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“Maybe he will be the boy who studies stars. / Maybe he will be (say it) / the boy on the coroner's table / splayed & spangled / by an officer's lead as if he, too, weren't made / of a trillion glorious cells & sentences. Trying to last.” Aracelis Girmay reads an excerpt from her new collection, The Black Maria (BOA Editions, 2016), at the 2016 Split This Rock Poetry Festival.
“But what I really want to say is we gone fall into the night like we fell into each other and it won't hurt no more.” Mahogany L. Browne, author of the poetry collection Smudge (Button Poetry, 2016), reads “Redbone Shames the Devil” for the Button Poetry Live series in June 2016.
In this TEDx Talk, Sharon Olds speaks about the moments “in between” that have inspired her life and poetry, and reads from her collection Stag's Leap (Knopf, 2012), as well as her poem “Ode to the Hymen.” Olds's latest collection, Odes (Knopf, 2016), is featured in Page One in the September/October issue of Poets & Writers Magazine.
“Let it matter what we call a thing. / Let it be the exquisite face for at least 16 seconds. / Let me LOOK at you. / Let me look at you in a light that takes years to get here.” Listen to Solmaz Sharif read the titular poem from her debut poetry collection, Look (Graywolf Press, 2016), which is longlisted for the 2016 National Book Award in Poetry. Sharif is featured in Page One in the July/August issue of Poets & Writers Magazine.
“What does it say of you if everything is dispensable?” Jonathan Safran Foer speaks about the themes and characters in his new novel, Here I Am (Farrar, Straus and Giroux, 2016), which is featured in Page One in the September/October issue of Poets & Writers Magazine.
“It's important that the criticism be constructive because otherwise it's destructive.” In a video for Big Think, Jacqueline Woodson explains the three stages of critique that are part of her writing process. Woodson speaks about her most recent novel, Another Brooklyn (Amistad, 2016), in “A Great Good” by Rigoberto González in the September/October issue of Poets & Writers Magazine.
“It's a series of pages that have huge holes, or volumes, where words fly off the page into your imagination, into your face. It's kind of a book that has no rules.” Choreographer Wayne McGregor and visual artist Olafur Eliasson speak with Kathleen Flood of the Creators Project about Jonathan Safran Foer’s art book, Tree of Codes (Visual Editions, 2010), which was the inspiration for their 2015 dance performance. Foer’s new novel, Here I Am (Farrar, Straus and Giroux, 2016), is featured in Page One in the September/October issue of Poets & Writers Magazine.
As part of the Aquinas College Contemporary Writers Series, Peter Ho Davies reads a section from his novel The Fortunes (Houghton Mifflin Harcourt, 2016), which at the time was titled Your Name in Chinese. The Fortunes is featured in Page One in the September/October issue of Poets & Writers Magazine.
“My aim was to write this integrated history, and at the same time manage to create in the reader these moments of disbelief.” Saul Friedländer, whose new memoir, Where Memory Leads: My Life (Other Press, 2016), is featured in “Nine More New Memoirs” in the September/October issue of Poets & Writers Magazine, explains his approach to writing about the history of Nazi Germany and the Holocaust.
Nicholson Baker discusses writing about the details in objects, focusing on the positives of technology, and cross-cultural respect at the School of Visual Arts in New York City. Baker’s new nonfiction book, Substitute: Going to School With a Thousand Kids (Blue Rider Press, 2016), which chronicles his experiences as a public school substitute teacher, is featured in Page One in the September/October issue of Poets & Writers Magazine.
