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Fun for the whole family, the game includes "a timer filled with muted black sand and pencils crafted from the ragged bones of dead horses" in this hilarious video from the Upright Citizens Brigaide, written by Achilles Stamatelaky and directed by Jennifer Treuting.
After listening to Ira Glass, the inimitable host and producer of the radio and television show This American Life, talk about what it takes to be a good storyteller, David Shiyang Liu created this graphic representation of Glass's words of wisdom.
Yesterday the Los Angeles Times announced the shortlists for its 2011 Book Awards, given in ten categories including poetry, fiction, biography, and the graphic novel.
The finalists in poetry are Jim Harrison for Songs of Unreason (Copper Canyon Press), Dawn Lundy Martin for Discipline (Nightboat Books), Linda Norton for The Public Gardens (Pressed Wafer), and 2011 National Book Award finalists Carl Phillips for Double Shadow (Farrar, Straus and Giroux) and Bruce Smith for Devotions (University of Chicago Press), which is also on the 2011 National Book Critics Circle Award shortlist.
In fiction, Joseph O’Connor is shortlisted for Ghost Light (Frances Coady Books), Michael Ondaatje for The Cat’s Table (Knopf), and Alex Shakar for Luminarium (Soho Press), as well as National Book Award finalists Julie Otsuka, for The Buddha in the Attic (Knopf), and Edith Pearlman, for Binocular Vision: New and Selected Stories (Lookout Books). Debut authors up for the Art Seidenbaum Award for First Fiction are Chad Harbach for The Art of Fielding (Little, Brown), Eleanor Henderson for Ten Thousand Saints (Ecco), Ben Lerner for Leaving the Atocha Station (Coffee House Press), Ismet Prcic for Shards (Black Cat), and James Wallenstein for The Arriviste (Milkweed Editions).
Up for the graphic novel honor are Joseph Lambert for I Will Bite You! And Other Stories (Secret Acres), Dave McKean for Celluloid (Fantagraphics), Carla Speed McNeil for Finder: Voice (Dark Horse), Jim Woodring for Congress of the Animals (Fantagraphics), and Yuichi Yokoyama for Garden (PictureBox). The award, the first major literary award given for the graphic novel form, is now in its third year.
Representing creative nonfiction on the biography shortlist are Alexandra Styron's memoir Reading My Father: A Memoir (Scribner) and Mark Whitaker's My Long Trip Home: A Family Memoir (Simon & Schuster). The late biographer Manning Marable, whose Malcolm X: A Life of Reinvention (Viking) was a 2011 National Book Award finalist and is shortlisted for the National Book Critics Circle Award, is also nominated in the biography category.
The winners will be announced at a ceremony on April 20, just prior to this year's Los Angeles Times Festival of Books, which comes to the University of Southern California on April 21 and 22. Alongside the winners, the Times will honor novelist Rudolfo Anaya, who debuted in 1972 with the novel Bless Me, Ultima (Quinto Sol Publications), with the Robert Kirsch Award for lifetime achievement.
In the video below, Anaya reads from his novel Albuquerque (Warner Books, 1994) and discusses the importance of place to a writer.
The Washington Post fiction critic Ron Charles stars in this addition to the current video craze that has produced such gems as the recently released Sh*t Agents and Editors Say.
Take a working draft of one of your stories and reorder the structure—write it from the end to the beginning, use flashbacks to rearrange the timeline, or tell the story using some other kind of organizational principle, such as using short sections with subtitles.
In the studio to record the audio version of his lastest book, the story collection What We Talk About When We Talk About Anne Frank, Nathan Englander discusses the impetus for essentially rewriting Raymond Carver's famous story with the Holocaust in mind.
Poet and presenter of literary events Cheryl Boyce Taylor, curator of the Calypso Muse reading series and the Glitter Pomegranate performance series, blogs about Lincoln Square Neighborhood Center's P&W-supported senior writing workshop.
Shortly after 9/11 I began teaching a senior writing workshop at Lincoln Square Neighborhood Center. The workshops were designed to create a safe and nurturing space for seniors to express the impact of the tragedy on their lives. Additionally, it offered an opportunity for seniors to recall, explore, and document their own amazing stories.
The workshop had a wonderful mix of seniors, which made for interesting and, sometimes, challenging sessions. Among our members were a retired school principal, a fashion designer, a WWII veteran, a fiction writer, a multi-lingual social worker, and a Caribbean heiress. Some of them were shy, while others had a more take charge attitude.
That first year we wrote stories, poems, and letters about childhood, parenting, health, and 9/11. We wrote to music, explored poetic forms like haikus, tankas, centos, and free verse, and invited emerging and established poets to read their work and discuss poetry. One of the invited poets was the late Rodlyn H. Douglas. The group fell instantly in love with her warmth, storytelling abilities, and poetry.
