Archive December 2019

First Friday Reading Series

Today’s post will wrap up my roundup of reading and performance series that have included Houston VIP Slam, Poison Pen Reading Series, and Write About Now Poetry.

The First Friday Reading Series is the oldest series in Houston and has been going strong for the last forty-four years, holding monthly readings on the first Friday of each month since 1975. This classic platform has seen many of the city’s strongest writers grace its podium. The reading format is super simple: Have the Inprint House host on the first Friday of the month, select a featured poet, and then get the open mic going.

The series has always been open to the public so that any and every person gets a chance to read in a beautiful setting. What could be more literary than reading in a space that was once the living room of Claudia Rankine? The readings start at 8:30 PM and usually go on until 11:00 PM. This space is always packed and there is a running joke that even the “VIP Section,” the staircase, gets full quick providing extra seating when all the chairs are taken. I always have a great time when I am able to go and look forward to getting to hear a variety of poets, those that I have known for years and new friends I’m meeting for the first time.

What I have always loved about First Friday, still hosted by Robert Clark after all these years, is that anyone who goes is either reading older poems they haven’t read in forever or reading brand new work for the first time. Writers often experiment with poems they are planning on adding to a manuscript in order to hear their words out loud and get live feedback. Whatever you want to bring to the open mic, this is the safest space to do this work in. Come on in, there is always a chair, or a staircase, waiting for you.

First Friday Reading Series audience at Inprint House.
 
Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

Growing in Writing: Part Two

In part two of my conversation with poet Deonte Osayande, I want to highlight his role in helping other writers share their work on stages in Detroit. Deonte was one of the first writers to introduce me to the Readings & Workshops program and the mini-grants offered to poets and writers. As an independent artist, Deonte was able to receive funding through the R&W program for his reading appearances and for leading writing workshops. As a series curator, Deonte has applied for, and received, a number of mini-grants for writers that he has invited to take part in events. Together we ran the Detroit slam series known as Freshwater Wordsmiths, which was first awarded funding from the R&W program in 2015.

Deonte says that he discovered the mini-grants from a peer and thought it would help the Freshwater Wordsmiths series grow. “I wanted a better way to pay people to come and perform for us, and I found it as an excellent way to recruit incoming writers,” says Deonte. The ability to fund writers in this way allowed Deonte to invite many who had never been to the Midwest before. Some of the writers who shared their work at Freshwater Wordsmiths and were funded through the R&W program include Troy Cunio, Safia Elhillo, Joel Greene, Robert Lashley, Ed Mabrey, Hieu Minh Nguyen, and Paul Tran.

In turn, local writers and fans of the literary arts in Detroit have been able to experience and build connections with writers from around the country. The ability to receive funding for writers also allows small venues in the city to lure traveling artists to their events even if the backing of a large university or organization is not present.

Interest in the literary world has expanded among the local writers who have been to reading series such as Freshwater Wordsmiths, and the many series that have been established in Detroit since the series closed. Through this support system, we are building community and sharing inspiration for our writing.

Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Upcoming Fiction and Nonfiction Contest Deadlines

The final fiction and nonfiction contests of 2019—and the first of 2020—are approaching their close. With deadlines from December 30 to January 2, these awards include a residency on the Oregon coast and fellowships at a California university; all feature a prize of $1,000 or more. Here’s to another year of literary opportunities, writers! 

Ashland Creek Press Siskiyou Prize for New Environmental Literature: A prize of $1,000 is given for an unpublished or published book of fiction or creative nonfiction that focuses on the environment, animal protection, ecology, or wildlife. The winner also receives a two-week residency at the Sitka Center for Art and Ecology, located on the central Oregon coast. Carol J. Adams will judge. All unpublished entries are considered for publication. Deadline: December 31. Entry fee: $25.

Bayou Magazine Fiction Prize: A prize of $1,000 and a subscription to Bayou Magazine are given annually for a poem and a short story. Deadline: January 1. Entry fee: $20.

Before Columbus Foundation American Book Awards: Awards are given annually for books published in the United States during the previous year to recognize “outstanding literary achievement from the entire spectrum of America’s diverse literary community.” Anyone, in addition to writers and publishers, may submit nominations for the awards. Deadline: December 31. Entry fee: none.

