How's the Weather?

6.18.13

"I know Midwesterners are accused of talking too much about the weather, but that criticism must surely come from people who don't have weather like ours," novelist David Rhodes once wrote to his editor at Milkweed Editions, Ben Barnhart. "These last few weeks have been filled with the bright, indolent humidity of summer, offset by sudden, tyrannical darkness and booming threats of supernatural violence. Not mentioning such revolutionary experiences would be inhuman." Go Midwestern and write a poem about today's weather. And if you're interested, read "After the Flood: A Profile of David Rhodes," from the September/October 2008 issue of Poets & Writers Magazine.

John Jeremiah Sullivan

The contributing editor of Harper's and the southern editor of the Paris Review reads from "The Final Comeback of Axl Rose," an essay from his collection Pulphead, published by Farrar, Straus and Giroux in 2011.

Jennifer Carlson of Dunow, Carlson & Lerner

6.17.13

Do you think it’s a good idea for people who are not completely confident in their work to make an attempt at soliciting an agent? Is it worth the effort to try? Which raises the question: What evidence would one need to consider oneself worthy in the first place?

Think about it this way: If only supremely confident people attempted to put their work out there, then we’d hardly have any books. Is it worth the effort to try? As I once heard Andrei Codrescu, in an NPR commentary, quote Heraclitus: Who can stop the sea from rising? Which is to say, though sadly lacking his thick Romanian accent, this is a rhetorical question. So why not try? As for your last question, I fear it is too existential to take on in this brief format. I’m going to refer you to my colleague Betsy Lerner’s blog, www.betsylerner.com, where you can see an agent who is also a writer deliver counsel to writers with humor and honesty.

Jon from New York, NY
Mon, 06/17/2013 - 01:00

Griffin Poetry Prize Winners Announced

Last night in Toronto, the 2013 Griffin Poetry Prizes were given for the collections Like a Straw Bird It Follows Me (Yale University Press), written by Palestinian poet Ghassan Zaqtan and translated from the Arabic by Fady Joudah, and What's the Score (Mansfield Press) by Canadian poet David W. McFadden. Each winner received $65,000

The finalists, who each gave a reading along with the winners, were Jennifer Maiden for Liquid Nitrogen (Giramondo Publishing), James Pollock for Sailing to Babylon (Able Muse Press) Alan Shapiro for Night of the Republic (Houghton Mifflin Harcourt), Brenda Shaughnessy forOur Andromeda (Copper Canyon Press), and Ian Williams for Personals (Freehand Books).

Founded in 2000, the Griffin Poetry Prize is given annually for books of poetry written in or translated into English and published anywhere in the world. One prize is given to a living Canadian poet or translator; a second is given to a living poet or translator from any country.

This year’s judges were Suzanne Buffam of Canada, Mark Doty of the United States, and Wang Ping of China. Each read 509 books of poetry, which were submitted from forty countries, and included fifteen translations. The trustees of the Toronto–based Griffin Trust For Excellence In Poetry, which administers the prize select the judges annually.

Scott Griffin and trustees Margaret Atwood, Robert Hass, Michael Ondaatje, and David Young hosted the event. Trustee Carolyn Forché presented each shortlisted poet with a leather-bound edition of their book and a $10,000 honorarium.

For the 2014 prizes, publishers may submit books published between January 1 and December 31, 2013. Only publishers can submit books for consideration; self-published titles are not eligible. The deadline for submissions is December 31. Visit the website for complete submission guidelines.

Father's Day

Avery Corman, Michael Chabon, Patricia Bosworth, and others reflect on what fatherhood means to them in this video from Open Road Media. 

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