Where We Write: Iowa
Iowa isn’t just the Writers’ Workshop. A native Iowan talks about how she learned to capture the true nature of her home state, and the stoic people who live there, in her writing.
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Iowa isn’t just the Writers’ Workshop. A native Iowan talks about how she learned to capture the true nature of her home state, and the stoic people who live there, in her writing.
On her way to the Vermont Studio Center and in a moment of panic, a writer tells a lie that leads her to realize an important truth about herself—and exactly what it takes to finish her novel.
UK artist Jennifer Collier uses repurposed books and papers to sculpt an array of art objects inspired by the very materials used to create them—from stilettos made from the pages of Little Women to gloves fashioned from the illustrated text of Alice in Wonderland—each finished project a reflection of the written words from which it’s made.
Melissa Febos, Jay Baron Nicorvo, and nine other authors share their stories of the major turning points they experienced.
A personal and in-depth look at the life and poetry of John Berryman, with particular focus on The Dream Songs.
Through blogging, social media, newsletters, and book giveaways, a novelist teams up with the founder of WeGrowMedia to market her book—and show how making a personal connection with readers can go a long way towards making a book a best-seller.
Innovations like the USB Typewriter, Hanx Writer, Hemingwrite, and Typing Writer are giving new life to the classic typewriter by updating it for the digital world.
In her Sorted Books project, Nina Katchadourian arranges books from libraries—including William S. Burroughs’s personal collection, as well as those housed in museums and galleries across the country, to find a kind of poetry in the spines.
A writer and editor shares her thoughts, as well as lessons learned from authors such as Junot Díaz, Jhumpa Lahiri, and Celeste Ng, on writing of and from a culture that may be foreign to the reader: what do we explain, italicize, or translate? How do we navigate the divide between the ethnicity of a writer or character and that of her audience?
A case for balancing action with introspection in fiction, in order to avoid “gumming up the gears of your story.”