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“I acquired a copy of my great-great-grandfather’s diaries in 2013,” says Lauren Russell about the inspiration for her new book, Descent (Tarpaulin Sky Press, 2020), at an event with author Megan Milks for Brown University’s Authors in the Archives series in 2019. Descent is featured in Page One in the July/August issue of Poets & Writers Magazine.
“Larry thought it was as if the whole of the world was asking to be fuel.” Leah Hampton, whose debut book, F*ckface (Henry Holt, 2020), is featured in Page One in the July/August issue of Poets & Writers Magazine, reads from her short story “Boomer” at Malvern Books in 2018.
“He forgets his own name somewhere in the tunnel to Penn Station. He doesn’t notice, at first. Too busy with all the stuff people usually do when they’re about to reach their train stop: cleaning up the pretzel bags and plastic bottles of breakfast....” N. K. Jemisin reads from the first chapter of her new fantasy novel, The City We Became (Orbit, 2020), the first in her Great Cities trilogy, and answers audience questions for a virtual event hosted by Politics and Prose Bookstore.
“They’ve asked that the bookstore be cleared away during the event / they say it’s no place to sell books…” As part of the Writers in Residence at-home video series for PEN America’s 2020 Digital World Voices Festival, Oksana Vasyakina reads her poem “These people didn’t know my father,” translated from the Russian by Ainsley Morse and Eugene Ostashevsky.
“The most astonishing thing to happen in the almost 14 billion years since the birth of the cosmos is that ordinary, apparentle inert matter, has—by its self-organizing capacity (or, autopoesis)—become conscious.” Harry Dodge reads from his debut book, My Meteorite: Or, Without the Random There Can Be No New Thing (Penguin Books, 2020), and discusses its themes in a conversation with Maggie Nelson in their Los Angeles home.
“It is an ancient Mariner, / And he stoppeth one of three. / ‘By thy long grey beard and glittering eye, / Now wherefore stopp’st thou me?’” Jeremy Irons reads the opening lines of Samuel Taylor Coleridge’s 1798 poem “The Rime of the Ancient Mariner,” accompanied by Glenn Brown’s oil painting The Shallow End, for the “Ancient Mariner” Big Read, an online audio and visual art project curated and produced by the University of Plymouth with forty readers—including Simon Armitage, Alan Cumming, Willem Dafoe, Olivia Laing, Hilary Mantel, Iggy Pop, Ali Smith, Tilda Swinton, Neil Tennant, and Jeanette Winterson.
In this installment of the AAWW at Home series, Rowan Hisayo Buchanan, author of the novel Starling Days (Overlook Press, 2020), talks about how she’s been occupied during the coronavirus pandemic lockdown and reads from Alexander Chee’s essay collection, How to Write an Autobiographical Novel (Mariner Books, 2018).
“Looking down from the window / into the bare augur sycamore tree / in the park across the street / the surprise is how full / of red-winged blackbirds it is…” In this Poets House Presents video, Ed Roberson shares new and unpublished poems still in drafts written during the coronavirus pandemic from his home in Chicago. Roberson is the recipient of the 2020 Jackson Poetry Prize, awarded annually by Poets & Writers to an American poet of exceptional talent.
“The theater goes dark. I’m watching characters move across the screen, but thinking more about Noah holding my hand, rotating the knuckle of my thumb with his own.” Paul Lisicky reads from his memoir Later: My Life at the Edge of the World (Graywolf Press, 2020) in this online reading event for Books Are Magic with Susan Choi. For more Lisicky, read his installation of Ten Questions.
“Daily, I remind myself: the future is not dependent / on your inability to describe your undoing.” Lara Mimosa Montes reads from her latest poetry collection, Thresholes (Coffee House Press, 2020), and answers questions about writing as part of the Loft Literary Center’s annual Wordplay festival, held virtually this year.
