Genre: Fiction

Upcoming Deadline: Moon City Short Fiction Award

Submissions are currently open for the 2018 Moon City Short Fiction Award. A prize of $1,000 and publication by Moon City Press is given annually for a collection of short fiction.

Using the online submission system, submit a manuscript of 30,000 to 65,000 words with a $25 entry fee by October 1. Entries may include short stories, flash fiction, or novellas. The editors will judge.

Past winners of the award include Kim Magowan for Undoing, Michelle Ross for There’s So Much They Haven’t Told You, Laura Hendrix Ezell for A Record of Our Debts, and Cate McGowan for True Places Never Are.

Visit the contest website for complete guidelines, and check out our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and nonfiction.

 

Traversing California on the Rural Libraries Tour

The Rural Libraries Tour is a result of a seventeen-year partnership between Poets & Writers’ Readings & Workshops program and the California Center for the Book (CalBook), which sends writers into rural and underserved areas of California to teach creative writing workshops in libraries or at venues promoted by the libraries. Some workshops are bilingual (English and Spanish), some reach teens, and most reach all ages and types of people. As the eighteenth year of programming approaches, the participating writing instructors reflect on their experiences teaching these workshops.

Olga García Echeverría

My visits to libraries in rural areas of Southern California are always a special treat for me as both an educator and an artist. In my regular teaching job, I am used to working with students for an extended period of time. With the Rural Libraries Tour, I am often entering completely new spaces with people I will probably never see again. Yet, in every single workshop that I have conducted during the past nine years, I have felt very much at home. I believe this is because the love of words and the desire to create binds us, regardless of where we are and if we will meet again. The potential for meaningful connections via words and art (even in a short amount of time) is always possible.

My poetic spirit is nourished in amazing ways each time. We don’t just read and write, we share intimate parts of ourselves and, collectively, we create. It’s amazing how often participants linger past the workshop to express how much they enjoyed being able to tap into themselves and write something that surprises them. There is a glow about them that is familiar; I know that feeling of having created something and feeling empowered or proud. These workshops—they’re a dynamic exchange of creative energy and they always reaffirm my love of poetry and community.

Tim Z. Hernandez

I’ve driven the road to Hollister, California numerous times over the past several seasons that I’ve participated in the Rural Libraries Tour, but this time was special. After having just released my book, All They Will Call You (University of Arizona Press, 2017), based on the famous 1948 plane crash that killed twenty-eight Mexican migrant workers, I knew I was returning to a community that not only knew the realities of migrant life very well, but more than that, Hollister is positioned on the western slope of the very canyon that the plane crashed down on—Los Gatos Canyon.

I was visiting with students, most of whom had come from migrant farm working families. They had never heard of this story before, but felt an immediate connection to it. They were rapt, and we conversed and shared stories for what seemed like hours. The most beautiful part came in the final minutes when students began asking if one of the passengers on the plane was named Rodriguez. And then another asked about the name Martinez. Another still wanted to know if there was a Ruiz who was killed. They were each going to go home and share this story with their parents. Perhaps they too were related. This is the power of stories, I nodded to myself. I never know what exchange will impact the people I get to work with, as well as myself. But always, I leave feeling grateful.

Susan Wooldridge

I’m happiest when people of all ages and ethnicities appear at workshops. Including the California border towns of Imperial and Crescent City, I’ve visited small libraries tucked in Markleesville, Placerville, Alturas, Yreka, Etna, and Weaverville (in the Trinity Alps), Susanville and Quincy where, always, surprisingly gifted youngsters, teens, and adults appear with their pens and their souls waiting for expression. Most recently, twenty people gathered on round tables at the Shasta Library in Redding.

Our workshops together have welcomed me into the heartland of California as part of a larger mission: to bring love of language to small-town California. I’ve been heartened and changed as part of our years-long, far-and-wide endeavor. I feel delight and honor and, hey, almost “credible!” I feel held and loved by the support and camaraderie (not to mention pay!) provided by Poets & Writers and the California Center for the Book. These years of sessions nourish and transform my own writing. My (almost finished!) book about land and language includes many chapters about experiences and revelations in small libraries—“Damien’s Waterfalls” (South Lake Tahoe), “Sublime Limes” (Colusa), and “Cesar Stealing Words” (Williams), to name a few. Our rural libraries outreach adds a wildly colorful dimension to my writing and life.

