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InsideOut, a program that has been bringing poets to Detroit schools for twenty-five years, says goodbye to founder and executive director Terry Blackhawk this year, and will publish an anthology of essays by its educators in August.
"'Whenever you receive a letter from a creditor / immediately write fifty lines / upon an otherworldly subject, / and you will be saved!' (If not from the stepfool.)" Franz Wright reads "Baudelaire" from his book Wheeling Motel (Knopf, 2009) at the 2008 Geraldine R. Dodge Poetry Festival. Wright passed away last month at the age of sixty-two.
“There’s only one rule that I know of, babies—God damn it, you’ve got to be kind.” Take to heart Kurt Vonnegut’s words, from his 1965 novel, God Bless You, Mr. Rosewater, or Pearls Before Swine, and spread some kindness through your poetry. Pick someone you admire and write a poem to this person about all the things you want to say to him or her, no matter how personal or embarrassing. Try to avoid focusing on physical appearance or material possessions, and instead celebrate the personality traits or the fond memories you’ve shared. Consider sharing your poem with this person, or at least say some of the lovely things you’ve written to him or her. Kind words have such power; they can lift your spirits, boost your self-esteem, and even change your life—and your poem.
Submissions are currently open for Southern Poetry Review’s Guy Owen Award, given annually for a poem. The winner will receive $1,000 and publication in Southern Poetry Review.
Submit three to five poems totaling no more than ten pages with a $20 entry fee, which includes a one-year subscription to Southern Poetry Review, by June 15. Submissions can be made via the online submission system or via postal mail to Department of Languages, Literature, and Philosophy, Armstrong Atlantic State University, 11935 Abercorn Street, Savannah, GA 31419.
Southern Poetry Review staff established the Guy Owen Award in 2002. Recent winners include Traci Rae Letellier for “Outlaw Country,” chosen by the late Claudia Emerson; Janet Smith for “The Children’s Section,” chosen by Arthur Smith; Susan Schmidt for “If They Came Our Way,” chosen by Kathryn Stripling Byer; and Catherine Staples for “Red Rover,” chosen by Carl Dennis. Established in 1958, Southern Poetry Review is published biannually.
Photo: the current issue (Volume 52, Issue 2) of Southern Poetry Review
Submissions are currently open for the inaugural Latin@ Scholarship for the Frost Place’s Conference on Poetry, given to a Latina or Latino poet. The recipient will receive tuition, room, and board—valued at $1,500—to attend the Frost Place’s Conference on Poetry in July in Franconia, New Hampshire.
Poets who self-identify as Latin@, have a strong commitment to the Latin@ community, and are at least 21 years old are eligible to apply. Submit three to five poems of any length with the required entry form by June 15. There is no application fee.
The winner will attend the Frost Place’s annual Conference on Poetry, held from July 12 to July 18 at Robert Frost’s former homestead in Franconia, New Hampshire. The conference features poetry workshops, lectures, craft discussions, readings, and time to write. The 2015 faculty includes Gabriel Fried, Joan Houlihan, John Murillo, Patrick Phillips, and Martha Rhodes.
Poet Javier Zamora, a former attendee of the Conference on Poetry, helped establish the Latin@ scholarship. “My time at the conference was essential in cementing relationships that helped my writing’s early stages,” says Zamora. “Although the faculty is diverse, while at the Frost Place I saw a lack of a Latin@ presence within the attendants….The purpose of this scholarship is to begin to increase our visibility in these spaces. The idea is to create more possibilities for inclusion.”
Juan Felipe Herrera reads "Five Directions to My House" from his poetry collection Half of the World in Light (University of Arizona Press, 2008). Herrera was named the twenty-first poet laureate of the United States yesterday, the first Latino to hold the position.
This week, concentrate on the sounds of words and pick four or five words that you love to hear and pronounce. Don't worry about whether these words are complex or commonplace, just focus on the way they sound when spoken aloud. Then using one as the title, incorporate these favorite words into a poem. Create a narrative if you wish, or allow yourself to focus completely on sound as you piece together your poem. Consider the similarities between the words you've chosen, in terms of their meaning and their internal music.