Black Caucus of the American Library Association Literary Awards: Four prizes of $500 each are given annually for a poetry collection, a first novel, a book of fiction, and a book of nonfiction (including creative nonfiction) by an African American writer published in the United States in the previous year. The awards honor books that depict the “cultural, historical, and sociopolitical aspects of the Black Diaspora.” Deadline: December 31. Entry fee: none.

Boulevard Short Fiction Contest: A prize of $1,500 and publication in Boulevard is given annually for a short story by a writer who has not published a nationally distributed book. Deadline: December 31. Entry fee: $16, which includes a subscription to the magazine. 

Cleveland Foundation Anisfield-Wolf Book Awards: Three to four prizes of $10,000 each are given annually for a poetry collection, a book of fiction, and a book of nonfiction (including creative nonfiction) published during the previous year that “contribute to our understanding of racism and appreciation of human diversity.” Rita Dove, Henry Louis Gates Jr., Joyce Carol Oates, Steven Pinker, and Simon Schama will judge. Deadline: December 31. Entry fee: none.

Florida Review Jeanne Leiby Memorial Chapbook Award: A prize of $1,000 and publication by Florida Review is given annually for a chapbook of short fiction, short nonfiction, or graphic narrative. Deadline: December 31. Entry fee: $25.

Lascaux Review Prize in Short Fiction: A prize of $1,000 and publication in Lascaux Review is given annually for a short story. The winner and finalists will also be published in the 2020 Lascaux Prize Anthology. Deadline: December 31. Entry fee: $15.

Livingston Press Tartt Fiction Award: A prize of $1,000, publication by Livingston Press, and 100 author copies is given annually for a first collection of short stories by a U.S. citizen. Deadline: December 31. Entry fee: none.

Mississippi Review Prizes in Fiction and Nonfiction: Two prizes of $1,000 each and publication in Mississippi Review are given annually for a short story and an essay. Current or former University of Southern Mississippi students are ineligible. Deadline: January 1. Entry fee: $16, which includes a copy of the prize issue.

Neukom Institute for Computational Science: Two prizes of $5,000 each will be given annually for a debut book of speculative fiction and a book of speculative fiction published during the previous year. Winners must be able to receive the award at an event at Dartmouth College in fall 2020; all travel expenses will be covered. Deadline: December 31. Entry fee: none.

New Rivers Press Many Voices Project Competition: Two prizes of $1,000 each, publication by New Rivers Press, and 15 author copies are given annually for a poetry collection and a book of fiction or creative nonfiction by an emerging writer. Writers who have not published more than two full-length books are eligible. Deadline: December 31. Entry fee: $25. 

North Carolina Writers’ Network Jacobs/Jones African American Literary Prize: A prize of $1,000 and possible publication in the Carolina Quarterly is given annually for a short story or an essay that “conveys the rich and varied existence of Black North Carolinians.” Black writers who live in North Carolina are eligible. Bridgette A. Lacy will judge. Deadline: January 2. Entry fee: $20.

Nowhere Magazine Travel Writing Contest: A prize of $1,000 and publication in Nowhere Magazine is given twice yearly for a poem, a short story, or an essay that “possesses a powerful sense of place.” Porter Fox will judge. Unpublished and published pieces that have not already been chosen as a contest winner are eligible. Deadline: January 1. Entry fee: $25.

Press 53 Award for Short Fiction: A prize of $1,000, publication by Press 53, and 50 author copies is given annually for a story collection. Kevin Morgan Watson will judge. Deadline: December 31. Entry fee: $30.

River Styx Micro-Fiction Contest: A prize of $1,500 and publication in River Styx is given annually for a short short story. Deadline: December 31. Entry fee: $15, which includes a copy of the prize issue.

San José State University Steinbeck Fellowships in Creative Writing: Yearlong residencies at San José State University in San José, California, which include a stipend of $15,000 each, are given annually to fiction writers and creative nonfiction writers. The fellows will give one public reading each semester and must live in the San José area during the academic year. Deadline: January 2. Entry fee: none.

