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In this 2023 AWP Conference & Bookfair event, National Book Award honorees Donika Kelly and Danez Smith read from their work and discuss the power of poetry for both authors and readers in a conversation moderated by the Ruth Dickey, executive director of the National Book Foundation.
“I am afraid / that the mouths I feed will turn against me / will refuse to swallow in the silence / I am warning them to avoid.” Audre Lorde reads her poem “Blackstudies,” which appears in her book New York Head Shop and Museum (Broadside Press, 1974), in this video from the Poetry Center’s American Poetry Archives collection at San Francisco State University.
In her essay “On Killing Charles Dickens,” published in the New Yorker, Zadie Smith recounts her relationship with the timeless author and his influence on her historical novel, The Fraud, forthcoming from Penguin Press in September. In the essay, Smith begins by describing her resistance to writing a historical novel and discusses the unavoidable influence of Dickens on her childhood and her research. Ultimately, she concedes to his influence and tells herself: “I know he often infuriates you, but the truth is you never could have written this without him.” Consider a writer who has had a powerful influence on your writing and start an essay about your relationship. Do you find it necessary to concede to their influence?
“There’s something about straight lines on a page and the ability to use punctuation in an expected and familiar way that changes the way you do honesty on the page.” Poet and essayist Camonghne Felix speaks about mental health and heartbreak, and the vulnerability she found in writing her debut memoir, Dyscalculia: A Love Story of Epic Miscalculation (One World, 2023), for this Live From NYPL event with multi-disciplinary artist Bunny Michael.
Record-breaking global temperatures have already been recorded this year in the first weeks of summer. In a recent CNN report, Jennifer Francis, a senior scientist at Woodwell Climate Research Center, estimated that these temperatures are the warmest “probably going back at least 100,000 years.” How do you think extreme heat could affect the way we go about our daily lives and treat one another? Write a story in which a group of characters is forced to deal with a difficult decision on the hottest day of the year. Do they become more exasperated and desperate because of the heat?
“In Lagos, we name our girls / Darling, Sincere, Precious, because / A name is a stake in the grave.” Omotara James reads her poem “Half Girl, Then Elegy,” which appears in her collection, Song of My Softening (Alice James Books, 2022), for this virtual reading with Charif Shanahan and Maggie Smith, hosted by Kaveh Akbar, poetry editor of the Nation.
In a recent installment of our Craft Capsules series, Megan Fernandes describes a writing exercise centered around breath that she assigns to her students. “I tell my students to take out their phones and record themselves saying ‘I love you’ over and over again in a single breath, noting the time,” she writes. By counting the number of times this phrase is said in one breath, the students can calculate how long their lines are and how many stanzas their poems will contain. This week try Fernandes’s writing exercise to find the natural line length of your own breath and write a poem guided by the capacity of your lungs.
“Books sustain us. Books inspire us. Books fortify us. Books help us become who we are,” says poet John Keene in this video featuring National Book Award–winning authors—including Tess Gunty, Megan McDowell, Imani Perry, Samanta Schweblin, and Sabaa Tahir—speaking about why they believe books matter for the National Book Foundation’s Read With NBF program.
In this 92NY virtual reading, Lynn Melnick speaks about how Dolly Parton’s songs helped shape the structure of her memoir, I’ve Had to Think Up a Way to Survive: On Trauma, Persistence, and Dolly Parton (University of Texas Press, 2022), in a conversation with poet Deborah Paredez.
If you are a poet looking to place a manuscript of experimental or hybrid work, including work in translation, consider submitting to Mason Jar Press’s 1729 Book Prize. Given annually in alternating years for a book of poetry or a book of prose, this year’s contest offers a prize of $1,000 and publication by Mason Jar Press for a poetry collection that is at once “challenging” and “engaging.” Chen Chen will judge.
Using only the online submission system, submit a poetry manuscript of 50 to 75 poems or pages by July 31 (submissions will be capped at 500 entrants). There is no entry fee. Visit the website for complete guidelines.
This year, Mason Jar Press has released titles including the debut poetry collections Glazed With War by Pantea Amin Tofangchi and trans [re]incarnation by Elias Kerr, as well as its literary journal’s most recent issue, Jarnal Volume 3: Transitions (edited by Tara Campbell). Founded by Micheal B. Tager and Ian Anderson—classmates from the University of Baltimore MFA program—the independent press has published handmade, limited-run chapbooks and full-length books since 2014. The 2nd annual 1729 Book Prize, offered in partnership with The Ivy Bookshop, will run in line with the press’s mission of publishing work that “is meant to challenge status quos, both literary and culturally,” while also having “merit in both those realms.”
