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“What you can do is tell your best story, at that moment.” Camille T. Dungy, whose first essay collection, Guidebook to Relative Strangers: Journeys Into Race, Motherhood, and History (Norton, 2017), is featured in Page One in the July/August issue of Poets & Writers Magazine, offers writers advice on how to overcome roadblocks.
Roxane Gay reads part of “The Illusion of Safety/The Safety of Illusion” from her essay collection, Bad Feminist (Harper Perennial, 2014). Her debut memoir, Hunger: A Memoir of (My) Body (Harper, 2017), is featured in Page One in the July/August issue of Poets & Writers Magazine.
“The first summer fair of the season, the East Avalon Fair, was a ‘coming out’ party for everyone on the eastern tip of the island.” Julia Fierro reads from a draft of her novel The Gypsy Moth Summer (St. Martin’s Press, 2017), which is featured in Page One in the July/August issue of Poets & Writers Magazine, for the Why There Are Words reading series.
“I was not at my mother’s side when she took her last breath.” Sherman Alexie reads from his debut memoir, You Don’t Have to Say You Love Me (Little, Brown, 2017), which is featured in Page One in the July/August issue of Poets & Writers Magazine.
This short film is one of twenty in Christos Chrissopoulos’s Look Twenty project, which each consist of twenty photographs projected at equal intervals to create a visual narrative. Chrissopoulos’s first novella, The Parthenon Bomber (Other Press, 2017), translated from the Greek by John Cullen, is featured in Page One in the July/August issue of Poets & Writers Magazine.
“I’m aware of the rules, but part of what makes you an artist is how you deviate from those rules, and that’s all about play.” Bao Phi, whose poetry collection Thousand Star Hotel (Coffee House Press, 2017) is in Page One in the July/August issue of Poets & Writers Magazine, talks about the importance of reading, writing, drawing, and playing to engage the imagination.
