United States of Writing Blog

United States of Writing is an initiative to expand our core programs to better serve writers coast to coast. This year, we’re piloting United States of Writing in Detroit, Houston, and New Orleans with plans to expand in the coming years.

Follow our literary outreach coordinators—Justin Rogers in Detroit, Lupe Mendez in Houston, and Kelly Harris in New Orleans—as they report on the literary life in three storied American cities.

United States of Writing is supported with a generous grant from the Hearst Foundations and additional support from Amazon Literary Partnership.

1.1.20

Last November, I spoke with poet Peter Cooley following the International Poetry Reading cosponsored by Poets & Writers at Tulane University. Cooley, professor emeritus of English at Tulane University and the former poet laureate of Louisiana, is the author of ten books of poetry, most recently World Without Finishing (Carnegie Mellon University Press, 2018). We talked about the passing of his dear wife and laughed about advice his daughters recently gave him about the dating world. Here’s a short Q&A that extends our conversation.

As professor emeritus of English at Tulane, what do you look for in the writing of MFA applicants?
The ability to see life a little differently, from a new angle, and the possession of a facility with language.

How have creative writing programs changed since you were a student at the Iowa Writers’ Workshop?
There are, happily, many different kinds of MFA programs now, from the studio model like the Iowa Writers’ Workshop, to the more structured programs like the University of Arkansas. They are all over the country. And there are low-residency programs, similar to Warren Wilson College’s MFA program.

Recently, you spoke to me about becoming a widower and the advice your daughters have given you about dating. How has this experience impacted your writing?
I am finishing a whole book about grief and being a widower. My wife died on March 15, 2018. I thought I couldn’t write about this, which meant I needed to write it.

As a former poet laureate of Louisiana what advice can you offer for writers?
My advice to writers is the old advice: read, read, read, revise, revise, revise. Find a couple of people whose opinion you respect and show your stuff to them with the hope of receiving criticism. Be prepared for continuous rejection in sending your work out and remember that some of the most famous works have been rejected countless times.

You told me you’ve subscribed to Poets & Writers Magazine for years. What do you like most about the magazine?
I have subscribed to Poets & Writers Magazine for as long as I can remember. I enjoy the feature articles, the news of new writers, and the classifieds. I also like the layouts and photographs of writers.

Peter Cooley.
 
Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.
12.31.19

Today’s post will wrap up my roundup of reading and performance series that have included Houston VIP Slam, Poison Pen Reading Series, and Write About Now Poetry.

The First Friday Reading Series is the oldest series in Houston and has been going strong for the last forty-four years, holding monthly readings on the first Friday of each month since 1975. This classic platform has seen many of the city’s strongest writers grace its podium. The reading format is super simple: Have the Inprint House host on the first Friday of the month, select a featured poet, and then get the open mic going.

The series has always been open to the public so that any and every person gets a chance to read in a beautiful setting. What could be more literary than reading in a space that was once the living room of Claudia Rankine? The readings start at 8:30 PM and usually go on until 11:00 PM. This space is always packed and there is a running joke that even the “VIP Section,” the staircase, gets full quick providing extra seating when all the chairs are taken. I always have a great time when I am able to go and look forward to getting to hear a variety of poets, those that I have known for years and new friends I’m meeting for the first time.

What I have always loved about First Friday, still hosted by Robert Clark after all these years, is that anyone who goes is either reading older poems they haven’t read in forever or reading brand new work for the first time. Writers often experiment with poems they are planning on adding to a manuscript in order to hear their words out loud and get live feedback. Whatever you want to bring to the open mic, this is the safest space to do this work in. Come on in, there is always a chair, or a staircase, waiting for you.

First Friday Reading Series audience at Inprint House.
 
Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.
12.30.19

In part two of my conversation with poet Deonte Osayande, I want to highlight his role in helping other writers share their work on stages in Detroit. Deonte was one of the first writers to introduce me to the Readings & Workshops program and the mini-grants offered to poets and writers. As an independent artist, Deonte was able to receive funding through the R&W program for his reading appearances and for leading writing workshops. As a series curator, Deonte has applied for, and received, a number of mini-grants for writers that he has invited to take part in events. Together we ran the Detroit slam series known as Freshwater Wordsmiths, which was first awarded funding from the R&W program in 2015.

Deonte says that he discovered the mini-grants from a peer and thought it would help the Freshwater Wordsmiths series grow. “I wanted a better way to pay people to come and perform for us, and I found it as an excellent way to recruit incoming writers,” says Deonte. The ability to fund writers in this way allowed Deonte to invite many who had never been to the Midwest before. Some of the writers who shared their work at Freshwater Wordsmiths and were funded through the R&W program include Troy Cunio, Safia Elhillo, Joel Greene, Robert Lashley, Ed Mabrey, Hieu Minh Nguyen, and Paul Tran.

In turn, local writers and fans of the literary arts in Detroit have been able to experience and build connections with writers from around the country. The ability to receive funding for writers also allows small venues in the city to lure traveling artists to their events even if the backing of a large university or organization is not present.