Three Percent Best Translated Book Awards: Two awards of $10,000 each are given annually for a poetry collection and a short story collection or novel translated into English for the first time and published in the previous year. The winning author will receive $5,000; the translator or translators will receive $5,000. Nancy Naomi Carlson, Patricia Lockwood, Aditi Machado, Laura Marris, and Brandon Shimoda will judge in poetry; Elisa Wouk Almino, Pierce Alquist, Hailey Dezort, Louisa Ermelino, Hal Hlavinka, Keaton Patterson, Christopher Phipps, Lesley Rains, and Justin Walls will judge in fiction. Deadline: December 31. Entry fee: none. 

Virginia Commonwealth University Cabell First Novelist Award: A prize of $5,000 is given annually for a first novel published during the previous year. The winner and two additional guest panelists (usually the winner’s agent and editor) will also receive lodging and travel expenses to attend the First Novelist Award Night at Virginia Commonwealth University in fall 2020. A committee of novelists and critics will judge. Deadline: December 30. Entry fee: none.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Upcoming Poetry Contest Deadlines

The last contest deadlines of 2019 and the first of the new year offer a wealth of opportunities for poets. These awards honor published books, translations, single poems, and manuscripts. Most offer a cash prize of $1,000 or more, and all have deadlines from December 30 to January 2.

Bayou Magazine Poetry Prize: A prize of $1,000 and a subscription to Bayou Magazine is given annually for a poem. Deadline: January 1. Entry fee: $20.

Before Columbus Foundation American Book Awards: Awards are given annually for books published in the United States during the previous year to recognize “outstanding literary achievement from the entire spectrum of America’s diverse literary community.” Anyone, in addition to writers and publishers, may submit nominations for the awards. Deadline: December 31. Entry fee: none.

Black Caucus of the American Library Association Literary Awards: Four prizes of $500 each are given annually for a poetry collection, a first novel, a book of fiction, and a book of nonfiction (including creative nonfiction) by an African American writer published in the United States in the previous year. The awards honor books that depict the “cultural, historical, and sociopolitical aspects of the Black Diaspora.” Deadline: December 31. Entry fee: none.

Cleveland Foundation Anisfield-Wolf Book Awards: Three to four prizes of $10,000 each are given annually for a poetry collection, a book of fiction, and a book of nonfiction (including creative nonfiction) published during the previous year that “contribute to our understanding of racism and appreciation of human diversity.” Rita Dove, Henry Louis Gates Jr., Joyce Carol Oates, Steven Pinker, and Simon Schama will judge. Deadline: December 31. Entry fee: none.

Codhill Press Poetry Award: A prize of $1,000, publication by Codhill Press, and 25 author copies is given annually for a poetry collection. James Sherwood will judge. Deadline: December 30. Entry fee: $30. 

Crosswinds Poetry Contest: A prize of $1,000 and publication in Crosswinds is given annually for a single poem. Richard Blanco will judge. Deadline: December 31. Entry fee: $20.

Gemini Magazine: A prize of $1,000 and publication in Gemini Magazine is given annually for a single poem. The editors will judge. Deadline: January 2. Entry fee: $8.

Griffin Trust Poetry Prize: Two prizes of $65,000 CAD (approximately $49,520) each are given annually for poetry collections published during the previous year by a Canadian poet or translator and by an international poet or translator. Finalists in each category receive $10,000 CAD (approximately $7,618) for their participation in the Griffin Poetry Prize Shortlist Readings held in Toronto. Deadline: December 31. Entry fee: none.

Mississippi Review Prize In Poetry: A prize of $1,000 and publication in Mississippi Review is given annually for a single poem. Deadline: January 1. Entry fee: $15 ($16 for electronic submissions).

The Moth Poetry Prize: A prize of €10,000 (approximately $11,116) and publication in the Moth is given annually for a single poem. Three runner-up prizes of €1,000 (approximately $1,111) each are also given. The winners will also be invited to read at an awards ceremony at the Poetry Ireland festival in Dublin in spring 2020. Claudia Rankine will judge. Deadline: December 31. Entry fee: €15 (approximately $17).

New Issues Poetry & Prose Poetry Prize: A prize of $2,000 and publication by New Issues Poetry & Prose is given annually for a book of poetry by a poet who has not published a full-length collection. Traci Brimhall will judge. Deadline: December 30. Entry fee: $25.

New Rivers Press Many Voices Project Competition: Two prizes of $1,000 each, publication by New Rivers Press, and 15 author copies are given annually for a poetry collection and a book of fiction or creative nonfiction by an emerging writer. Writers who have not published more than two full-length books are eligible. Deadline: December 31. Entry fee: $25.

