Genre: Fiction

Upcoming Contest Deadlines for Prose Writers

Prose writers! If you have a story, essay, novel, or memoir ready to submit, below are ten writing contests to consider. Each contest offers a prize of at least $1,000 and has a deadline of Wednesday, January 31.

Balcones Center for Creative Writing Fiction Prize: A prize of $1,500 is given annually for a book of fiction published during the previous year. Entry fee: $30

Black Lawrence Press Big Moose Prize: A prize of $1,000, publication by Black Lawrence Press, and 10 author copies is given annually for a novel. Entry fee: $25

Chattahoochee Review Lamar York Prizes: Two prizes of $1,000 each and publication in Chattahoochee Review are given annually for a short story and an essay. Entry fee: $18

Crazyhorse Literary Prizes: Two prizes of $2,000 each and publication in Crazyhorse are given annually for a short story and an essay. Entry fee: $20

Fish Publishing Short Memoir Prize: A prize of €1,000 (approximately $1,180) and publication in the Fish Publishing anthology is given annually for a short memoir. Entry fee: $19

Iowa Review Awards: Two prizes of $1,500 each and publication in Iowa Review are given annually for a story and an essay. Entry fee: $20

New Millennium Writings New Millennium Awards: Three prizes of $1,000 each and publication in New Millennium Writings are given twice yearly for a short story, a work of flash fiction, and a work of creative nonfiction. Entry fee: $20

Ohioana Library Association Walter Rumsey Marvin Grant: A prize of $1,000 is given annually to an Ohio fiction writer or creative nonfiction writer age 30 or under who has not published a book. Writers born in Ohio or who have lived in Ohio for a minimum of five years are eligible. No entry fee.

Winter Anthology Writing Contest: A prize of $1,000 and publication in Winter Anthology is given annually for a group of poems, a story, or an essay. Entry fee: $11

Writers at Work Writing Competition: Two prizes of publication in Quarterly West are given annually for a short story or novel excerpt and an essay or memoir excerpt. The winners also choose to receive either $1,000 or tuition to attend the Writers at Work Conference in Alta, Utah, in June. Writers who have not published a book in the genre in which they are applying are eligible. Entry fee: $20

Visit the contest websites for complete guidelines, and check out our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and nonfiction.

ROOSTERGNN Artist Residency

ROOSTERGNN Global News Network (RGNN) offers residencies of at least ten days to poets, fiction writers, and creative nonfiction writers year-round in Madrid, Spain, and during the summer in Havana and Trinidad, Cuba. Residents in Spain will be provided with lodging in private apartments in central Madrid; residents in Cuba will be provided with lodging with a Cuban host family. The cost to attend the residency is €950 to €1,200. Need-based scholarships of €100 are available. Submit a writing sample of any length, a project proposal, and a résumé or curriculum vitae.

Type: 
RESIDENCY
Ignore Event Date Field?: 
yes
Event Date: 
January 20, 2026
Rolling Admissions: 
yes
Application Deadline: 
January 20, 2026
Financial Aid?: 
no
Financial Aid Application Deadline: 
January 20, 2026
Free Admission: 
no
Contact Information: 

ROOSTERGNN Artist Residency, Calle Juan Bravo 58-60 Madrid, Spain.

Contact City: 
Madrid, Spain, and Havana and Trinidad
Country: 
CU
Add Image: 

Holiday Helter-Skelter

1.17.18

Many traditional symbols of the winter holiday season bring with them associations of playfulness, innocence, togetherness, and celebration. Jo Nesbø’s crime novel The Snowman, however, turns one such symbol on its head, following a detective as he tracks a serial killer whose victims are always found after winter’s first snowfall, with a snowman nearby. Many other authors have experimented with the ominous side of holiday symbolism, such as Terry Pratchett in his fantasy novel Hogfather (a twist on Father Christmas); Christopher Moore in the satirical The Stupidest Angel: A Heartwarming Tale of Christmas Terror; and Nick Hornby in his darkly humorous A Long Way Down, in which four strangers coincidentally decide to jump off the roof of the same high-rise building on New Year’s Eve. Write a short story in which you subvert an expectation that arises with a holiday of your choice, imbuing one of the symbols surrounding the occasion with a new layer of meaning. Why might holiday cheer and sentimentality inspire stories of the opposite?

Teen Writers Find Their Creative Voices

Christine Adler is the president of the Women’s Fiction Writers Association (WFWA) and former editor of Inkwell. Her articles, essays, poems, and book reviews have appeared in various print and online publications throughout the Northeastern United States and Canada. She has an MFA in Writing from Manhattanville College, and is represented by Ann Leslie Tuttle of Dystel, Goderich & Bourret LLC. Adler leads the Teen Creative Writers Workshop at Somers Library in Somers, New York, and is currently at work on her second novel.

The Teen Creative Writers Workshop at Somers Library was created for teens who love to write, those middle and high schoolers who’d tell you writing is their thing. We cover all genres—essays, fiction, fan fiction, poetry, you name it. We wanted to create a safe setting for writers where they can share their work and receive constructive feedback, while learning how to give helpful critiques to each other. We also discuss various genres and how to strengthen important elements in each one.

When a new writer attends the workshop for the first time, we talk briefly about how to give and receive feedback. This way, everyone knows we’re using the same guidelines and have the same goal in mind: to help each other improve. I give the group a prompt and have them write for a few minutes. Each student is then invited to share and read what they’ve just written, or read something they’ve brought with them. I also read what I write from the prompts and solicit feedback from the group.

Every writer knows it can be hard to separate your work from yourself, especially when opening up to criticism. If someone is still shy about reading, I ask them to trade work with another writer in the group and read each other’s work aloud. This gives the students an opportunity to experience reading to a group, and also helps illustrate that the critiques are focused on the writing, and not on the writer.

By far, my most rewarding experience as a teacher has been witnessing the enthusiasm expressed by the students. When we get into a discussion about books, or writing, or characters’ motivations they become so animated. It’s exciting to have them ask if we can meet weekly instead of biweekly, or if we can continue the workshop over the summer. Their interest shows me that they truly value the time spent, and enjoy learning the craft. I know they won’t all go on to become writers, but there was nothing like this for me in high school. If there had been, I might have had the confidence to start my writing career earlier in life. I love that I can be a resource to help these students start sooner if they wish.

Leading a group of young writers has greatly influenced my own art too. One thing I emphasize to the members is that we’re never done learning, in writing or in life. We can always improve. I’m strong at dialogue, but weaker at character development and world-building. Many of the teens write fantasy, and as a result are world-building wizards. I’ve learned a lot about world-building from them, and I often leave the workshop, go home, and dive into my work-in-progress. We share tips and tools with each other, encourage one another to keep writing, and together, we see our work getting better. For a writer, there’s nothing more inspiring.

Support for the Readings & Workshops Program in New York is provided, in part, by public funds from the New York State Council on the Arts, with additional support from the Friends of Poets & Writers.

Photos: (top) Christine Adler (Credit: Alex Lindquist). (bottom) Teen Creative Writers Workshop participants (Credit: Tara Ferretti).

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