Archive December 2020

What word would you use to describe 2020? I pick the word: grateful. Despite this year’s challenges, writers in New Orleans and its surrounding areas have continued to create and contribute to a vibrant writing community that has found amazing ways to thrive in uncertain times. For this, I am grateful. If you’re looking for ways to support and give back, here are a few of my recommendations to help support the New Orleans literary community and its writers, and your own community:

Buy from local bookstores: Help stimulate your local economy and small businesses by shopping at your local bookstores. Circulate local dollars. Many have been able to transition to curbside pickup or online orders during the pandemic. Search for local bookstores in your area with the Literary Places database and read my post on New Orleans bookstores.

Purchase books by local authors: Ask your neighborhood independent bookstore or public library to point you in the direction of local writers. Or take it upon yourself to do a little online research, many writers have social media accounts you can follow on Facebook, Instagram, and Twitter where you might even connect.

Sharing is caring: See news about a local writer online? Retweet, share, tag. Help promote your favorite writers and the city.

Donate to local literary organizations: Invest in the literary future of New Orleans by donating to organizations like One Book One New Orleans, 826 New Orleans, Runagate Press, and Friends of New Orleans Public Library. Find an organization (or writer) that reflects your passion and stuff their stocking with a donation of any size.

Help Poets & Writers support writers in New Orleans and beyond: Become a friend of Poets & Writers and help support the resources of this website and programs that give back to the literary community.

Finally, have a safe and healthy remainder of the year. We’ll return in 2021 with more literary news to share with you.

I am in awe of the effects of time on the city of Detroit as I write this final blog post for the year of 2020. A different world has taken shape since December of last year. The landscape of how writers and non-writers alike engage with the literary arts has changed just as much. In Detroit, streamed virtual events, online book sales, and Facebook Live panels have taken the place of in-person poetry nights, storytelling events, and all festivals. While a tough move for all of us, it has also afforded writers the ability to speak with wider audiences despite where they are physically located. Considering the long-standing transportation issues that exist within the city, there is a new sort of connectedness that has come from these virtual readings. Readings by Aricka Foreman, Nandi Comer, and Tommye Blount come to mind as highlights of 2020. 

I’ve found myself deeply appreciative of Detroit’s dedication to providing quality literary events and programming. I recall InsideOut Literary Arts’ Louder Than a Bomb Detroit Youth Poetry Festival, which pivoted to a completely online model just weeks after statewide shutdowns. That festival provided youth with numerous workshop and reading opportunities that allowed for direct reflection on the pandemic. I also remember M. L. Liebler’s virtual adaptation of the Detroit Lit Walk, which invited viewers to engage with seven artists from the comfort of their home. These examples and more represent the resiliency of writing as an art form, and sharing that writing as a form of expression. 

Great things have also come out of the United States of Writing this year! I have to commend Lupe Mendez of Houston and Kelly Harris of New Orleans for leading amazing events in their hometowns and allowing all of us to get a taste of their literary communities through this blog. Poets & Writers’ funding through 2020 Project Grants for BIPOC Writers and rolling out Readings & Workshops mini-grants for virtual events have given each of our cities the means to expand our literary communities like never before. We look forward to continuing this great work in 2021.

I’m continuing this series of interviews, asking Houston writers how and what they’ve been doing since the start of the COVID-19 pandemic. It’s been enlightening and heartwarming to hear these responses when I pose the question:

What have you been doing since the pandemic?

This week we hear from Reyes Ramirez, a Houstonian, writer, educator, curator, and organizer of Mexican and Salvadoran descent. Ramirez is the winner of the 2019 YES Contemporary Art Writers Grant, 2017 Blue Mesa Review Nonfiction Contest, and 2014 riverSedge Poetry Prize. His poems, stories, essays, and reviews have been published in Indiana Review, Cosmonauts Avenue, Queen Mob’s Teahouse, the Latinx Archive, december magazine, Arteinformado, Texas Review, TRACK//FOUR, Houston Noir, Gulf Coast, the Acentos Review, Cimarron Review, and elsewhere. Ramirez is a 2020 CantoMundo fellow and 2021 Crosstown Arts writer in residence, and has been awarded grants from the Houston Arts Alliance, Poets & Writers, and the Warhol Foundation’s Idea Fund.

