How Literature Saved My Life

"It should absolutely, completely undermine who you think you are—that's the mark of art to me." David Shields discusses his writing practice and reads from his book How Literature Saved My Life (Knopf, 2013). For more on Shields, read "Art vs. Life: A Quarrel Between David Shields and Caleb Powell" in the new issue of Poets & Writers Magazine. Shields and Powell will discuss more on January 10 at the Poets & Writers Live event in San Francisco.

Lighten Up

There's only so much you can carry with you before the weight becomes unbearable. Take a moment to think about all the things you haul around with you. First, focus on your physical burden. What do you keep inside your messenger bag, purse, pocketbook, or backpack? How much does it weigh? What do these things mean to you—and why do you keep them within reach every day? Consider carrying only the absolute necessities and write about how your load has been lightened. Then try to do the same thing with your mind. Write down everything that you feel has been cluttering up your thoughts lately. Now that you've written it down, give yourself permission to stop thinking about these things. Take a deep breath and turn to a clean page.

Disliking Poetry

Poet Paul Muldoon muses on how poetry is taught to young people and can be misunderstood. Muldoon's One Thousand Things Worth Knowing (Farrar, Straus and Giroux, 2015) is featured in Page One in the January/February issue of Poets & Writers Magazine.

Digging Deep

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Strong characters are key elements in any well-constructed story. You may have clearly illustrated their history, occupation, likes, and dislikes, but to make them truly compelling you must have a basic understanding of these characters' psyches. Choose a story you've written and make a list of the characters you don't really know yet. Next to each name, jot down notes about what that character's aspirations and motivations are. How do these characters see the world? Who are the people they look up to, want to impress, or model themselves after? Where do these characters want to be in the next five years—or in the next fifty? Will they reach their dreams, or are they destined to get sidetracked? Let this information serve as a reference when you are deciding how a character should react in a situation, or how the plot should progress.

Deadbeat

A selection from Jay Baron Nicorvo's debut collection, Deadbeat (Four Way Books, 2012), is paired with an appearance of the book's central character, Deadbeat. Read Nicorvo's "The Art of Reading John Berryman" in the January/February issue of Poets & Writers Magazine.

Looking Ahead

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"Poetry forms the quality of light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action," wrote the late poet Audre Lorde in her essay "Poetry Is Not a Luxury." "The farthest horizons of our hopes and fears are cobbled by our poems, carved from the rock experiences of our daily lives." As the New Year begins, heed Lorde's message. Poetry is the means by which we build a future, not just for ourselves, but also for the world at large. Take a moment now to think big. Write down all the hopes you have for the year to come and weave them together into a poem. Keep this poem with you as a guide—read it when you feel you're drifting off course.

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