Audible and the Center for Fiction Launch New Literary Award

Audible, Inc., and the New York City–based Center for Fiction have teamed up to create a new literary prize. The Christopher Doheny Award, given for an unpublished book of fiction or nonfiction on the topic of serious illness, will include a $10,000 prize, publication, and promotion of the winning book in print and audio editions.

The award was established in memory of Christopher Doheny, a long-time Audible employee who died of cystic fibrosis in February at the age of thirty-one.


“Supporting writers and literature is the most fitting tribute to Chris, a writer himself who loved reading, discussing, and working with good books,” said Beth Anderson, EVP and publisher of Audible.

“We are pleased to be able to honor Chris, while helping to support some excellent writers working on promising manuscripts,” added Center for Fiction executive director Noreen Tomassi.
   
Writers who have previously published work in literary journals or magazines, or who have published a book with an independent or traditional publisher, are eligible to enter. Both adult and young adult manuscripts are eligible. Writers may submit a completed manuscript and synopsis or two sample chapters of a work in progress and a book proposal, along with a bibliography, a brief bio, and contact information by July 31. Visit the website for complete submission guidelines.

Manuscripts will be judged by a panel of three distinguished writers chosen by the Center for Fiction and a representative of Audible. Writers are encouraged to contact [email protected] for more information.

“We hope that this prize will help talented writers who may be battling chronic or fatal disease tell their important stories,” said Dana Doheny, Chris’s mother.
 
A subsidiary of Amazon, Audible, Inc., provides audiobooks for a host of digital and mobile platforms. The Center for Fiction, the only nonprofit literary organization in the United States devoted solely to fiction, offers writing classes, an expansive library, and a variety of events, awards, and fellowships for writers in New York City. The Center is also accepting monetary donations to the Chris Doheny Award; visit the website to find out how to contribute.

Moveable Type

With music by Ken Shorley and Sahara Jane, this clip from Heidi Kalyani featuring the art of typesetting ends with a quote from Nobel Prize-winning poet Rabindranath Tagore.

Rebecca Gradinger of Fletcher & Company

7.8.13

Why does a writer need an agent?

Publishing, at its best, is a team effort. The agent is the writer’s first professional reader and, in most cases, first editor. Ideally, a writer should pick an agent who has fallen deeply in love with the writer’s work, warts and all. In the best of these relationships, the writer and agent develop a rhythm on the editorial side, working together to talk through the trouble spots in a way that truly resonates and allows the writer to make the work better. Agents and editors spend a lot of time talking about books and taste, so having an agent who really understands your work—and knows the editors who will, too—is an essential part of the process. The agent is the writer’s sounding board, creative adviser, business partner, and advocate. The agent negotiates the best possible deal for the writer and then stays in regular contact with the editor, who becomes the cheerleader in-house, working with marketing, publicity, sales, and everyone else who has a hand in getting the book out into the world. The agent celebrates each success, of course, but never leaves the fire of those successes unattended, and will make sure that kindling is being added to keep things hot. Equally important is being present when publications don’t go exactly as hoped. In those instances the agent is there to keep the initial enthusiasm for the book alive, to collaborate with the publishing team on ways to pivot in order to find the book’s audience in other ways. And in between books, the agent is the one who reminds the writer that being an author is a marathon, not a sprint. It’s about building a long-term career, not about any individual book—successful or otherwise. The writer-agent relationship is, hopefully, a long-term one, built on common goals, mutual respect, and in the best cases, a genuine fondness for each another.

David from Phoenix, AZ
Mon, 07/08/2013 - 01:00

Secrets of Book Publishing

Susan Shapiro moderates a panel comprised of authors Leigh Newman (Still Points North), Moses Gates (Hidden Cities), and Royal Young (Fame Shark); book editors Danielle Perez (New American Library) and Naomi Rosenblatt (Heliotrope Books); journalism professor Susan Shapiro (New School, NYU); and literary agent Matt Wise and Renee Zuckerbrot.

The End

“It is easy to see the beginnings of things, and harder to see the ends.” So Joan Didion begins her famous essay “Goodbye to All That,” about arriving in—and eventually leaving—New York City. Write about a time when you left something—a city, a country, a job, or a lover. Include details about how things began, but focus most of your attention on how they ended. For inspiration, read or revisit Didion’s essay, originally published in her essential collection Slouching Towards Bethlehem (Farrar, Straus and Giroux, 1968).

The Dream

Babe Elliott Baker brings poet Tishani Doshi’s poem "The Dream," from Everything Begins Elsewhere (Copper Canyon Press, 2013), to the small screen in the latest Motionpoem.

Declaration of Independence

In honor of Independence Day, take another look at the great document that was signed by Jefferson, Adams, Franklin and the others on July 4, 1776. Reread that most famous sentence: "We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness." Use it—or rewrite it—in a short story that takes place at dusk on July 4, 2076. Happy Tricentennial?

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