Genre: Poetry

Cinemascope

4.27.21

“In times of crisis, we must all decide again and again whom we love,” writes Frank O’Hara in his poem “To the Film Industry in Crisis,” in which the Beat poet writes an ode to his favorite movie stars and the magic of movies. Listing thirty actors from the Golden Age of Hollywood in relationship to one another, O’Hara describes, with humor, their personalities and appeal on the movie screen. “Mae West in a furry sled, / her bordello radiance and bland remarks, Rudolph Valentino of the moon, / its crushing passions, and moonlike, too, the gentle Norma Shearer,” he writes. Write an ode to your favorite movie or movie star. How can you employ techniques often seen on the screen through the language of the poem?

Crushed Marigold

I am excited to share my thoughts after reading Christiana Castillo’s poetry chapbook, Crushed Marigold, illustrated by and Karla Rosas and published by Flower Press, a Detroit-based publishing practice centering womxn, femme, queer, and trans artists. Castillo is a Latina/Chicana poet, teaching artist, and gardener born in Rio de Janeiro, Brasil and living in the Detroit area. She is the recipient of fellowships from Room Project, Voices of Our Nation (VONA), and Disquiet International.

Castillo joined the Writing in Detroit virtual reading last October, sponsored by Poets & Writers, which offered an inspiring insight to her writing style and bright imagery. Crushed Marigold further expounds upon her writing with colors and textures juxtaposed against the theme of brown skin. In addition, the warm illustrations by artist Karla Rosas throughout the book leave the reader wondering what world we will be pulled into next with each poem.

A favorite poem of mine from Castillo’s collection is “Questions for the Moon,” which asks: “Does the Moon practice self care? / Does she have the time? / I know she controls the / tides / and the water within / us all / but / can she control herself?” The poem gently personifies the moon in a way that opens the reader’s mind to consider how the world around us not only responds to us, but how it responds to itself. The entire collection made me reconsider how we interact with the everyday aspects of our own cultures.

This collection also leaves me with a feeling of hope and perseverance with couplets like “in the midst of decay / there are always more seeds sprouting.” While Castillo touches on heavier topics such as colonization, there is always a sense of moving forward, of growth, of survival.

Crushed Marigold is available at Flower Press’s website and a percentage of the proceeds goes to American Indian Health and Family Services in Michigan, and Kooyrigs, an organization that provides resources to Armenian communities worldwide.

Photo: An open page of Crushed Marigold by Christiana Castillo, illustrated by Karla Rosas.
 
Justin Rogers is the literary outreach coordinator for Poets & Writers in Detroit. Contact him at Detroit@pw.org or on Twitter, @Detroitpworg.

Lunch Poems With Arthur Sze

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“Revelation never comes as a fern uncoiling / a frond in mist; it comes when I trip on a root, / slap a mosquito on my arm,” reads Arthur Sze from his poem "Earthshine" in this 2008 video for the Lunch Poems reading series at the University of California, Berkeley. Sze’s latest collection, The Glass Constellation: New and Collected Poems (Copper Canyon Press, 2021), is featured in Page One in the May/June issue of Poets & Writers Magazine.

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Ghazal

4.20.21

Kayleb Rae Candrilli’s poem “Ghazal Connected as Though Cargo Freights,” winner of Winning Writers’ Tom Howard/Margaret Reid Poetry Contest for traditional verse, uses the Persian poetic form as a way of capturing the landscape in which the speaker grew up as a trans child while balancing the taut music of the line with a narrative propulsion that grounds the story. The ghazal, which originated in seventh-century Arabia, consists of at least five couplets that are structurally autonomous—the first stanza ending both lines with the same word and each stanza that follows repeating the same word at the end of the second line. This week, write a ghazal that explores your childhood. For more guidance on the history of the form and to read examples, visit the Poetry Foundation’s glossary entry on the ghazal.

Life of a Poet: Diane Seuss

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In this 2019 video, Diane Seuss reads from her books of poetry and speaks about her writing with Washington Post’s Ron Charles at Hill Center in Washington, D.C. for a series hosted by the Poetry and Literature Center at the Library of Congress. Seuss’s essay “Restless Herd: Some Thoughts on Order—In Poetry, In Life” appears in the May/June issue of Poets & Writers Magazine.

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Cadence: Video Poetry Festival

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Watch this trailer for the Cadence: Video Poetry Festival, presented by Northwest Film Forum and programmed in collaboration with Seattle author Chelsea Werner-Jatzke and artist Rana San. The annual festival is a series of screenings, workshops, and discussions on the genre of video poetry held during National Poetry Month in April. Read more about the Seattle literary scene in our Seattle City Guide written by E. J. Koh.

Deadline Approaches for the Backwaters Prize in Poetry

The Backwaters Prize in Poetry is accepting submissions. Established in 1998, the prize is awarded for a book-length poetry manuscript. The winning writer will receive $2,000, publication by the Backwaters Press, and 20 author copies. An honorable mention prize of $1,000 and publication by the Backwaters Press will also be given.

Using only the online submission system, submit a manuscript of 60 to 85 pages with a $30 entry fee by May 1. Huascar Medina will judge. Visit the website for complete guidelines.

Founded in 1997, the Backwaters Press was acquired by the University of Nebraska Press (UNP) in 2018. Operating as a distinct imprint within UNP, Backwaters seeks to “plant its roots firmly in the Great Plains, delighting readers with literature of enduring value and consequence.” The winner of the 2020 prize was Nathaniel Perry for Long Rules: An Essay in Verse, which is forthcoming in November.

Hoa Nguyen on Process

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“I think I lead with sound, in a certain way. There’s a percussive place that I go with my measure,” says Hoa Nguyen in this interview for Project 40’s Traces series, which documents the process and practices of Asian Canadian creatives. Nguyen’s A Thousand Times You Lose Your Treasure (Wave Books, 2021) is featured in Page One in the May/June issue of Poets & Writers Magazine.

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