During that year, we collected poems and stories for an anthology and made art—the class painted and wrote text on rocks and made picture frames with poems and family pictures inside. The highlight was the P&W intergenerational reading held each summer. We joined other P&W-supported workshops comprised of young and older writers. Readers invited friends, family, and P&W staff. What a joy it was to see them rehearse, then dress up for their special reading. There were many wonderful parts of my teaching experience there, but I couldn't have been more proud than when I heard them read their own work with pride and confidence.
Photos: (top) Cheryl Boyce Taylor; credit: Artis Q. Wright. (Bottom) Rodlyn Douglas (standing) and workshop participant Mae Del Gilmore; credit: Cheryl Boyce Taylor.
Support for Readings/Workshops in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the Department of Cultural Affairs, with additional support from the Louis & Anne Abrons Foundation, the Axe-Houghton Foundation, the A.K. Starr Charitable Trust, and Friends of Poets & Writers.
The 2025 Las Vegas Writers Conference, sponsored by the literary nonprofit Henderson Writers Group (HWG), was held from April 3 to April 5 at the Orleans Hotel and Casino in Las Vegas. Programming included presentations on craft, marketing, and publishing; workshops; pitch sessions; manuscript reviews; and a master class with the keynote speaker for fiction and nonfiction writers. The faculty included fiction writer Amanda Skenandore.
Las Vegas Writers Conference, Henderson Writers Group, P.O. Box 92032, Henderson, NV 89009. (702) 475-2913. Jo Wilkins, Conference Coordinator.
Devoya Mayo is a poet, playwright, former radio personality, DJ, tastemaker, and events coordinator with P&W-sponsored The Soulflower Group. Based in Fresno, she dedicates her time to curating events that bridge the divide between the diverse communities residing within California’s Central Valley. From 2005–2006, Mayo was P&W’s Central Valley outreach consultant. Under the moniker Ms. Soulflower, you can find her spinning music in dimly lit establishments, organizing and hosting gatherings, and creating art via Etsy.
What makes the Soulflower Group unique?
We are a consortium of designers, DJs, musicians, photographers, poets, and organizers connected by the tenet that creativity and culture are essential in building community wellness.
What recent project have you been especially proud of?
The P&W-supported Soulflower Speakeasy featuring Sunni Patterson, along with Stephen Mayu, Connie Owens, and Joy Graves, was the easy standout of the year. Sharing space with someone who had appeared on HBO’s Def Poetry Jam, performed at major spoken-word venues, and worked with several well-known artists and performers—including Sonia Sanchez, Wanda Coleman, and Amiri Baraka—was spiritually motivating and an honest-to-goodness awakening. From the moment Sunni walked on stage with her son, she offered us a glimpse into her soul through poetry, reflecting the strife, angst, joy, and hope that many of us were feeling.
How do you find and invite readers?
I find writers via word-of-mouth, social networks, and the occasional open-mic night. You can’t walk down the street in a place like Fresno and not run into a writer of some kind. California’s Central Valley has always been home to a host of heavy hitters like Connie Hales, Tim Z. Hernandez, Juan Felipe Herrera, Lee Herrick, Philip Levine, and Gary Soto.
What’s the craziest thing that’s happened at an event you’ve hosted?
One night a crowd favorite walked on stage, placed a gym bag on a stool, and began to read from his chapbook. As he read about the abuse inflicted by various objects, he began to reach into his bag and toss out the offending objects. He threw boots, belts and, yes, even an iron into a crowd of poetry lovers. Needless to say, there were lots of near misses and, afterwards, we enacted a no-Gallagher-type-antics disclaimer for future events.
How has literary presenting informed your own writing and/or life?
When I’m part of an event, or in the process of curating one, my literary antennae are on high alert. I push myself harder and listen more than I speak, which is hard... let me tell ya. The elements that speak to me, or don't speak to me, inform what I want to provide.
What do you consider to be the value of literary programs for your community?
Very few have the power, resources, or authority to demand more programming. This is how we knew we had to do more than just daydream about what it would be like if we were really to invest in our artistic futures.
Photo: Devoya Mayo. Credit: Joe Osejo Photography.
Major support for Readings/Workshops in California is provided by The James Irvine Foundation. Additional support comes from the Friends of Poets & Writers.
Tin House Books rolls out the third installment of its fiction-prompt contest, "calling all writers who are obsessed with plot and obsessives who can write a mean story."
The weekly competition extracts a story-starter from William Wallace Cook's Plotto: The Master Book of All Plots, originally published in 1923 and rereleased by Tin House last December, and invites writers to take a stab at creating a five-hundred word piece of flash fiction based on the prompt.
Entries are due each Monday (there's no fee to enter), and the winning story will be published on Tin House's Open Bar blog. Last week's champion, for a story that builds off the dilemma of a locked hotel room door, is Richard Osgood, "whose wild take on the situation," according to the Tin Housers, "had us thinking of Becker, David Lynch, and highway obstructionists."
Here's a look at this week's challenge, where {A} is the male protagonist and {B} is the female: "{A’s} profession is a hazardous one—aviator, automobile racing driver, steeple jack, “human fly”—and {B} considers this fact an obstacle to their marriage." The complete contest guidelines are posted on the Plotto contest page.
