Expensive Book Bids, a Push for Libraries to Emulate Coffee Shops, and More
Joseph Brodsky’s commencement speech; chapbooks over greeting cards; beyond the Bechdel Test; and other news.
Jump to navigation Skip to content
Joseph Brodsky’s commencement speech; chapbooks over greeting cards; beyond the Bechdel Test; and other news.
Too many hyphens; responding to critics; the year’s best sentences; and other news.
Amidst questions of racial diversity in the publishing industry, the Hurston/Wright foundation continues its outstanding support of African American writers, promising a brighter outlook for the state of writing in America.

Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features the San Francisco–based Manic D Press, which publishes a broad array of books by authors who would otherwise be, as editor Jennifer Joseph says, “shunned by the traditional publishing establishment for their lack of commercial viability.”

In her Sorted Books project, Nina Katchadourian arranges books from libraries—including William S. Burroughs’s personal collection, as well as those housed in museums and galleries across the country, to find a kind of poetry in the spines.
Innovations like the USB Typewriter, Hanx Writer, Hemingwrite, and Typing Writer are giving new life to the classic typewriter by updating it for the digital world.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Edith Pearlman’s Honeydew and Rikki Ducornet’s The Deep Zoo, as the starting point for a closer look at these new and noteworthy titles.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue’s MagNet features Ninth Letter, Gulf Coast, Gigantic, and Parallax.

“My work is a lifelong celebration of futility.” Artist Roman Muradov, designer of this issue’s cover, discusses his various wells of inspiration, his relationship to the written word, and the importance of doing nothing.