Nowhere Magazine Travel Writing Contest: A prize of $1,000 and publication in Nowhere Magazine is given twice yearly for a poem, a short story, or an essay that “possesses a powerful sense of place.” Porter Fox will judge. Unpublished and published pieces that have not already been chosen as a contest winner are eligible. Deadline: January 1. Entry fee: $25.

Three Percent Best Translated Book Award in Poetry: An award of $10,000 is given annually for a poetry collection translated into English for the first time and published in the previous year. The winning author will receive $5,000; the translator or translators will receive $5,000. Nancy Naomi Carlson, Patricia Lockwood, Aditi Machado, Laura Marris, and Brandon Shimoda will judge in poetry. Deadline: December 31. Entry fee: none.

Tupelo Press Dorset Prize: A prize of $3,000 and publication by Tupelo Press is given annually for a poetry collection. The winner also receives a weeklong residency at the Massachusetts Museum of Contemporary Art. Deadline: December 31. Entry fee: $30.

Two Sylvias Wilder Series Book Prize: A prize of $1,000 and publication by Two Sylvias Press is given annually for a poetry collection by a woman over the age of 50. Kelli Russell Agodon and Annette Spaulding-Convy will judge. Deadline: December 31. Entry fee: $20.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Saints and Sinners Literary Festival

If you’re looking for more community and a spirited festival, you should look into Saints and Sinners. Founded in 2003, the Saints and Sinners Literary Festival highlights LGBTQ writers and publishers from the United States and beyond. The three-day event features panel discussions, workshops, and readings and is held each spring in the French Quarter at the Hotel Monteleone—an official literary landmark that has welcomed William Faulkner, Ernest Hemingway, Eudora Welty, and Tennessee Williams to its rooms.

The 2020 festival is set for March 27–29 and will feature poet Savannah Sipple, fiction writer Leona Beasley, historian Frank Perez, and many others. Registration is open now with day passes and student rates available.

Saints and Sinners is a project of the Tennessee Williams & New Orleans Literary Festival, which I’ve attended several times in the past. The two festivals overlap so it’s possible to attend events from both. Last year, Saints and Sinners kicked off the festival with the return of their open mic slam and first-ever Drag Queen show. And to conclude the event, there are Saints and Sinners Hall of Fame awards given to those who best embody the mission of the festival.

My poet friend Brad Richard has attended the festival and speaks highly of it: “The Saints and Sinners Festival is a wonderful community within the larger community of the Tennessee Williams Festival. I’ve met writers I’ve always wanted to meet and discovered new ones, and found a publisher, Sibling Rivalry Press, for my third book, Butcher’s Sugar.”

Although I haven’t had the chance to attend Saints and Sinners yet, I look forward to supporting the festival and attendees in the coming year.

Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.

Write About Now Poetry

Hey gente, I am picking up where I left off in the last two blog posts and focusing on a few reading and performance series that call Houston home.

This week is a look at the Write About Now poetry slam and open mic series. Of the four series I have decided to write about, WAN (as it is known around here) is the youngest. This nonprofit poetry collective has been around for less than ten years, but in that time the vibrant platform has garnered a great following with younger writers here in H-Town. Currently the series is hosted at a space that has been home to several other notable reading series, AvantGarden. In their back courtyard you’ll find WAN events every Wednesday night, and every performance is worth the $5 to get in.

The weekly events are almost always hosted by WAN’s founder, Amir Safi, and usually take the form of a slam. Judges are selected on the night of the slam and there is a featured reader who closes out the night. The slams start at 7:00 PM and end around 10:00 PM, and sometimes a little later. There is a super healthy crowd that attends and the energy is electric. I always have a great time when I’m able to go and I look forward to hearing new up-and-coming poets read their work.

AvantGarden is a local bar that has had a few names and changed with the times. The one thing I love about the space is that it has always been home to a poetry community—it’s actually one of the few spaces that was around in my early days of open mics. I can confidently recommend a WAN show to anyone. It is always a good time.

Write About Now poetry slam and open mic series at AvantGarden in Houston.
 
Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

Growing in Writing: Part One

Recently I touched base with local writer and educator Deonte Osayande, a lifelong Detroiter. Deonte has been a part of the Detroit literary community as a poet, host, and coach for over ten years (see more about his work in his Poets & Writers Directory profile). When I asked him where he first connected with the literary world, Deonte says, “I attended an open mic as a student, and I knew I had to learn more about it.”

Deonte has since become an internationally recognized poet, a published writer, and is a professor of English at Wayne County Community College District. In addition to his writing career, Deonte has coached both youth and adults in regional poetry slam teams through to national competition. After all of the performances, edits, publications, and travel, Deonte says, “it’s just more than that. I’ve learned how to be more deliberate with the words I use and I’ve learned how to teach others the same.”

I love this response because it reminds us that whether we are writing metaphors on bathroom walls or publishing our second full-length novel, words offer writers so much more. There is always “something more” than just stringing words together on paper—we learn intentionality. We discover how we process. We become better communicators. “I still exist as a writer because I have to, I wouldn’t be who I am without expressing my thoughts in such a way,” says Deonte.

Deonte Osayande.
 
Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Rose Post Creative Nonfiction Competition Accepting Submissions

Submissions are open for the Rose Post Creative Nonfiction Competition. Sponsored by the North Carolina Writers’ Network (NCWN), the annual competition seeks “lasting nonfiction that is outside the realm of conventional journalism and has relevance to North Carolinians.” Many forms of nonfiction writing are accepted, including cultural criticism, reviews, profiles, interviews, travel articles, and historical or place-based pieces. The first prize winner will receive a $1,000 cash prize and be considered for publication in Ecotone. Second and third place winners will receive $300 and $200 respectively.

Submit a nonfiction manuscript of up to 2,000 words with a $12 entry fee by January 15. NCWN members pay $10. Randall Kenan will judge. Writers who are legal residents of North Carolina or members of the NCWN are eligible. Winners will be announced in March 2020. Visit the website for complete guidelines.

Founded in the mid-1980s, the NCWN “connects, promotes, and serves” the writers of North Carolina and has administered the Rose Post Creative Nonfiction Contest since 2008. In addition to awarding more than $4,000 every year through its contests, the NCWN offers editing services and online classes, and hosts various community events. The contest’s most recent winner is Pam Van Dyke, who won the 2019 award for her essay “ABC to XYZ.”

Literary Holiday Gifts for Writers and Booklovers

It’s the holiday season and time for giving. If you’re considering what to give to the writer or booklover in your life, here are a few ideas.

Independent bookstore gift cards: I’ve never met a writer or reader who didn’t love a gift card from a local bookstore. There are always independent bookstores that could use shoppers and you never know what author might be giving a reading or signing a book while you’re there. Not only is a gift card a great present, you’ll be supporting small businesses and literary artists. A few of my favorites in New Orleans are Blue Cypress Books, Community Book Center, Faulkner House Books, Garden District Book Shop, Octavia Books, and Tubby & Coo’s Mid-City Book Shop. You can also check out the Literary Places database for bookstores near you.

Buy a book from a small press: There are so many small presses putting out incredible work from emerging and established writers who may not be on the big best sellers lists. Get their books into the hands of a friend. Some small presses operating out of New Orleans are Lavender Ink, Trembling Pillow Press, and University of New Orleans Press. The Small Presses database also has a list of wonderful publishers to choose from.

Donate to a literary organization: For something outside of the box, consider donating to a literary organization in the name of a friend or family member as a gift. These nonprofits are instrumental in creating support systems and opportunities for local writers, including fellowships, retreats, and workshops. Some organizations to consider in New Orleans are 826 New Orleans (which has chapters in other cities), Antenna, and One Book One New Orleans.

Take a friend out to a literary event: Maybe you have a friend who’s never been to a poetry reading or you’ve been meaning to take someone to your favorite reading series. What better time than now to introduce new writers to a good friend and create more community as a way of giving back? The Literary Events Calendar is a great place to start to find an event near you.

Random act of kindness: Is there a writer you like or follow online? Give them a big shout-out on Facebook, Twitter, or Instagram. Give the gift of recommendation. Let your networks know who’s on your literary radar and why. You’d be surprised how helpful this can be to a writer in your community and beyond.

Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.

Poison Pen Reading Series

The Poison Pen Reading Series holds events in a bar called the Poison Girl Cocktail Lounge. The series has been going for twelve years, just a little longer than Houston VIP Slam (which I featured last week), but functions in a very different way. The series brings three writers together who read on the outside patio of the lounge. Audience members get to relax in a space under the stars and listen to literary works from writers from Houston and beyond.

