Genre: Fiction

Money Chronicles: A Story Initiative

Principal Foundation
Entry Fee: 
$0
Deadline: 
October 12, 2025
A prize of $1,000 and publication on the Short Édition website and in Principal Foundation’s Short Story Dispensers (located in six cities across the United States) will be given annually for a short story or essay “on themes related to money and personal finance.” Mateo Askaripour, Paco de Leon, David Drury, Bourree Lam, and Daniel Lefferts will judge. Using only the online submission, submit a manuscript of up to 7,500 characters of prose by October 12. There is no entry fee. Visit the website for complete guidelines.

Short Story Competition

Creative Writing Ink
Entry Fee: 
$16
Deadline: 
September 30, 2025
A prize of £1,000 (approximately $1,340), publication on the Creative Writing Ink website, and a free online writing course with Creative Writing Ink will be given annually for a short story. W. T. Paterson will judge. Using only the online submission system, submit a story of up to 3,000 words with a £12 (approximately $16) entry fee by September 30. Visit the website for complete guidelines.

Stegner Fellowships

Stanford University
Entry Fee: 
$55
Deadline: 
November 1, 2025
Ten fellowships, five in poetry and five in fiction, of $75,000 each per year to attend Stanford University’s two-year creative writing program are given annually for manuscripts of poetry and fiction. The creative writing faculty at Stanford University will judge. Using only the online submission system, submit up to 15 pages of poetry or up to 9,000 words of prose, a statement of purpose, a statement on your participation as a workshop member, and contact information for two references with a $55 entry fee (waivers are available based on financial need) by November 1. Visit the website for complete guidelines.

Mieko Kawakami and Fernanda Melchor

Caption: 

In this 2020 Wheeler Centre virtual event, Roanna Gonsalves hosts a discussion about womanhood in fiction and the power of translation with Fernanda Melchor, author of Hurricane Season (New Directions, 2020), translated from the Spanish by Sophie Hughes; and Mieko Kawakami, author of Breasts and Eggs (Europa Editions, 2020), translated from the Japanese by Sam Bett and David Boyd.

Last Call

The Last Showgirl is a 2024 drama film directed by Gia Coppola starring Pamela Anderson as a veteran Vegas dancer in her fifties who finds herself becoming obsolete as the revue she has headlined for three decades prepares to close. As Shelly considers other job prospects and a lifetime invested in and shaped by outmoded notions of femininity, eroticism, and glamour, she is faced with confronting the people in her life: the stage manager who remains at the venue producing a new show, her estranged daughter, and an old friend who works as a cocktail waitress and has alcohol and gambling addictions. Write a short story in which your main character is confronted with the harsh realities of social expectations as they age, particularly those around gender, beauty, and worth. What are their personal values around these concepts and how do they navigate the resulting tensions?

Poured Over With Katie Yee

Caption: 

“She was a short story that kind of got too big and started rolling away from me,” says Katie Yee about her debut novel, Maggie; or a Man and a Woman Walk Into a Bar (Summit Books, 2025), in this episode of Poured Over: The Barnes & Noble Podcast hosted by Miwa Messer, in which they discuss writing outside of your own experience and usual style.

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Kristen Arnett on Clowning

Caption: 

In this Creative Writing Series event at the University of Notre Dame, Kristen Arnett reads from her novel Stop Me If You’ve Heard This One (Riverhead Books, 2025) and talks about how she played with form by using different typefaces for “funny” and “not funny,” and her process to ensure that each joke lands.

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