Interest in the literary world has expanded among the local writers who have been to reading series such as Freshwater Wordsmiths, and the many series that have been established in Detroit since the series closed. Through this support system, we are building community and sharing inspiration for our writing.

Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.
12.18.19

If you’re looking for more community and a spirited festival, you should look into Saints and Sinners. Founded in 2003, the Saints and Sinners Literary Festival highlights LGBTQ writers and publishers from the United States and beyond. The three-day event features panel discussions, workshops, and readings and is held each spring in the French Quarter at the Hotel Monteleone—an official literary landmark that has welcomed William Faulkner, Ernest Hemingway, Eudora Welty, and Tennessee Williams to its rooms.

The 2020 festival is set for March 27–29 and will feature poet Savannah Sipple, fiction writer Leona Beasley, historian Frank Perez, and many others. Registration is open now with day passes and student rates available.

Saints and Sinners is a project of the Tennessee Williams & New Orleans Literary Festival, which I’ve attended several times in the past. The two festivals overlap so it’s possible to attend events from both. Last year, Saints and Sinners kicked off the festival with the return of their open mic slam and first-ever Drag Queen show. And to conclude the event, there are Saints and Sinners Hall of Fame awards given to those who best embody the mission of the festival.

My poet friend Brad Richard has attended the festival and speaks highly of it: “The Saints and Sinners Festival is a wonderful community within the larger community of the Tennessee Williams Festival. I’ve met writers I’ve always wanted to meet and discovered new ones, and found a publisher, Sibling Rivalry Press, for my third book, Butcher’s Sugar.”

Although I haven’t had the chance to attend Saints and Sinners yet, I look forward to supporting the festival and attendees in the coming year.

Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.

12.17.19

Hey gente, I am picking up where I left off in the last two blog posts and focusing on a few reading and performance series that call Houston home.

This week is a look at the Write About Now poetry slam and open mic series. Of the four series I have decided to write about, WAN (as it is known around here) is the youngest. This nonprofit poetry collective has been around for less than ten years, but in that time the vibrant platform has garnered a great following with younger writers here in H-Town. Currently the series is hosted at a space that has been home to several other notable reading series, AvantGarden. In their back courtyard you’ll find WAN events every Wednesday night, and every performance is worth the $5 to get in.

The weekly events are almost always hosted by WAN’s founder, Amir Safi, and usually take the form of a slam. Judges are selected on the night of the slam and there is a featured reader who closes out the night. The slams start at 7:00 PM and end around 10:00 PM, and sometimes a little later. There is a super healthy crowd that attends and the energy is electric. I always have a great time when I’m able to go and I look forward to hearing new up-and-coming poets read their work.

AvantGarden is a local bar that has had a few names and changed with the times. The one thing I love about the space is that it has always been home to a poetry community—it’s actually one of the few spaces that was around in my early days of open mics. I can confidently recommend a WAN show to anyone. It is always a good time.

Write About Now poetry slam and open mic series at AvantGarden in Houston.
 
Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.
12.16.19

Recently I touched base with local writer and educator Deonte Osayande, a lifelong Detroiter. Deonte has been a part of the Detroit literary community as a poet, host, and coach for over ten years (see more about his work in his Poets & Writers Directory profile). When I asked him where he first connected with the literary world, Deonte says, “I attended an open mic as a student, and I knew I had to learn more about it.”

Deonte has since become an internationally recognized poet, a published writer, and is a professor of English at Wayne County Community College District. In addition to his writing career, Deonte has coached both youth and adults in regional poetry slam teams through to national competition. After all of the performances, edits, publications, and travel, Deonte says, “it’s just more than that. I’ve learned how to be more deliberate with the words I use and I’ve learned how to teach others the same.”

I love this response because it reminds us that whether we are writing metaphors on bathroom walls or publishing our second full-length novel, words offer writers so much more. There is always “something more” than just stringing words together on paper—we learn intentionality. We discover how we process. We become better communicators. “I still exist as a writer because I have to, I wouldn’t be who I am without expressing my thoughts in such a way,” says Deonte.

Deonte Osayande.
 
Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.
12.11.19

It’s the holiday season and time for giving. If you’re considering what to give to the writer or booklover in your life, here are a few ideas.

Independent bookstore gift cards: I’ve never met a writer or reader who didn’t love a gift card from a local bookstore. There are always independent bookstores that could use shoppers and you never know what author might be giving a reading or signing a book while you’re there. Not only is a gift card a great present, you’ll be supporting small businesses and literary artists. A few of my favorites in New Orleans are Blue Cypress Books, Community Book Center, Faulkner House Books, Garden District Book Shop, Octavia Books, and Tubby & Coo’s Mid-City Book Shop. You can also check out the Literary Places database for bookstores near you.

Buy a book from a small press: There are so many small presses putting out incredible work from emerging and established writers who may not be on the big best sellers lists. Get their books into the hands of a friend. Some small presses operating out of New Orleans are Lavender Ink, Trembling Pillow Press, and University of New Orleans Press. The Small Presses database also has a list of wonderful publishers to choose from.