The readings are usually hosted by Scott Repass, one of the owners of the lounge, and start at 8:00 PM on every third Thursday of the month. The featured readers vary for each event, but most times, audience members will get the opportunity to hear from at least one writer from the University of Houston Creative Writing Program, a writer from the Houston literary community, and a visiting writer from outside of Houston. Writers share work from all genres including poetry, fiction, and nonfiction.

I have been to many Poison Pen readings and have had the pleasure of being a featured reader, the last time was this past July when I was honored to share the stage with poet Natasha Carrizosa and fiction writer Robert Liddell. The readings are always jam-packed, standing room only in most cases, so if you plan to attend, get there early for a drink and to find a good seat for the reading. It’s worth it.

The Poison Pen Reading Series at Poison Girl in Houston.
 
Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.

From Miami to Detroit

There are so many writers in Detroit that I am discovering. This week I want to share a conversation I recently had with local poet and editor Jeni De La O.

Jeni founded Relato:Detroit, a bilingual community storytelling series, and Poems in the Park, an acoustic poetry reading series in historic Lafayette Park. A first-generation Cuban American who grew up in Miami, Jeni came to writing from humble beginnings. “My mom grabbed some scraps of fabric from a dress she’d made me, cut up a cereal box and went at it with her hot glue gun to make me a journal,” she says about what drove her to write as a youngster.

Jeni moved from Miami to Detroit about ten years ago. “When I got to Detroit, the people felt like home, and that feeling of home lets you breathe,” says Jeni. “This city puts life and movement and connection into your writing in a way I haven’t felt or seen elsewhere.” Some of her favorite venues and events in Detroit include the Secret Society of Twisted Storytellers, the Brain Candy series held at Green Brain Comics, and the East Side Reading Series

I asked Jeni if she could put out a call to action to Detroit writers, what would it be? In chorus with many of the local writers I have spoken with, Jeni suggested a large gathering of literary artists or a citywide poetry festival. I truly think that there are already writers beginning to lay the groundwork for something of that magnitude in years to come. I am glad to have a voice and to highlight voices in this growing conversation.

Jeni De La O.
 
Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Upcoming Contest Deadlines

As we enter the last month of 2019, the time is right to submit to contests with a deadline of December 15. These poetry, fiction, and nonfiction awards include opportunities to attend a residency in upstate New York and to have your work reviewed by a literary agency. Most offer a prize of $1,000 or more. 

Center for Book Arts Letterpress Poetry Chapbook Competition: A prize of $500 and letterpress publication by the Center for Book Arts is given annually for a poetry chapbook. The winner will also receive an additional $500 to give a reading with the contest judge at the Center for Book Arts in New York City in fall 2020, and a weeklong residency at the Winter Shakers program at the Millay Colony for the Arts in Austerlitz, New York. Entry fee: $30.

Commonwealth Club of California Book Awards: Five prizes are given annually for a poetry collection, a book of fiction, a first book of fiction, a book of creative nonfiction, and a book of fiction or nonfiction that relates to California published during the previous year. Books written by authors residing in California are eligible. Entry fee: none.

F(r)iction Short Story Contest: A prize of $1,000 is given three times a year for a short story. Entry fee: $15.

LitMag Virginia Woolf Award for Short Fiction: A prize of $3,500 and publication in LitMag is given annually for a short story. A second-place prize of $1,000 will also be given. The winners will have their work reviewed by Sobel Weber Associates literary agency. The editors will judge. Entry fee: $20. 

Mid-American Review Poetry and Fiction Contests: Two prizes of $1,000 each and publication in Mid-American Review are given annually for a poem (the James Wright Poetry Award) and a short story (the Sherwood Anderson Fiction Award). Entry fee: $10. 

Silverfish Review Press Gerald Cable Book Award: A prize of $1,000, publication by Silverfish Review Press, and 25 author copies is given annually for a first poetry collection. Entry fee: $25, which includes a copy of the winning book.

Willow Books Literature Awards: Two prizes of $1,000 each and publication by Willow Books are given annually for a book of fiction and a book of creative nonfiction by writers of color. Entry fee: $25.

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.