Here’s what he says:

“What have I been doing since the pandemic started? Well, I’ve been editing my collection of short stories titled The Book of Wanderers, which I’ll have some news to report about soon. I’m working on a collection of poetry that’s been kicking me around in terms of order and titles, but I’m loving the journey for the destination. I did a whole podcast with Houston creatives where we discussed career-based issues for the contemporary artist. Oh! I also received a Poets & Writers’ United States of Writing grant to organize a series of virtual readings focused on pop culture featuring Houston writers of color titled Houston Eyes, Silver Screens (HESS). It’s cofunded by the Houston Arts Alliance because I originally received a grant from them to organize a literary reading/pro wrestling event where pro wrestlers were going to perform parts of my short story. But this whole pandemic thing happened, and I had to cancel it. C’est la vie, lo que sea, oh well.

If you missed the first and second installments of HESS (on films and video games, respectively), it’s totally okay! Not only is the last one coming up on December 18 at 7:00 PM CT (on music with Miranda Ramírez, Aliah Lavonne Tigh, and José Eduardo Sánchez), but you can watch the other readings with captions in English and Spanish on my YouTube channel. Happy reading and writing!”

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Last month, Poets & Writers’ Readings and Workshops program, with support from the Hearst Foundation, cofunded three virtual literary events for the 2020 New Orleans Words and Music Festival. Due to the pandemic this year, instead of purchasing tickets, donations were suggested to attend virtual events. Proceeds from the four-day festival provide literacy resources for adults, education programs for incarcerated adults and teens, and free community programming in New Orleans through Words & Music’s parent organization, One Book One New Orleans. Here are the three events:

1. Queering the South: LGBTQ+ Writers on Home, Love, and History
A discussion and reading curated by New Orleans poet Brad Richard with a panel featuring Matthew Draughter, M’Bilia Meekers, and Megan Volpert.

2. Heartbreak, or Research? Poets on the Writing Process
A discussion and reading curated by Stacey Balku with panelists Elizabeth Gross, Skye Jackson, Aimee Nezhukumatathil, Melinda Palacio, and Rebecca Morgan Frank.

3. The Power of Jazz and Place in Tom Dent Poetry: A Workshop With Skye Jackson
Writers from an earlier workshop hosted by Skye Jackson were invited to read their work, including Stacey Balkun, Joshua Benitez, Liz Granite, Sonny Miro, Kiana Naquin, and Lisa O’Neill.

Bonus: Poets, Presidents, and Pandemics: A Reading for These Times
Catch our literary outreach coordinators from Houston and Detroit, Lupe Mendez and Justin Rogers, read with Pulitzer Prize–winning author Tyehimba Jess for a virtual event I curated.

If you missed the festival or any affiliated events, you can view them at the YouTube channel for One Book One New Orleans.

Find out more about funding for events through the Readings & Workshops program.

Hey mi gente. Hope you’re all staying safe. I’m continuing this series of interviews with Houston writers during the COVID-19 pandemic, offering them a space to respond to this question:

What have you been doing since the pandemic?

This week we hear from Ayokunle Falomo who is Nigerian, American, and the author of the poetry chapbook African, American (New Delta Review, 2019) and two self-published collections. A recipient of fellowships from Vermont Studio Center and MacDowell, his work has been published in the New York Times, Michigan Quarterly Review, the Texas Review, New England Review, and elsewhere. Falomo’s readings have been featured on Write About Now and Houston Public Media. He holds a BS in Psychology from the University of Houston, a Specialist in School Psychology degree from Sam Houston State University, and is currently an MFA in poetry candidate at the University of Michigan’s Helen Zell Writers’ Program.

Here’s his response:

“Since the pandemic started, which feels like a decade ago now, I have mostly been (at)tending to the things that need it in my life. I’ve been reacquainting myself with beauty and truth. I’ve been learning. A lot about myself. I’ve been nursing a broken heart back to health. I’ve been teaching. I’ve been writing. I’ve been reading. A lot. I’ve been taking walks. I’ve been grieving the loss of the future I once imagined. I’ve been running. I’ve been cooking. I’ve been learning, slowly, how to embrace the future that’s mine now. I’ve been learning how to sit still. I’ve been grateful. I’ve been watching shows on Netflix. I’ve been resentful. I’ve been....”

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