Veronica Santiago Liu is the general coordinator of Word Up Community Bookshop, a collectively managed volunteer-run bookshop and arts space in the Washington Heights neighborhood of New York City. Her writing, comics, photography, and silkscreen prints have been published in Broken Pencil, Quick Fiction, We'll Never Have Paris, and other journals and zines.
When Word Up Community Bookshop first opened as a temporary “pop-up” shop in June 2011 in the upper Manhattan neighborhood of Washington Heights, the longtime New Yorkers who’d wander into the storefront would take one look at our makeshift space—our donated home furniture only hinting at a retail environment, our scattershot collection of small press books and broadly encompassing events calendar (indeed, the whole ad hoc system created by neighborhood volunteers) —and say, “This feels just like the Lower East Side once did.”
We were frequently compared to a few community art spaces in particular, spaces that made people feel at home while representing a greater artistic community. A Gathering of the Tribes—the longtime gallery/salon and home of Steve Cannon—was one such downtown space. Thus, we were ecstatic to host a crew of esteemed poets from A Gathering of the Tribes on April 25 with support from the Readings & Workshops Program at Poets & Writers. Though many have sorely missed Cannon’s magical living room on East Third Street since the eviction by a new owner in 2014, the creative people who gave the place life are still doing their thing all over the city: creating and sharing adventurous, irreverent, intimate poetry and stories.
The presenting poets were excited to reunite; indeed, coorganizer and Washington Heights-based poet Sheila Maldonado marveled that everyone was actually on time for the reading. A mix of uptowners and downtowners representing all the colors of the people of New York City sat in the audience, or peered out from behind bookcases where they shopped, transfixed by the words. Through it all, the evening’s energy was palpable—I mean, really, literally everyone cheered at every welcome and introduction.
The legendary Steve Cannon—who Poonam Srivastava later called a testament of the life of the city—kicked off the night’s tellings, with stories of getting to the event that very evening, and stories about each of the poets present whose work he’d published. Everyone was unsure of when he’d started a poem or had slipped back into a story of now, highly amused all the same.
Reading next was Ron Kolm, poet, bookseller, Unbearables member, and author of Welcome to the Barbecue (Low-Tech Press, 1990), Rank Cologne (P.O.N. Press, 1991), Divine Comedy (Fly By Night Press, 2013), and Suburban Ambush (Autonomedia, 2014). Sheila Maldonado whose poetry collection one-bedroom solo was published by Fly by Night Press in 2011, read from her book as well as new work.
Poonam Srivastava, whose book is forthcoming this summer from Fly by Night Press, told a not-quite allegory about driving in the city and in the refrain of the evening, asked for just a little more lesbianism, please. After a short intermission, Frank Perez, author of the chapbooks Rhythm of Life and The Short Cut, took the mic, followed by Chavisa Woods, the award-winning author of The Albino Album (Seven Stories Press, 2013) and Love Does Not Make Me Gentle or Kind (Autonomedia, 2012). Mariposa Fernandez, author of Born Bronxeña: Poems on Identity, Love & Survival (Bronxeña Books, 2001), read next and Melanie Maria Goodreaux warmly closed out the evening with a heartfelt reading!
Photos: (top) Steve Cannon. (bottom) Poonam Srivastava. Photo Credit: Veronica Liu
Support for Readings & Workshops in New York City is provided, in part, by public funds from the New York State Council on the Arts, and the New York City Department of Cultural Affairs, with additional support from the Louis & Anne Abrons Foundation, the Axe-Houghton, the A.K. Starr Charitable Trust, and Friends of Poets & Writers.
This recent installment from Motionpoems by film director Ayse Altinok features a poem from Sarah Blake’s debut collection, Mr. West (Wesleyan, 2015), an unauthorized lyric biography of Kanye West.
Consider someone you've been thinking about recently and write a poem as a tribute to her. Perhaps she did you a much-appreciated favor, paid you an unexpected visit, or just popped into your head as you went about your daily tasks. Take some time to consider what this person means to you and why you're thankful to have her in your life. Examine the bond between the two of you, and why you are important to each other.
