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This two-channel video installation by Nancy Stamatopoulou and Ash Bulayev, part of last year's Athens Video Art Festival, is inspired in part by Gertude Stein's essay “The Geographical History of America or the Relation of Human Nature to the Human Mind.”
Lisa Bowden is the publisher and co-founder of the P&W-supported Kore Press in Tucson, where P&W has been supporting literary events since 2008. A poet who works with dancers and musicians, she is also an award-winning book designer and currently serves on the advisory board of Girls Write Now. A graduate of the University of Arizona, Bowden has made her home in Tucson for nearly three decades.
What makes your press and its programs unique?
Kore is one of six presses left in the country dedicated to publishing the intellectual and creative work of women writers. The press is also entering its nineteenth year, which is a bit of a coup for a small, nonprofit house.
In addition to publishing, we have educational and literary activism projects that take writing off the page to engage the public in innovative ways. For example, we just completed a Big Read using Emily Dickinson as our focus of inquiry to help heal our city after the 2011 shootings. We collaborated with forty organizations, businesses, and individuals to reinterpret Dickinson's work and find new ways of reading and writing (using dancers, musicians, actors, students, libraries, pastry chefs, the bus system, translators, a videographer, visual artists, etc.). P&W helped fund a writing workshop by visiting poet/art critic Eva Heisler.
What recent projects have you been especially proud of and why?
We adapted the book Powder: Writing by Women in the Ranks, from Vietnam to Iraq to the stage. We used the production, “Coming in Hot,” as a tool for civil discourse by touring it in high schools and non-theater venues to get people talking about difficult issues women face in war times.
Kore also runs an after-school writing-as-activism program for teen girls and transgendered youth to help them get their story into public circulation. Most recently, the girls created a short film based on peer interviews exploring issues of sex and identity, which screened in our local independent movie house.
What’s the most moving thing that’s happened at an event you’ve hosted?
After watching our play, female veterans who had never been able to talk about their experiences overseas felt a catharsis and liberty to speak. One female veteran, who ended up following us as we toured the play to high schools to answer students's questions, said that seeing the play and working with us saved her life.
How has literary presenting informed your own writing and/or life?
I am honored whenever I'm listed as a reader or speaker at someone else's literary program, as I know how hard the work is! After doing so much of the same work myself, it's always nice to be on the other side. It's also heartening, as a writer, to participate and learn from fellow presenters and writers. It's such a rich writing community we have in the United States.
What do you consider to be the value of literary programs in your community?
Tucsonans are fortunate to have both the University of Arizona and the Poetry Center in our city, as well as many non-university/institutional literary organizations that do a variety of programming. We are steeped in literature of all kinds. We relate with and through a love of words, understanding, and staying in positive conversation with our crossroads culture and western borderlands.
Photo: Lisa Bowden. Credit: Sam Ace.
Support for Readings/Workshops events in Tucson is provided by an endowment established with generous contributions from the Poets & Writers Board of Directors and others. Additional support comes from the Friends of Poets & Writers.
Choose an incident from your past—it could be an ordinary occurrence, such as a family dinner—or a significant event, such as an achievement or a mishap. Write about it from your perspective, then write about it from the perspective of someone else who experienced it with you—a friend, sibling, or parent.
Did you read the latest issue of Poets & Writers Magazine? Fred Armisen and Carrie Brownstein star in Portlandia, currently in its second season on the Independent Film Channel.
"The first thing that comes to mind when I think about the writing life: space. I just think of space. Time to daydream. Time to notice things," says Natalie Goldberg, author of Writing Down the Bones: Freeing the Writer Within (Shambhala, 1986), Wild Mind: Living the Writer's Life (Bantam, 1990), and other books on writing.
Take an episode from a piece you've already written—the more personal the better—and rewrite it as a third-person news story, faithfully following the inverted-pyramid and who-what-when-where-why structure of normative journalism.
This week's creative nonfiction prompt comes from Vijay Seshadri, director of the nonfiction program at Sarah Lawrence College and author, most recently, of The Disappearances (Harper Collins, 2007).
The owners of Type Books in Toronto spent many sleepless nights moving, stacking, and animating books to produce this amazing video featuring music by Grayson Matthews.
Vaddey Ratner discusses In the Shadow of Banyan, a debut novel depicting her family's experience during the Cambodian genocide of the 1970s. "I didn't want to write a memoir," she says. "What I wanted was to honor the lives lost, those who perished, and I wanted to do so through my endeavor to transorm personal pain with art." In the Shadow of Banyan will be published by Simon & Schuster in July.
The Pacific Northwest Booksellers Association has announced the winners of its 2012 book awards, honoring authors from Alaska, Idaho, Oregon, Montana, and Washington. Among the winning titles are a semiautobiographical novel by a Bosnian expat, a memoir by an Olympic hopeful swimmer, and a contender for last year's Booker and Giller prizes.
Patrick deWitt, born in Canada and now living in Oregon, won for his second novel, The Sisters Brothers (Ecco), which was shortlisted for last year's Man Booker Prize and the Scotiabank Giller Prize. Ismet Prcic, who fled war-torn former Yugoslavia in the nineties and now lives in Portland, Oregon, won for his semiautobiographical debut novel, Shards (Black Cat). Prcic's novel was also shortlisted for a major award last year, the Center for Fiction's Flaherty-Dunnan First Novel Award.
Washington author Jonathan Evison, whose first novel, All About Lulu (Soft Skull Press, 2008), received the Washington State Book Award, won for his second novel, West of Here (Algonquin Books). Portland-based graphic novelist Craig Thompson, author of Blankets (Top Shelf, 2003) and Goodbye, Chunky Rice (Top Shelf, 1999), won for Habibi (Pantheon Books).
In nonfiction, memoirist and lifelong swimmer Lidia Yuknavitch of Portland was honored for The Chronology of Water, published by Portland indie press Hawthorne Books. Washington State biologist Thor Hanson won for Feathers: The Evolution of a Natural Miracle (Basic Books).
The book awards have been given annually since 1984 and judged by representatives from regional booksellers. For the 2012 award, the nine-person jury considered more than two hundred ninety nominated titles.
The video below is a book trailer for Yuknavitch's winning memoir.