Support for Readings & Workshops in California is provided by the California Arts Council, a state agency, and the National Endowment for the Arts, a federal agency. Additional support comes from the Friends of Poets & Writers.

Photo 1: Olga García Echeverría (Credit: Maritza Alvarez). Photo 2: Tim Z. Hernandez (Credit: Tim Z. Hernandez). Photo 3: Susan Wooldridge (Credit: Shannon Iris).

Esmé Weijun Wang

Caption: 

“The way that I write fiction is to kind of go in and just wander around.” In this video, Granta magazine’s Josie Mitchell speaks to Esmé Weijun Wang about her debut novel, The Border of Paradise (Unnamed Press, 2016), and her forthcoming essay collection, The Collected Schizophrenias, which won the 2016 Graywolf Press Nonfiction Prize.

Plant Blindness

9.20.17

Plant blindness is a term used by botanists and horticulturists to describe contemporary humanity’s general inability to see the plants and trees in our daily environments as more than just decorative background. Many gardening and plant experts and enthusiasts encourage educational courses or casual tree identification walks as activities that can begin influencing the way the majority of people view and value plants. Write a short story in which a character who once had plant blindness develops a new awareness of greenery. What moment or situation provokes the change? Does the change manifest itself in dramatic and monumental ways, or in more subtle shifts of behavior and beliefs?

The Golden House

Caption: 

“One of the things that the novel comes out of is this sense that reality itself is under attack, that the idea of truth itself is under attack. And it actually changed the way I wrote.” Salman Rushdie talks about politics, alternative news, free speech, and his most recent novel, The Golden House (Random House, 2017), on Boston’s WBGH News. “Epic: An Interview With Salman Rushdie” by Porochista Khakpour is featured in the September/October issue of Poets & Writers Magazine.

Genre: 

Prose Contests With Upcoming Deadlines

Fiction and nonfiction writers: consider taking a chance and submitting your story, essay, or prose manuscript to a writing contest. Below is a list of contests with deadlines in the second half of September. Each contest offers a first-place prize of at least $1,000.

Ghost Story Supernatural Fiction Award: A prize of $1,000 and publication on the Ghost Story website is given twice yearly for a short story with a supernatural or magic realism theme. Deadline: September 30. Entry fee: $20

Hackney Literary Awards Novel Contest: A prize of $5,000 is given annually for an unpublished novel. Deadline: September 30. Entry fee: $30

Literal Latté Essay Award: A prize of $1,000 and publication in Literal Latté is given annually for a personal essay. Deadline: September 30. Entry fee: $10

Manchester Metropolitan University Fiction Prize: A prize of £10,000 is given annually for a short story. The winner will be invited to attend an award ceremony in Manchester, England, in November. Bonnie Greer, Angela Readman, and Nicholas Royle will judge. Deadline: September 29. Entry fee: $23

Travelers’ Tales Solas Awards: A prize of $1,000 and publication in the annual anthology The Best Travel Writing and on the Travelers Tales’ website is given annually for a travel essay. Writers from Arizona and Vermont are eligible for publication, but not the cash prize. Deadline: September 21. Entry Fee: $25

University of Iowa Press Iowa Short Fiction Award: Two awards of publication by University of Iowa Press are given annually for first collections of short fiction. Writers who have not published a book of fiction are eligible. Deadline: September 30. Entry fee: 0

University of Massachusetts Press Juniper Prizes: Two prizes of $1,000 each and publication by University of Massachusetts Press are given annually for a short story collection and a novel. Deadline: September 30. Entry fee: $30

Visit the contest websites for complete guidelines and submission details. Check out our Grants & Awards database and Submission Calendar for more upcoming contests in poetry, fiction, and nonfiction.

 

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