In this excerpt from the 2017 film In Person: World Poets, a collaboration between Bloodaxe Books and filmmaker Pamela Robertson-Pearce, the late poet Ruth Stone reads her poems from her home in Vermont.
In Rachel Mannheimer’s debut book, Earth Room (Changes Press, 2022), the book-length narrative takes the reader to places such as Los Angeles, Berlin, the Hudson Valley, and Mars. Some of the settings are used in a straightforward and narrative way, but others act as a sort of emotional backdrop against which intimate relationships and observations on sculpture, performance art, and land art can be examined. Inspired by Mannheimer’s original use of place, write a poem titled after a city. Try to challenge yourself by exploring the emotional and psychological undertones you associate with that place.
“The best things that happen in poems are discoveries, they’re accidents; what comes out of our imagination, out of our deepest self, out of our memory.” In this 2007 PBS NewsHour interview, Pulitzer Prize–winning poet Charles Simic speaks about his childhood in Yugoslavia, writing about war, becoming a U.S. poet laureate, and the freedom in poetry. Simic died at the age of eighty-four on January 9, 2023.
“I try my hand at remembering. An origin story is what you make of it. It can be a culture, a treasured heirloom, or a history, reduced.” In this Center for Fiction event, Hafizah Augustus Geter reads from her book The Black Period: On Personhood, Race, and Origin (Random House, 2022) and speaks with New York Times Magazine staff writer and author J Wortham. For more from Geter, read “Twelve Ways to Create Space to Write No Matter Where You Are” in the January/February issue of Poets & Writers Magazine.
Do you have a manuscript that needs some cash to reach the finish line? Apply for the de Groot Foundation’s Courage to Write Grants, which offer $7,000 to each of seven emerging poets, fiction writers, and creative nonfiction writers with works-in-progress and “for whom a monetary boost could help further or complete the project.” Awardees will meet virtually to discuss their projects and share ideas.
Using only the online submission system, submit a brief bio of up to 120 words, a completed application form, and five pages of a current, unpublished poetry or prose manuscript with a $22 entry fee by February 12. Visit the website for complete guidelines.
Previous winners of the Courage to Write Grants include Zahir Janmohamed for his memoir, The Permitted Hours; Campbell Walmsley for her novel, Burn Rate; and Jefferey Spivey for his story collection, The Birthright of Sons.
In addition to the Courage to Write Grants, the de Groot Foundation will offer the Lando Grants, which award $7,000 to each of three writers exploring immigrant/refugee issues in any genre; applications are also due on February 12. Up to ten Writer of Note Grants of $1,500 each will be awarded to writers selected from the pool of finalists for the Lando and Courage to Write grants.
Founded in 2010, the de Groot Foundation is a private family foundation that aims “to support high impact, sustainable innovation, education and cultural projects” worldwide. Funding from the organization has helped finance the first women’s hospital in Cambodia; a library in Nianiar, Senegal; and individual artistic projects. The foundation has recently amplified its attention to the literary arts: “Because of our love of literature and the power of story, we’re passionate about focusing the de Groot Foundation’s initiatives on discovering new voices and encouraging emerging writers,” says the foundation’s website.
In this Books Are Magic event, Patricia Engel reads from her story collection The Faraway World (Avid Reader Press, 2023) and speaks with Naima Coster about writing habits and what inspires her to write. The Faraway World is featured in Page One in the January/February issue of Poets & Writers Magazine.
According to the Chinese zodiac, 2023 is the year of the rabbit, which symbolizes longevity, peace, and prosperity. The zodiac is a repeating cycle of twelve years, and each year is represented by a different animal with symbolic traits. Next year will be the year of the dragon, which represents strength and independence; followed by the year of the snake, which represents curiosity and wisdom. Write an essay that reflects on the animal associated with your birth year and how it relates to your personality. Can you find any similarities? As an added challenge, consider the animals associated with your family members and whether these signs hold true to their qualities.
“I travel across America twice a year making lots of stops along the way, and each time the country feels a little different.” In this CBS Sunday Morning video, author and satirist David Sedaris comments on recent word choices he finds irritating.
Noah Baumbach’s film adaptation of Don DeLillo’s White Noise, Sam Esmail’s forthcoming film adaptation of Rumaan Alam’s Leave the World Behind, HBO’s miniseries adaptation of Emily St. John Mandel’s Station Eleven—novels with apocalyptic themes are appearing on screen more and more. Whether through satire or stark realism, this suspenseful setting allows writers to explore profound themes of survival, friendship, trust, hope, and resiliency. Inspired by apocalypse novels, write a short story that imagines the end of a modern civilization. Will you lean more toward satire, realism, or another form of expression entirely?
“Nowhere else does the sky do what the sky does there / where the graves are filled with dirt the color of fire.” Terrance Hayes reads his poem “Arbor for Butch,” which appears in his National Book Award–winning collection, Lighthead (Penguin Books), for this 2010 reading at the 92nd Street Y in New York City.