Donate to a literary organization: For something outside of the box, consider donating to a literary organization in the name of a friend or family member as a gift. These nonprofits are instrumental in creating support systems and opportunities for local writers, including fellowships, retreats, and workshops. Some organizations to consider in New Orleans are 826 New Orleans (which has chapters in other cities), Antenna, and One Book One New Orleans.

Take a friend out to a literary event: Maybe you have a friend who’s never been to a poetry reading or you’ve been meaning to take someone to your favorite reading series. What better time than now to introduce new writers to a good friend and create more community as a way of giving back? The Literary Events Calendar is a great place to start to find an event near you.

Random act of kindness: Is there a writer you like or follow online? Give them a big shout-out on Facebook, Twitter, or Instagram. Give the gift of recommendation. Let your networks know who’s on your literary radar and why. You’d be surprised how helpful this can be to a writer in your community and beyond.

Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.
12.10.19

The Poison Pen Reading Series holds events in a bar called the Poison Girl Cocktail Lounge. The series has been going for twelve years, just a little longer than Houston VIP Slam (which I featured last week), but functions in a very different way. The series brings three writers together who read on the outside patio of the lounge. Audience members get to relax in a space under the stars and listen to literary works from writers from Houston and beyond.

The readings are usually hosted by Scott Repass, one of the owners of the lounge, and start at 8:00 PM on every third Thursday of the month. The featured readers vary for each event, but most times, audience members will get the opportunity to hear from at least one writer from the University of Houston Creative Writing Program, a writer from the Houston literary community, and a visiting writer from outside of Houston. Writers share work from all genres including poetry, fiction, and nonfiction.

I have been to many Poison Pen readings and have had the pleasure of being a featured reader, the last time was this past July when I was honored to share the stage with poet Natasha Carrizosa and fiction writer Robert Liddell. The readings are always jam-packed, standing room only in most cases, so if you plan to attend, get there early for a drink and to find a good seat for the reading. It’s worth it.

The Poison Pen Reading Series at Poison Girl in Houston.
 
Lupe Mendez is the literary outreach coordinator for Poets & Writers in Houston. Contact him at Houston@pw.org or on Twitter, @houstonpworg.
12.9.19

There are so many writers in Detroit that I am discovering. This week I want to share a conversation I recently had with local poet and editor Jeni De La O.

Jeni founded Relato:Detroit, a bilingual community storytelling series, and Poems in the Park, an acoustic poetry reading series in historic Lafayette Park. A first-generation Cuban American who grew up in Miami, Jeni came to writing from humble beginnings. “My mom grabbed some scraps of fabric from a dress she’d made me, cut up a cereal box and went at it with her hot glue gun to make me a journal,” she says about what drove her to write as a youngster.

Jeni moved from Miami to Detroit about ten years ago. “When I got to Detroit, the people felt like home, and that feeling of home lets you breathe,” says Jeni. “This city puts life and movement and connection into your writing in a way I haven’t felt or seen elsewhere.” Some of her favorite venues and events in Detroit include the Secret Society of Twisted Storytellers, the Brain Candy series held at Green Brain Comics, and the East Side Reading Series

I asked Jeni if she could put out a call to action to Detroit writers, what would it be? In chorus with many of the local writers I have spoken with, Jeni suggested a large gathering of literary artists or a citywide poetry festival. I truly think that there are already writers beginning to lay the groundwork for something of that magnitude in years to come. I am glad to have a voice and to highlight voices in this growing conversation.

Jeni De La O.
 
Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.
12.4.19

On November 22, I attended “Poets Respond to Gentrification,” a reading cosponsored by the Readings & Workshops program that was part of the 2019 Words & Music Festival.

The sold-out reading was held at the Community Book Center, the only remaining Black-owned bookstore in New Orleans. There was a large, diverse crowd of attendees which included local poets. The evening began with youth jazz musicians playing classic songs including “Do You Know What it Means to Miss New Orleans.” Veteran poet Peteh Muhammad Haroon emceed the reading which featured Skye Jackson, Michael Quess Moore, Sha’Condria iCon Sibley, and Akilah Toney.

Seventeen-year-old Akilah Toney started the evening with a poem containing the refrain: “You not from here, you don’t know how it feel. You love the culture, not the people—the love not real.” Skye Jackson wore a long, black velvet, off-the-shoulder dress and delivered a poem about being born and raised in New Orleans and the tension she feels from watching the neighborhoods change. Michael Quess Moore, a former teacher and now a full-time artist, addressed colonization and the global impact of white supremacy in his poems. Moore has been on the front line of the removal of Confederate monuments in New Orleans. Sha’Condria iCon Sibley opened with a poem exploring the current political climate and questioned what her poem should be called suggesting, “We’re Living Between Barack and a Hard Place.”

It was great to know that these four engaging readers were able to receive mini-grants from the R&W program. The reading was followed by an open mic and drinks at nearby Whiskey & Sticks, a wonderful way to wrap up a night about community.

The flyer for the “Poets Respond to Gentrification” reading.
 
Kelly Harris is the literary outreach coordinator for Poets & Writers in New Orleans. Contact her at NOLA@pw.org or on Twitter, @NOLApworg.

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