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In this Politics and Prose event with novelist Angie Kim, Ed Park discusses the twenty-five-year process of writing his first story collection, An Oral History of Atlantis (Random House, 2025), which is featured in Page One in the July/August issue of Poets & Writers Magazine. For more from Park, read his installation of our Ten Questions series.
Last month, new research published in the Review of English Studies presented findings from a pair of scholars that solved a centuries-old mystery in Geoffrey Chaucer’s writings. A typo was discovered in a transcription of a twelfth-century sermon referencing a long-lost, and once popular, poem “The Tale of Wade” in which the word “wolves” was mistakenly written as “elves” and “sea snakes” written as “sprites.” In Chaucer’s Troilus and Criseyde and The Canterbury Tales, he referenced the poem and this same bumbled transcription appeared through the centuries, perplexing scholars as to why Chaucer would include mythical creatures in his stories of courtship with knights and ladies. Write a short story in which a typographical mistake results in a cascade of consequences for those who interpret the language in unexpected ways. Is the mistake eventually rectified or does the story conclude without anyone knowing?
In this Columbia University School of the Arts conversation moderated by Susan Bernofsky and Rivka Galchen, Yoko Tawada speaks about the process of working in between Japanese and Germanic languages, and answers audience questions about her writing and translation processes. “I really enjoy translating. Translating is very slow reading,” says Tawada.
Watch the trailer for My Oxford Year, a film adaptation of the debut novel of the same name by Julia Whelan. The film stars Sofia Carson as Anna, an ambitious American student with a keen interest in poetry who sets off for Oxford University and meets Jamie, played by Corey Mylchreest, a charming local who alters her plans.
