Ah, springtime in New York City! That ineluctable smell! What is it, exactly? Curry and fish sauce, garbage, perfume, rotten eggs, fresh bread, urine, incense, stale tailpipe, shish kebab, body odor. (I am estimating.)
This is the first installment in a series of Postcards written by Steve Almond and Julianna Baggott, coauthors of Which Brings Me to You (Algonquin Books, 2006), while on tour to promote their book.
At the end of Folio Literary Management's second month in operation, Scott Hoffman, who represents writers of fiction and nonfiction and receives between two hundred and five hundred queries a week, spoke about the role of agents in today's publishing marketplace.
Two years after the failure of Zoo Press's fiction contests in 2004, founder Neil Azevedo responds about more controversy surrounding its poetry contests.
The Guardian, the British newspaper founded in 1821, recently compiled a list of the top fifty film adaptations of books.
On a frigid night in early March, a well-dressed crowd of around five hundred people piled into the New School’s Tishman Auditorium to witness the announcement of the winners of the National Book Critics Circle Awards. The membership organization of seven hundred critics and reviewers, founded in 1974, bestows awards annually for poetry, fiction, biography, general nonfiction, and criticism. This year, for the first time, autobiography (or memoir), was added as a separate category—an interesting distinction at a time when the controversy over the genre has dominated literary news.
The second annual Story Prize ceremony, held at the New School’s Tishman Auditorium in late January, began like most literary events in New York City—with much chattering among publishing folk, rising in volume until the lights went down and a hush descended on the room. The evening’s format was simple. The three finalists, fiction writers Jim Harrison, Maureen F. McHugh, and Patrick O’Keefe, would each read from their books and then sit for a short discussion with Larry Dark. In 2004 Dark, the former O. Henry Prize Stories series editor, launched the prize with Julie Lindsey in an effort to promote a genre they believed was underrepresented by other literary awards. The winner of the first annual prize was Edwidge Danticat for The Dew Breaker (Knopf, 2004).