Genre: Creative Nonfiction

NEA Announces Creative Writing Fellows

The National Endowment for the Arts (NEA) has announced the thirty-seven recipients of its 2016 Creative Writing Fellowships in prose. Each of the fellows will receive twenty-five thousand dollars for writing, research, travel, and general career advancement.

This year’s recipients are:

Elisabeth Tova Bailey
Dean Bakopoulos
Bill Cheng
Diane Cook
Lucy Corin
Michael Croley
Meghan Daum
Peter Ho Davies
Jack Driscoll
Jerry Gabriel
Kaitlyn Greenidge
Rav Grewal-Kök
Paul Harding
Jamey Hatley
Kevin Haworth
Nellie Hermann
Vedran Husić
Laleh Khadivi
R. O. Kwon
Joy Ladin
Éireann Lorsung
Anthony Marra
Monica McFawn
David Philip Mullins
Lenore Myka
Dina Nayeri
Celeste Ng
Téa Obreht
Mehdi Tavana Okasi
Leslie Parry
Joseph Rathgeber
Amy Rowland
Alison Stine
Aaron Thier
Samrat Upadhyay
Melissa Yancy
Mario Alberto Zambrano

The annual grants are given to emerging and established writers and alternate between poetry and prose.

“Since its inception, the creative writing fellowship program has awarded more than forty-five million dollars to a diverse group of more than three thousand writers, many of them emerging writers at the start of their careers,” said Amy Stolls, the NEA’s director of literature programs. “These thirty-seven extraordinary new fellows provide more evidence of the NEA’s track record of discovering and supporting excellent writers.”

A group of twenty-three readers and panelists chose the recipients from 1,763 applications. The 2017 fellowships will be given in poetry; the application deadline is March 9.

 

Holiday Travel

12.17.15

The holiday season often means traveling short or long distances to spend time with family and friends. You might find yourself in a car, bus, train, subway, plane, or perhaps even a combination of several modes of transportation. Write a personal essay about an experience you’ve had while in transit during the holidays. Were there particular memories that surfaced as you looked out a bus window at the passing scenery? Did an unexpectedly funny or fascinating conversation take place with others who happened to be riding with you?

Terese Svoboda

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Watch the book trailer for Terese Svoboda​'s new biography of poet Lola Ridge, Anything That Burns You: A Portrait of Lola Ridge, Radical Poet, which will be released by Schaffner Press in February 2016. "The Art of Biography: Falling In and Out of Love" by Svoboda is in the January/February issue of Poets & Writers Magazine.

Paul Lisicky

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"What was I telling you? It was something like this: The world was made exactly for us and we'd never have to leave it." Paul Lisicky reads from his novel The Burning House (Etruscan Press, 2011) for Rosemont College's MFA Reading Series. Lisicky's new memoir, The Narrow Door (Graywolf Press, 2016), is featured in Page One in the January/February issue of Poets & Writers Magazine.

Brett Fletcher Lauer

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"When I hang in the air it will be by popular demand." Brett Fletcher Lauer reads some of his poems, along with Christopher Sindt, at St. Mary's College. Lauer's new memoir, Fake Missed Connections: Divorce, Online Dating, and Other Failures (Soft Skull Press, 2016), is featured in Page One in the January/February issue of Poets & Writers Magazine.

Acquired Taste

12.10.15

Sometimes the food we disliked as children—spinach, broccoli, tomatoes, raw fish, dark chocolate—we end up finding a taste for later in life. Or we end up getting tired or bored eating the same family dishes over and over, only to discover that, years later, we want to re-create them ourselves when we are in search of feel-good comfort food. Think of a specific dish or food that you used to hate but now love, or vice versa, and write a short essay about how your perceptions of it evolved over time. Describe the physical location, the atmosphere, and the people that you associate with the food, and how those elements might have changed. What do you remember about your emotional state when you ate this dish long ago? What aspects of this specific food induce your sense of nostalgia? How might your change in taste reflect other aspects of your life that have also been transformed?

Winter Turns to Spring

Kathy Wilson’s background includes many years in the theater both as an actor and teacher. She attended Marymount Manhattan College, earning a degree in Communication Arts, and has taught numerous writing courses at MMC for both Continuing Education and the Center for Learning and Living. Active in the P&W-supported writing workshop at the Goddard Riverside Community Center for over a decade, she published a chapbook, and has read many of her essays for the Poets & Writers annual Intergenerational Reading events held at Barnes and Noble in Union Square. The International Library of Poetry’s 2007 collection published one of her poems “Congito Ergo Sum: I Think Therefore I Am” and her memoir, Out of the Rabbit Hole, was published by Fulton Books in September 2015. Wilson has lived on the Upper West Side in New York City all of her adult life.

Writing had always been a dream put on the back burner. It wasn’t until I was downsized from my full-time job in 2001 that I was able to join the senior writing workshop, funded by Poets & Writers, at the Goddard Riverside Community Center. Finally, I could focus on writing, in what was a noncompetitive and supportive atmosphere. I could write openly with trust and develop my own voice.

The seed of my memoir began with a writing prompt, given in class by our talented and intuitive teacher Veronica Golos: “Write about your earliest secret.’’ I wrote about the guilt I remembered having at three years old when I threatened to drown my beloved toy bear “Poochie” because he would not speak to me. My mother told me he would, if I was a good girl. “Poochie,” was selected to be read at the workshop’s annual reading, after which it was submitted and chosen for the Poets & Writers’ Intergenerational anthology Where I’m From. I became aware that I had a real gift for storytelling and I had quite a story to tell.

Elena Alexander, an accomplished poet, became our second instructor at the Goddard Riverside Community Center. Her dedication and talent guided our group through publishing our own individual chapbooks. This generated even more motivation for me to continue writing my memoir, written from a child's point of view, about how she survives an environment of alcoholism and violence.

When my memoir, Out of the Rabbit Hole, was completed I wondered, now what? At my age I did not want to go the agent route with months or years of submitting to literary agents. I began researching various self-publishers with much hesitation, many were trying to “sell’’ their company, plus reviews from authors that used them were very mixed. Through Poets & Writers, I was recommended to Deborah Englander, experienced editor and writer, and contributor to the Savvy Self-Publisher, a column on self-publishing in Poets & Writers Magazine. Deborah was informative and very clear about what I should expect when choosing a publisher and helped me to firm up my commitment to self-publishing. Armed with her expert advice and through more research, I chose Fulton Books. A tremendous feeling of accomplishment surged through me when I held my book for the first time. As a senior, it no longer seems the winter of my life, but a new beginning, I am an author!

I am excited and take great pride in the positive response I have received about Out of the Rabbit Hole. One review states: “Beautifully written, poignant, sensitive, and with attention to detail, it evokes the sight, smells and sounds of the 1940s and 1950s.”

Currently, I am still a member of the Goddard Riverside writing workshop, where I continue to develop my writing skills, and where I have made many close friendships over the years. It is an inspiring and multitalented group.

Writing is no longer on the back burner. It’s time to start another book, in this newly acquired springtime of my life.

Photos: (Top) Kathy Wilson. Photo Credit: Christina Freudenthal, (Bottom) Goddard Riverside Writing Class. Photo Credit: Walter Grutchfield

Support for Readings & Workshops in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the New York City Department of Cultural Affairs, with additional support from the Louis & Anne Abrons Foundation, the Axe-Houghton Foundation, the A.K. Starr Charitable Trust, and the Friends of Poets & Writers.

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