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In this 2015 Page Meets Stage event, Aziza Barnes reads “a good deed is done for no good reason,” which appears in their debut poetry collection, i be, but i ain’t (YesYes Books, 2016). “You allow yourself to become whatever these hands will make you,” writes Barnes. The award-winning poet and playwright died at the age of thirty-two on December 15, 2024.
In National Lampoon’s Vacation comedy film series from the 1980s—comprising of a cross-country road trip, a tour through Europe, and a Christmas holiday gathering, as well as several offshoots—much of the humor stems from the discrepancy between Clark Griswold’s expectations of a “perfect” family time with his wife and two children, and the madcap mishaps, accidents, and disasters that occur while attempting to fulfill obligations. Write a memoiristic essay that recounts a family trip or occasion when not everything went as planned. Did one moment cause everything to go off the rails, or was it something more gradual? Reflect on your expectations or standards and how reevaluating this incident might contribute to a more expansive idea of how a family functions.
In this OR Books Live on Avenue C event, Mosab Abu Toha reads “If I Must Die” by the late Refaat Alareer, which appears in his posthumously published collection of poetry and prose, If I Must Die (OR Books, 2024).
Anthropomorphism refers to the behavior of projecting human attributes onto nonhuman animals and objects, while anthropodenial is a term that refers to an assumption of human exceptionalism and is a blindness to the humanlike characteristics of other animals. This week write a short story that includes both an incident of anthropomorphism and an incident of anthropodenial. You might decide to have one character whose perspective swings from one tendency to the other; or two characters who discover they have oppositional beliefs. Over the course of the story, is there a middle ground to be reached? How does someone’s beliefs about the differences between human and nonhuman animals connect to other aspects of their personality?
In this Grolier Poetry Book Shop reading, Darius Atefat-Peckham reads from his debut collection, Book of Kin (Autumn House Press, 2024), and Raisa Tolchinsky reads from her debut collection, Glass Jaw (Persea Books, 2024). Atefat-Peckham is featured in “The Luminous Life: Our Twentieth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.
In this Brooklyn Book Festival virtual event, authors Hisham Matar, Rania Mamoun, and Omar Khalifah talk about the purpose and urgency of writing about history during times of crisis in a conversation moderated by writer and translator Yasmin Seale. Khalifah’s novel, Sand-Catcher (Coffee House Press, 2024), is featured in Page One in the January/February issue of Poets & Writers Magazine.
“I caught this morning morning’s minion, king- / dom of daylight’s dauphin, dapple-dawn-drawn Falcon, in his riding / Of the rolling level underneath him steady air,” begins Gerard Manley Hopkins’s 1877 poem “The Windhover,” a sonnet in which the poet wields the image of a kestrel in flight to explore his conflicted feelings about spirituality and art. The beginning lines of the poem are filled with repetition—of words, alliteration, consonance, and assonance—all of which place a weight onto the words, slowing the pace as one reads it aloud. Try your hand at weighing down the beginning of a new poem with repetition, using a variety of rhymes and sound. After a leisure beginning, does your poem suddenly break free and open, or is it more gradual?
In this University of Arizona Poetry Center event, Saretta Morgan discusses the importance of writing amidst global crises and reads from her debut collection, Alt-Nature (Coffee House Press, 2024), after an introduction by Marianna Ariel ColesCurtis. Morgan is featured in “The Luminous Life: Our Twentieth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.
In this Live From NYPL event at the Stavros Niarchos Foundation Library, Emily Lee Luan reads from her collection, 回 / Return (Nightboat Books, 2023), and Jimin Seo reads from his debut collection, OSSIA (Changes Press, 2024), followed by a discussion on the poetics of grief and memory. Seo is featured in “The Luminous Life: Our Twentieth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.
In this virtual book launch event hosted by the Writer’s Center, Zahid Rafiq reads from his debut short story collection, The World With Its Mouth Open (Tin House, 2024), and discusses his experiences living in Kashmir in a conversation with Emily Fridlund. Rafiq’s book is featured in Page One in the January/February issue of Poets & Writers Magazine.
